Sir William Blake Richmond

Study of an Angel by British Pre-Raphaelite artist Sir William Blake Richmond

circa 1900

JAMES JOSHUA GUTHRIE (1874-1952) The Sower Signed with monogram l.r., inscribed with title l.c. Watercolour, bodycolour and pen and ink 21 by 15.5 cm., 8 ¼ by 6 in. (frame size 39.5 by 33 cm., 15 ½ by 13 in. Provenanace: Pickford Waller...

LIONEL DURIEU After WALTER CRANE RWS (1845-1915) The Tournay of the Lily and the Rose Signed and dated 1898 Watercolour and gold and silver paint on vellum, framed 19 by 31 cm., ...

SIR CECIL BEATON, CBE (1904-1980) Design for an Evening Gown II Pencil Unframed, in mount only 28 by 19 cm., 11 by 7 ½ in. (mount size 40.5 by 30.5 cm., 16 by 12 in.) Provenance:...

CHARLES SIMS, RA, RWS, RSW (1873-1928) Drapery Study for the Royal Academy Arts & Crafts Mural Pencil, squared for transfer Unframed, in conservation mount 17.5 by 24 cm., 7 by 9 ...

CAROLYN SERGEANT (1937-2018) Woman in a Chinese Jacket Pencil, unframed 49.5 by 36 cm., 19 ½ by 14 ¼ in. (mount size 65.5 by 51.5 cm., 25 ¾ by 20 ¼ in.) Carolyn Cann studied at ...

HERBERT WILSON FOSTER (1846-1929) Spring Inscribed with title beneath the mount Chalk, circular Framed Diameter 42 cm., 16 ½ in. (frame size 61 by 58 cm., 24 by 22 ¾ in.) Herbert Wilson Foster was born in Endon, Staffordshire. He attended Hanley School of Art before continuing his studies in London, Belgium and France. His paintings of rural and domestic subjects were exhibited at the Royal Academy between 1873 and 1899. In 1893 he accepted a teaching position at the Nottingham School of Art, where his pupils included Laura Knight and Harold Knight. Works by him are in the collections of the Minton archives; the Wisbech & Fenland Museum; Leicester Art Gallery; Rushcliffe Council and Nottingham Castle Museum. In addition to his work as a painter he worked as a porcelain painter, working at one point on the tile panels in the Victoria & Albert Museum. He is known to have worked at Mintons from 1872 where he specialized in portraits of contemporary personalities, including members of the Royal Family. This head of a girl was probably intended for a painted ceramic wall charger...

Signed and inscribed on a label on the verso: No. 1/ The Argument/ W. Cave Thomas/ 203 Camden Rd/ NW Provenance: Christie’s, London, 6 November 1995, lot 88. Private Collection, London. This powerful watercolor is a mature work by the little-known Victorian painter William Cave Thomas...

Lord Frederick Leighton (British, 1830-1896) A very early study of a Medieval Minstrel pencil on paper the fragment measures approx. 19.1/2 x 13 in. (49.5 x 33 cm.) Provenance: Gif...

Lord Frederick Leighton (British, 1830-1896) A Medieval Allegory pencil on paper the fragment measures approx. 19.1/2 x 13 in. (49.5 x 33 cm.) Provenance: Gifted by Leighton to his ...

Lord Frederick Leighton (British, 1830-1896) Apprehending a thief pencil on paper the fragment measures approx. 17.1/3 x 11in. (44 x 28cm.) signed ‘F Leighton’ (lower right) Provenan...

Children Amongst Foxgloves - Female Illustrator of The Golden Age by a female illustrator of The Golden Age Watercolor on paper, signed 'A. Bowerley' lower left. 11 x 20 in. (sight)...

Thomas Cooper Gotch RBA RI 1854 - 1931 Death the Bride Graphite on paper Image size: 44 x 34 inches Pre Raphaelite Style frame The title of the painting comes from Shakespeare. It ...