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Boxing - Drawing - Mid-20th Century

Mid-20th Century

The Discovery is an original drawing in Watercolor, realized by an anonymous artist in the early 20th Century. Good condition except for consumed margins. The artwork is depicted s...

"Wrestler" 1930s is an original pencil drawing on ivory-colorated paper, glued on cardboard, by Anonymous Artist of XX Century. In excellent conditions: As good as new. Sheet dimens...

Boxeurs is a Lithograph on ivory-colored paper realized by Luc Albert Moreau. The artwork is in good condition. Hand-signed on the lower right corner, numbered on the left. Luc-Al...

Wrestling is a drawing realized by André Meaux de Saint Marc in the Mid-20th Century. Charcoal on ivory-colored paper Good conditions with slight foxing. The artwork is realized t...

Untitled (Joe Louis knocking out Max Schmeling in 1938 rematch) Pen and ink with wash on heavy wove sketchbook paper, 1938 Signed lower right: Fletcher Martin Directly related to Martin's famous painting of 1942 entitled "Lullaby", which was also used in the lithograph of the same name. (see photo) The drawing depicts the third and final knockdown of Max Schmeling in their rematch of 1938. Condition: Mat staining at the edges of the sketchbook page edges Toning to verso from previous framing. Does not affect framed presentation "It was here that Louis first used sport to bridge America's cavernous racial divide. With Hitler on the march in Europe and using Schmeling's victory over Louis as proof of “Aryan supremacy,” anti-Nazi sentiment ran high in the States. Louis had long grown accustomed to the pressures of representing his race but here the burdens were broader and deeper. Now he was shouldering the hopes of an entire nation. A few weeks before the match Louis visited the White House and U.S. President Franklin Delano Roosevelt, whose tenure lasted even longer than Louis' would, told him, “Joe, we need muscles like yours to beat Germany.” Those muscles certainly beat Schmeling on fight night...

A Wonderful Mid-Century Boxing Scene of a Standing Prize Fighter by Noted Chicago Artist, Rudolph T. Pen. This energetic sporting scene, painted in the 1960s, exemplifies the abstra...

D. Stine The Knockout Year: circa 1970 Medium: Oil on board, signed lower right Size: 29 x 21.25 in. (73.66 x 53.98 cm) Frame Size: 36 x 34 inches

This lithe portrait of a slim boxer throwing a left jab, executed in pencil on thin paper, was executed by Francis Luis Mora, a rare example of an American artist with Uruguayan heri...