Soudeh Davoud

Untitled - Painting, Colour pencil on paper

2019

Soudeh Davoud Untitled, 2019 Colour pencil on paper 45 x 36 cm (17 3/4 x 14 1/8 in) In this quietly powerful drawing, Soudeh Davoud isolates a single female figure within a vast, un...

In Untitled (2023), Iranian artist Soudeh Davoud (b. 1988) weaves together history, symbolism, and memory through a meticulous use of colour pencil on cardboard. The composition juxt...

In Untitled (2023), Iranian artist Soudeh Davoud (b. 1988) explores themes of memory, identity, and the tension between public and private spheres through her distinctive figurative ...

Soudeh Davoud 1988 - Current Flowers, 2020 Colour pencil on paper 22 x 28 cm 8 5/8 x 11 in

Gouache on paper Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studied the painting at the Tbilisi State Academy of...

Charcoal on paper Unique work Hand-signed by the artist on the back THE IMAGINARY LAND OF ZAHRA ZEINALI “Over time Zahra Zeinali develops her universe, which evolves slowly accordi...

Mixed media, acrylic and ink on paper Nino Devdariani is a Georgian artist born in 1970 who lives and works in Tbilisi, Georgia. Her inspiration is th...

Acrylic paint on paper Hand-signed by the artist Unique work THE THOUSAND AND ONE NIGHTS OF MOHAMMAD ARIYAEI " Gentleness and oriental wisdom follow the supercharged bubbling to which we were accustomed from the previous deliberately art brut exhibition by Mohammad ARIYAEI. The Iranian painter's imagination moves serenely from the wildest frenzy to the meditative calm of great, fabulous stories. The artist then took pleasure in pouring the volcanic torrent of his barbaric figures onto the delicate latticework with which he is accustomed to lining his backgrounds with the patience of an illuminating monk. Already sweetness and paroxysm coexisted. Now gentleness wins. The trained imagination of the painter, yet spontaneously bubbling, by instinct as much as by erudition, has no difficulty in reconnecting with the abundant oriental tradition of the thousand and one nights, which, like a long underground river, resurfaces at the light of his painting. Spring renewal of traditions still alive. Systematic filling of space, a sort of oriental version of the Riches Heures...