Sam Norkin

Morris Carnovsky "Counterattack" 1943 Broadway Play Theatre Caricature Drawing

1943

Ethel Merman "Annie Get Your Gun" original Mid Century Broadway theatre drawing Ethel Merman in the pre-Broadway tour of ANNIE GET YOUR GUN, 18 ½ ...

"Mission Impossible" Original TV Guide Drawing Illustration Caricature Mid Century NYC with Greg Morris, Barbara Bain, and Steve Hill. This original drawing...

"King & I" Orig 1951 Broadway Drawing Published NYT Tony Awards Mid 20th Century Al Hirschfeld (1903 – 2003) "The King and I," 14 3/4 x 30 inches. Ink on board. Signed lower right. ...

"Marc Chagall" Original Drawing Illustration Caricature William Saroyan book This drawing was published in the 1976 edition of William Saroyan's SONS ...

Cecil Keeling Prisoner of War Camp Pen, ink and wash 22 x 16 cm Initialled lower right This poignant work depicts a quiet moment between raids. Three soldiers sit in a row at ease. ...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Right Caricature by George Wachsteter (1911-2004) for 1947 Broadway drama, `The Whole World Over`, starring Uta Hag...

Medium: Pen and Ink on Cardstock Signature: Signed Lower Left 13.25" x 10.50" image on 22.00" x 15.00" cardstock. Ink on Cardstock Caricature Promo for 1959 Broadway Play `The Gang`s All Here`, starring Melvyn Douglas...

Samuel Norkin (January 10, 1917 – July 30, 2011) was a Brooklyn, New York-born cartoonist who specialized in theater caricatures for more than even decades. His drawings of theater, opera, ballet and film celebrities appeared in Variety, Backstage, The Philadelphia Inquirer, The Washington Post, Los Angeles Times, The Boston Globe and many other publications. Norkin learned composition and anatomy from the muralist Mordi Gassner. He received a scholarship to the Metropolitan Art School after his high school graduation, and he later attended Cooper Union, the Brooklyn Museum Art School and the School of Fine and Industrial Art. During the 1940s, newspaper editors wanted to devote more space to new theatrical productions, but photo opportunities usually did not happen until a show opened. Norkin took advantage of the situation and gained access to rehearsals, performers, costume sketches, fittings and scenic designs, providing editors with illustrations prior to an opening. From 1940 to 1956, his theatrical illustrations were a regular feature in the New York Herald Tribune. Then for the next 26 years, he covered the performing arts for the Daily News. Since 1940, Norkin has had more than 4000 drawings published. When he began doing theatrical caricature, he supplied his own captions, which eventually prompted him to write articles and reviews. He was an art critic for the Carnegie Hall house program and a cultural reporter for the Daily News. Norkin's theater reminiscences and 266 drawings came together in the book Sam Norkin, Drawings, Stories (Heinemann, 1994), which was reviewed by David Barbour: A Norkin caricature cartoon is often densely packed with detail and may feature a great deal of solid black space. He also is more daring in his drafting; many of his pieces, in particular one from the Broadway production of The Phantom of the Opera, feature steeply raked lines which plunge vertiginously from top to bottom, to highly dramatic effect. On the other hand, many of Norkin's effects border on the surreal. His version of Michael Jeter and Jane Krakowski in Grand Hotel depicts the pair as a series of interrlated curves; Jeter, in particular, looks like a machine that you crank up and let loose on stage. His version of Constance Cummings as a stroke victim in Wings, uses cruelly sharp angles to create a Cubist deconstruction of the actress's face and limbs, which mirrors the disintegration of the character's mental functions. Norkin offers a wide-ranging collection of his works... He also showscases actors at different points in their careers (as in a trio of portraits of John Gielgud and Ralph Richardson) and different takes on different productions (he gives us a number of Salomes from the Metropolitan and New York City Operas). Exhibitions Artwork by Norkin has been exhibited in the Lincoln Center Library and Museum of the Performing Arts, the Museum of the City of New York, the Metropolitan Opera House, the Hudson River Museum in (Yonkers, New York) and various galleries. Awards In 1942, Sam Norkin drew Joan Roberts, who was then starring on Broadway in Oklahoma!. Various awards received over the years by Norkin include an award for "Outstanding Theater Art" from the League of American Theatres and Producers. (1980) and an award for “Lifetime Body of Work” (1995) from the Drama Desk, the association of drama critics, drama editors and drama reporters. Along with David Levine, Al Hirschfeld and Kin Platt he is one of the great artists of the American press. He received two awards from the National Cartoonists Society, the Special Features Award (1980) and the Silver T-Square Award (1984). Sleuth is a 1970 play written by Anthony Shaffer. The Broadway production received the Tony Award for Best Play, and Anthony Quayle and Keith Baxter received the Drama Desk Award for Outstanding Performance. The play was adapted for feature films in 1972, 2007 and 2014. The play is set in the Wiltshire manor house of Andrew Wyke, an immensely successful mystery writer. Wyke's home reflects his obsession with the inventions and deceptions of fiction and his fascination with games and game-playing. He lures his wife's lover Milo Tindle to the house and convinces him to stage a robbery of her jewelry, a proposal that sets off a chain of events that leaves the audience trying to decipher where Wyke's imagination ends and reality begins. Shaffer said the play was partially inspired by one of his friends, composer Stephen Sondheim, whose intense interest in game-playing is mirrored by the character of Wyke, and by John Dickson Carr. Paul Rogers and Keith Baxter in the Broadway production of Sleuth (1971) Directed by Clifford Williams, Sleuth opened on 12 January 1970 at the Royal Theatre in Brighton, England. The play eventually transferred to the United States and opened on Broadway on November 12, 1970, at the Music Box Theatre, where it ran for 1,222 performances. Anthony Quayle and Keith Baxter starred as Andrew Wyke and Milo Tindle, with other parts listed as played by Stanley Wright, Sydney Maycock and Liam McNulty. When Quayle left the production in 1972, he was succeeded by Paul Rogers, George Rose...