Unknown

Nude - Original Ink on Paper - 1930s

1930s

The Men is an original drawing pen realized by Anthony Roaland in 1980. Hand-signed and dated by the artist on the lower right margin. The artist de...

Erotic Figures is a Pen Drawing realized by Mino Maccari in 1970. Hand-signed on the lower margin. Good condition on a white paper. Mino Maccari (Sie...

Personnages is a drawing pen realized by the French artist Paul Garin (Nice, 1898-1963). Black-ink stamp on the lower right corner: "Catherine Charbonneux Commissaire Priseur - Atel...

At the Beach is a Pen Drawing realized by Mino Maccari (1924-1989) in the Mid-20th Century. Hand-signed on the lower. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, 19...

Smiling boy is an original pastel drawing realized by Anthony Roaland in 1980. Hand-signed and dated by the artist on the lower right margin. The boy is depicted with a delicate an...

Nude is an original drawing in pen on paper realized by Simon Goldberg(1913-1985), Hand-signed on the lower left. The state of preservation is very good. Sheet dimension:34x25 cm. ...

Watercolour, felt tip pen, and pencil on paper, titled (lower left), 48cm x 37cm, (70cm x 58cm framed). It is in its original frame, although the glass and mount have been replaced. Patrick Procktor was part of an influential group of British artists in the 1960s. His early paintings were dynamic, abstract depictions of the male nude, before he established himself as one of the leading watercolourists of his generation from the 1970s His work is held in many major public collections. This work is after the soviet painting...

Pen and ink on paper, 27cm x 20cm, (54cm x 48cm framed). Provenance: Alexander Iolas Gallery, New York. Bérard, an artist, fashion illustrator and de...

Pen, ink, watercolor and wash on paper by André Dunoyer de Segonzac, France, 1922-1924. Boating on the Morin River. Measurements : with frame: 52.5x65x2 cm - 20.7x25.6x0.8 inches / without frame: 36.5x45 cm - 14.4x17.7 inches. Signed lower left "A. Dunoyer de Segonzac". Colors may vary slightly depending on your screen. The lighter band at the top and the bottom of the piece, visible in the first picture, is only due to the reflection in the protective glass. It does not exist. In its frame gilt with gold leaf and its protective glass. André Dunoyer de Segonzac was born in Boussy-Saint-Antoine (Essonne) July 7, 1884. After his schooling at high school Henri IV, as early as 1900, he attends classes at the National School of Fine Arts in Paris in free listener where he will befriend Charles Dufresne. In 1903, he enters the private studio of Luc-Olivier Merson. In 1907, he studies with Jean-Paul Laurens and attends the La Palette and Colarossi academies in Montparnasse. He meets Luc-Albert Moreau and Jean-Louis Boussingault with whom he shares a studio. His first drawings are published in 1908 in The Great Review and The Witness. Nearly indifferent to contemporary aesthetic revolutions, Dunoyer de Segonzac undertakes, with Jean-Louis Boussingault and Luc-Albert Moreau, to revive Gustave Courbet's realism by performing still lifes, nudes, landscapes, in a thick paste and masonry . In one of his letters to the painter Maurice Boitel, he wrote in the 1950s: "I have not forgotten the heroic period of the independents - when we were grouped around Paul Signac, the charming and valiant Maximilien Luce - in these barracks where the living and authentic Art was grouped outside the academic formulas - or literary and systematic tendencies - which were to lead to this abstract aesthetic of which the painting dies. " In 1908, he begins exhibiting at the Salon d'Automne and the Salon des Indépendants, with Paul Signac and Maximilien Luce. He befriends Apollinaire, Max Jacob, Raoul Dufy and Vlaminck. From this period, renting a house belonging to Signac, Dunoyer discovers the landscapes of Saint-Tropez, to which he will remain faithful and where he lived until the end of his life. He stays in Saint-Tropez only in the summer season. For the rest, he leads a real nomadic life, in search of the motive especially through the Île-de-France, the Grand Morin valley, Feucherolles, Chennevières-sur-Marne, Guyancourt, etc. "I also worked a lot on the banks of the Seine in Chatou, Bougival, Andrésy, Poissy and Triel that I particularly like, with its beautiful Gothic church that is reflected in the Seine and the high wooded hills that surround him", he will say. In 1910, he knows fashion designer Paul Poiret and meets Max Jacob, Raoul Dufy and Vlaminck. From 1910 to 1914, he travels to Italy, Spain, North Africa, and is interested in sport and dance (drawings of Isadora Duncan's Russian Ballets, 1911, The Boxers1910). From 1914 to 1918, mobilized in the infantry, he makes the war hardly, before being assigned to camouflage. He performs many war drawings, valuable for their artistic and documentary value. From 1919, he appears again in many exhibitions, including major Parisian salons. Nearly indifferent to contemporary aesthetic revolutions, Dunoyer de Segonzac undertakes, with Boussingault and Moreau, to revive Courbet's realism by performing still lifes, nudes, landscapes, in a thick and masonry paste. Enlisted in engraving by Jean Émile Laboureur, he makes nearly 1,600 brass plaques from 1919 to 1970. He was president of the Society of French painters-engravers. In 1921, he meets Paul Valéry, Léon-Paul Fargue and Jean Cocteau. In 1928, he makes a trip to America where he met with great success. In 1930, he becomes friend with Derain. In 1933 he receiveds the Carnegie Foundation of Pittsburgh Award and in 1934 the Venice Biennale. During the Occupation, in November 1941, he takes part in a "study trip" to Germany, organized by Arno Breker, accepting, like other artists of the most renowned, to visit the hotspots of German culture as well as artist workshops. After the war, he is exhibited in the best galleries...

