Unknown

Egyptian Queen - Drawing - 1950s

1950s

Study for Scenograpy on Ancient Egypt is an original Ink and Watercolor Drawing realized by an unknown artist in the early-20th century. Very good condition on a yellowed paper. No...

Costume for Aida is a drawing in tempera and watercolor on brownish paper realized in 1920 ca. by an Anonymous Italian artist of the early 20th Century. In very good condition. The...

Costume for Aida is a drawing in tempera and watercolor on brownish paper realized in 1920 ca. by an Anonymous Italian artist of the early 20th Century. In very good condition. The...

Costume for Aida is an original painting in tempera and watercolor on brownish paper realized in 1920 ca. by an Anonymous Italian artist of the 20th Century. In very good condition....

(20th century) Theban Archaeopteryx Lithographica lithograph edition of 15 signed Barbara Trupp was born in Nebraska and spent her childhood in Montana. She studied at the Banff Centre School of Fine Arts in Alberta, Canada; the University of Puget Sound; and the University of Michigan. Theban Archeaopteryx Lithographica was printed at the Plucked Chicken Press in Evanston, Illinois. “The stone is the shape of the Rosetta Stone, unlocking language, [a] key to the past,” says Tripp. “Wouldn’t it be wonderful if you came across a stone, chipped at it, and revealed layer upon layer of visual history, images from sophisticated Egypt back to Paleozoic trilobites? “Lithography stones, quarried from the Jura Mountains of Bavaria, reach us from the Jurassic period of the Mesozoic, bearing fossils of the first birds. The bird fossil looked like it was doing an Egyptian dance, and that reminded me of the wall paintings of the House of Eternity in Thebes. ‘Paint the walls brightly, cheerfully, so that our souls will take the form of birds and fly,’ said Sennefer, the mayor of Thebes, in the tomb of his wife Meryet. “Fossils and archeological evidence provide proof that others existed before us, and allow us to see their thoughts. The past is with us. Like Archaeopteryx, Sennefer and Meryet still fly through eternity, though frozen in stone. Above them is the protective eye of Horus. Trilobites represent a breathtaking explosion of Cambrian life forms. Between Archaeopteryx and Egypt, I wanted mammals. Petroglyphs. Human marks. Because my right hand is the trained hand, I drew with my left, childlike. And I drew with a stick, dipped in asphaltum, and a ratty old brush...

Egyptian Scene III-Painting on Pith Rice Paper. Measures approximately 21 .25 x 17.25 Signed (signature is undecipherable). The date of creation is unknown. ...

Oliver Hazard’s paintings are produced directly from his imagination and deals with a mixture of imagery he has witnessed in his travels, dreams, and read about in literature. The ar...

More than Cubism and Roundism This graphite pencil drawing ‘Cleopatra – 23-02-24’ refers to a work under the same name I made back in 2018. That year I started my ‘Out of...