Serge Fontinsky

Sleeping Girl - Charcoal Drawing and watercolor by S. Fontinsky - 1940s

1940s

Pencil drawing realized by mino Maccari in the 1930s. Not signed. Drystamp "Tiziano" in the lower right corner. Lightly worn in the upper left corner.

Sleeping Girll is an original China Ink Drawing realized by Mino Maccari in mid-20th Century. Good condition on a cream colored paper. Hand-signed by the artist with pencil. Mino ...

Sleeping Woman is an original modern artwork realized the half of the XX Century by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original pen drawing on paper. Hand-...

Figure is an original pencil drawing on ivory-colored paper realized by Leo Guida in 1970s. The state of preservation of the artwork is good. Not signed. INV.85B, on the lower right.

Raphael Soyer, Russian/American (1899 - 1987) - Sleeping Woman. Medium: Graphite on Paper, signed in pencil, Size: 13.5 x 10.5 in. (34.29 x 26.67 cm)

Roboa Sleeping (The Artist's Wife) by Georges Manzana Pissarro (1871-1961) Charcoal on paper 20.4 x 31.2 cm (8 x 12 ¼ inches) Signed lower centre, manzana. Pissarro This work is acc...

Auguste DURAND-ROSE (1887-1962) Sleeping female nude Charcoal on paper Signed "A Durand-Rosé" lower right 48 x 62 cm Sold in an original frame : 66 x 80 cm...

Charcoal on paper, signed lower left Image size: 15 3/4 x 21 inches (40 x 53.5 cm) Contemporary frame James Stroudley Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker, paid homage to Stroudley by including his work in the exhibition ‘Pupil & Masters’, held at Westgate House, Long Melford, Suffolk. Stroudley married three times, and his wives included the fashion artist to the Sun newspaper...