Walt Kuhn Reclining Figure, 1935 Signed and dated lower left Pen on paper Sight 11 x 15 inches Provenance: Kennedy Galleries, New York Spanierman Gallery, New York Private Collection, New York Exhibited: New York, Kennedy Galleries, Walt Kuhn, December 3 - 31, 1968, no. 71. Walter Kuhn...

Moshe Avni was born in 1937, in Kibbutz Kfar Blum in the Upper Galilee in Israel. Presently, he lives and paints in Jerusalem. During the years 1956-1957, he studied Painting and Graphic Arts in the Bezalel Art School in Jerusalem, supported by a Betzalel School Scholarship. He studied with and was guided by the painter Leo Roth, z”l (1914-2002), from Kibbutz Afikim. Moshe Avni has participated in Workshops and Courses in the framework of the Kibbutz Movement and the Israeli Artists’ Organization. He has received scholarships from both the Sharett Fund and from the Norman Fund. In 1979, Moshe Avni was accepted to the Israeli Artists’ Organization. Exhibitions 2011 In the Jerusalem House of Quality – 16-22 December 2011 2009 In the Neighborhood Center of Beit haKerem, Jerusalem 2003 In Moshav Batzra, Israel 1984 In the Artists’ Quarter, Rishon leZion, Israel 1979 In the House of Culture for Young People, Kfar Saba, Israel 1977 In the “New Gallery”, Tel Aviv, Israel 1973 In the “New Gallery”, Tel Aviv, Israel 1970 In “The House of Uri and Rami Nechushtan” in Ashdot Yaacov, Israel Horses & People, New Gallery, Tel Aviv 1965 Journalists House - Sokolov House, Tel Aviv, Israel Exhibitions of Young Artists in “House of Helena Rubenstein”, Tel Aviv, Israel Private Exhibitions in Jerusalem, Tel Aviv, and more. Group Exhibitions Kiryat Shmona 1957 Artists: Noemi Schindler...

Life Drawing I - Figurative Female Nude in Pen on Paper Stylized figurative drawing by unknown artist "Ting" (20th Century). A woman stands with one knee propped up on a chair, her ...