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Follower of Rosetti - 1874 Watercolour, The Loot

1874

A fine late 19th century watercolour depicting fishing boats near the slip at Newlyn. Signed 'M. A. Carter' and dated 1881 to the lower left. Presented in an ornate gilt-effect frame...

With touches of body colour. Well presented in a double card mount and gilt effect frame. Unsigned. On watercolour paper.

This vibrant artwork captures the frenetic energy of a bustling dance hall, with a scene of musicians and dancers rendered in loose, expressive brushstrokes. The composition draws th...

A delightful watercolour painting by Judith Caulfield Walshe, depicting three nuns wearing white cornettes. Signed to the lower right-hand corner. There is an artist's label on the r...

Artist: Merton Clivette (American, 1868-1931) Title: Landscape Year: Circa 1925 Medium: Gouache Paper: Heavy Bristol type Size image: 22.75 x 28 inches Paper size: 22.75 x 28 inches Signature: Signed lower left by the artist Condition: Excellent Frame: Unframed About the artist. Clivette was born in Portage, Wisconsin, in 1868 as Merton Clive Cook, the youngest of five (four sons and one daughter). His father was a retired British sea captain, and his mother was an American of French, Scottish and Iroquois Indian stock. He stayed with a circus for about five years, traveling all over the Western United States, Canada and Mexico. They did shows for the army forts, for railroad workers and on Indian Reservations. Clivette settled in San Francisco in 1886, when he was offered a job as a reporter and theatrical writer for the San Francisco Call. He met Frederic Remington during this period. He was the first serious artist Clivette had met and he was an inspiration to him. Clivette had done some drawing and painting on the road during his vaudeville years, he had a natural facility for it, and he had had some formal art training as well. He had had some training in Europe and was aware of the modern art movement in Europe. Later in New York he participated in symposiums and workshops at the Art Students League. Around 1910 he gave up his stage career and began to paint full time. He was about 40 years old and was to continue to paint vigorously and prolifically for the remaining 22 years of his life, His style can be identified with the Expressionist Movement, His subjects include portraits (some quite realistic, others more generalized) Indians and horsemen, laborers, gentlemen and vamps, jungle animals and birds, fish, seascapes and landscapes. He was an active participant in the art world of New York. He was a member of the Society of Independent Artists. In 1923 he showed at the Ainslee Art Gallery at 677 Fifth Ave., in 1925 at the Spanish Society in Brooklyn and in 1927 he had a solo show at the New Gallery, 600 Madison Ave. That same year there was also a solo show of his work in Paris at the Bernheim-Jeune Gallery, which included a catalogue. In 1929 he exhibited at the Art Center of the Roerich Museum in a group show of work from the collection of George Hellman. In 1930 he was in a show at the Museum of Modern Art in New York, "Painting and Sculpture by Living Americans" which also included the work of Stuart Davis, Arthur Dove, William Glackens, Marsden Hartley, Childe Hassam, George Luks and Mark Tobey and sculptors Gaston Lachaise and William Zorach among others. A description and critical analysis of his work in included in the book by Henry Rankin Poore...

Artist: Merton Clivette (American, 1868-1931) Title: Landscape II Year: Circa 1925 Medium: Gouache Paper: Watercolor Size image: 17.35 x 22.65 inches Size paper: 17.35 x 22.65 inches Signature: Signed lower left by the artist Condition: Excellent Frame: Unframed About the artist. Clivette was born in Portage, Wisconsin, in 1868 as Merton Clive Cook, the youngest of five (four sons and one daughter). His father was a retired British sea captain, and his mother was an American of French, Scottish and Iroquois Indian stock. He stayed with a circus for about five years, traveling all over the Western United States, Canada and Mexico. They did shows for the army forts, for railroad workers and on Indian Reservations. Clivette settled in San Francisco in 1886, when he was offered a job as a reporter and theatrical writer for the San Francisco Call. He met Frederic Remington during this period. He was the first serious artist Clivette had met and he was an inspiration to him. Clivette had done some drawing and painting on the road during his vaudeville years, he had a natural facility for it, and he had had some formal art training as well. He had had some training in Europe and was aware of the modern art movement in Europe. Later in New York he participated in symposiums and workshops at the Art Students League. Around 1910 he gave up his stage career and began to paint full time. He was about 40 years old and was to continue to paint vigorously and prolifically for the remaining 22 years of his life, His style can be identified with the Expressionist Movement, His subjects include portraits (some quite realistic, others more generalized) Indians and horsemen, laborers, gentlemen and vamps, jungle animals and birds, fish, seascapes and landscapes. He was an active participant in the art world of New York. He was a member of the Society of Independent Artists. In 1923 he showed at the Ainslee Art Gallery at 677 Fifth Ave., in 1925 at the Spanish Society in Brooklyn and in 1927 he had a solo show at the New Gallery, 600 Madison Ave. That same year there was also a solo show of his work in Paris at the Bernheim-Jeune Gallery, which included a catalogue. In 1929 he exhibited at the Art Center of the Roerich Museum in a group show of work from the collection of George Hellman. In 1930 he was in a show at the Museum of Modern Art in New York, "Painting and Sculpture by Living Americans" which also included the work of Stuart Davis, Arthur Dove, William Glackens, Marsden Hartley, Childe Hassam, George Luks and Mark Tobey and sculptors Gaston Lachaise and William Zorach among others. A description and critical analysis of his work in included in the book by Henry Rankin Poore...

Judith Brenner Sophie Dancing 1 Original Figurative Drawing Acrylic Paint, Pan Pastel, Ink and Watercolour Pencil on Paper Sheet Size: 84.1cm x W 59.4cm x D 0.1cm Sold Unframed Please note that in situ images are purely an indication of how a piece may look. Sophie Dancing 1 is an original nude drawing by Judith Brenner.The figure is continuously moving and the final work is a composition made in an attempt to capture the rhythm of the dance. This abstract-impressionistic work is evocative of Francis Bacon’s style...

Judith Brenner Sophie Dancing 2 Original Nude Drawing Mixed Media on Paper Sheet Size: H 84.1cm x W 59.4cm x D 0.1cm Sold Unframed (Please note that in situ images are purely an indi...