Tia Koulianos

The Sun Always Shines

2022

Pastel on paper. Artwork is 25.5 x 19.7 in., framed it is 31 x 25 in.

Gouache on paper. Artwork is 7.5 x 7.5 in. and framed it is 13 x 13 in.

Gouache on paper. Artwork is 7.5 x 7.5 in. and framed it is 13 x 13 in.

Gouache on paper. Artwork is 7.5 x 7.5 in. and framed it is 13 x 13 in.

Gouache on paper. Artwork is 7.5 x 7.5 in. and framed it is 13 x 13 in.

Ink on paper, framed.

In this 16" x 20" ink and pastel drawing on paper, Simon-Gestin depicts what appears to be a young woman isolated within the darkened archway of an architectural setting. The smiling face of a larger female figure looks on from the left margin of the work - a possible 'guardian' or 'protector' of the younger girl. The ground of geometric shapes surrounding the figures are filled with organic shapes and contouring lines in warm tones or dark line. This work is from Simon-Gestin's "No Way Back...

Gloria Dudfield Yellow Purple Figure 1960s Oil Pastel and Gouache on Paper 36"x28" unframed $800 *Custom framing available for additional charge. Please ...

Jack Hooper "Green and Blue Nude II" 5/1963 Oil pastel on paper 8.5"x11" unframed Signed and dated in pencil lower right Jack Meredith Hooper (August 26, ...

Jack Hooper "Green and Blue Nude I" 5/1963 Oil pastel on paper 8.5"x11" unframed Signed and dated in pencil lower right Jack Meredith Hooper (August 26, 1...

Mercedes Carles Matter (1913 - 2001) Untitled, circa 1937 Pastel on paper 16 x 13 1/2 inches Estate stamped on the reverse Provenance: Estate of the artist Spanierman Gallery, New York Private Collection, Pennsylvania circa 2013 Private Collection, New York, 2021 Mercedes Matter was born in New York in 1913. Her father, the American modernist Arthur B. Carles, had studied with Matisse. Her mother, Mercedes de Cordoba, was a model for Edward Steichen. Ms. Matter grew up in Philadelphia, New York and Europe. She began painting under her father's supervision at age 6, and studied art at Bennett College in Millbrook, N.Y., and then in New York City with Maurice Sterne, Alexander Archipenko and Hans Hofmann. In the late 1930's, she was an original member of the American Abstract Artists organization and worked for the federal Works Progress Administration, assisting Fernand Léger on his mural for the French Line passenger ship company. Léger introduced her to Herbert Matter, the Swiss graphic designer and photographer, whom she married in 1939. The Matters were active in the emerging New York art scene and also traveled frequently to Europe. Their closest friends included Jackson Pollock, Lee Krasner, Franz Kline, Philip Guston, Alexander Calder and Willem de Kooning. They were also close to Alberto Giacometti, who was an important artistic role model for Mrs. Matter and a frequent photographic subject for her husband. Beginning in 1953, Mrs. Matter taught at the Philadelphia College of Art (now University of the Arts), Pratt Institute and New York University. Based on her teaching experiences she wrote an article for Art News in 1963 titled ''What's Wrong with U.S. Art Schools?'' In it, she lamented the phasing out of the extended studio classes required to initiate ''that painfully slow education of the senses,'' which she considered an artist's life work. The article prompted a group of Pratt students to ask her to form a school based on her ideas, which led, in 1964, to the founding of the New York Studio School. Originally in a loft on Broadway, the school gained almost immediate support from the Kaplan Fund, the Rockefeller Brothers Fund and the Ford Foundation. It granted no degrees, had only studio classes and emphasized drawing from life. Its teachers, chosen by the students, included the artists Guston, Bradley Walker Tomlin, Charles Cajori, Louis Finkelstein...

Anthony Thomas Triano (1928–1997) was an abstract expressionist painter, sculptor, illustrator and teacher. His works feature natural forms, especially the human form, and tend towar...