Vance KirklandUntitled (Five Million Years Ago)1945
1945
About
Dated: 1945.34 (painting number 34 from 1945). Presented in a custom frame with all archival materials, outer dimensions measure 30 ½ x 38 ½ x 1 ¼ inches. Image size is 22 ½ x 30 ½ inches.
Exhibited: The Art Institute of Chicago, 1947
As an artist and educator, Vance Kirkland almost single-handedly brought modern art to Denver. At a time when conservative tastes ruled, he came to Colorado and worked in a manner that emphasized process more than subject matter. Rather than pleasing landscapes, he created paintings that expressed the dynamic forces of the universe, often with results that were strange and otherworldly. Standing on principle, he never wavered from his conviction that the arts were respected disciplines, and he constantly pushed for the inclusion of modern art in Denver’s public institutions. Deliberately working away from the major art centers, Kirkland’s varied art styles were determined by his own compass yet were nationally recognized.
Growing up in Ohio, Kirkland began his art studies at the Cleveland School of Art, where he received a diploma in painting and a bachelor’s degree in art education. The former curator of the Denver Art Museum, Diane Vanderlip points to a failed watercolor class as an indicator of both his future stylistic development and his early self-confidence. When the teacher criticized Kirkland for colors that fought with each other, the young man listened to his own muse rather than pass the course.
Upon graduation, he was offered a job at Princeton, but when the university discovered just how young he was, they withdrew their offer. He then accepted an offer at the University of Denver to establish their art department in 1929. While most schools shunted art off to the side, Kirkland developed the program as a combination of academics and art. He also got officials to accept nude figure drawing. However, a parting of the ways came when he and the Provost clashed over degree recognition. The subsequent establishment of his Kirkland School of Art became a cultural beacon in this Rocky Mountain capitol.
From 1927 to 1944, he worked in a style he referred to as “Designed Realism,” in which natural forms were highly stylized in rhythmic shapes. Working totally in watercolor, he developed an individualized method of applying dots to a saturated color surface. By the end of the thirties, Kirkland’s paintings became larger and more energetic. Hiking in the mountains, the artist was inspired by the unusual shapes of high-altitude plants and trees stunted and bent by the fierce winds. Taking his painting gear, he had to add antifreeze to his paints in order to work in these demanding conditions.
Departing from his ordinary perspective, Kirkland created compositions of open spaces and wild linear elements, which he increasingly liberated from any specific representation. In his fantastic imaginings, he had an affinity with Surrealism, although he had no interest in their Freudian pursuits. Kirkland received national attention with inclusion in exhibitions, such as “Abstract and Surrealist American Art” at the Art Institute of Chicago and “Reality and Fantasy” at the Walker Art Center. In 1946, Knoedler and Company in New York invited him to be one of their artists, which brought solo shows and group exhibitions with artists like Max Ernst.
Beginning in the 1940s, he also became more active with the Denver Art Museum, serving in various honorary and formal positions. Both in his capacity as board member and curator, he relentlessly pressed for the recognition of contemporary art and artists. At the same time, his prestige grew when the University of Denver invited him back: this time as Director of the School of Art, Professor of Painting, and Chairman of the Department of Arts and Humanities. In 1941, he married Anne Fox Oliphant Olson, a librarian, and their home was a center for Denver’s cultural life with evening salons and musical performances.
His first non-objective painting, Red Abstraction (1951) initiated his break with his past art. Looking back, Kirkland said, “There had to be a way of creating something and I became interested in abstraction.’ Deciding to forego watercolor, he experimented with paint and materials, particularly with inventive ways of mixing them. He had always been intrigued by the quality of resistance, and now he used the combination of oil and water to cause unexpected effects. The surface of his canvases became almost like breathing skins. Committed to his new direction, Kirkland didn’t flinch when Knoedler’s dropped him for abandoning his commercially successful style.
Moving to greater heights, Kirkland began painting large canvases that suggested cosmic phenomena, some of which he called “nebula.” Although the fifties saw the birth of space exploration, the artist deliberately avoided any astronomical study, preferring instead to paint the mystery beyond his knowledge. When he saw pre-Hubble photographs that looked startlingly similar, he decided to stop.
Towards the end of his career, he returned to his earlier practice of layering the surface with dots. The works that first appeared in 1963 were geometric abstractions that share some of the qualities of contemporary Op Art. These later paintings were painstakingly done. Always a tireless worker, he pursued his art even after hepatitis made painting more difficult and physically excruciating, devising a system that suspended him over his canvases.
His studio on Pearl Street in Denver is now the Vance Kirkland Foundation and Museum, a significant center for mid-century modernism in painting and the decorative arts.
© David Cook Galleries
Details
- Artist
- Creation year1945
- Medium
- Movement & Style
- ConditionExcellent.
- Dimensions
H 30.5 in. x W 38.5 in. x D 1.25 in.
H 77.47 cm x W 97.79 cm x D 3.18 cm
- Gallery locationDenver, CO
- Reference numberLU2732775761
- Seller reference number22569
Shipping, Returns & Payment
- Shipping
Global Shipping Available
View all shipping quotes - Return Policy
This item can be returned within 7 days of delivery.
View details
- Online Payment Methods1stdibs accepts the following payment methods
- Item InvoiceGenerate an invoice that you can customize and print.
About the Seller
Top Seller
Vetted
1stdibs seller since 2013
Typical response time: 4 hrs
Located in Denver, CO
You may also contact the seller by phoneCall seller through 1stdibs
More From This Seller
Colorado Landscape (View from Red Rocks looking...
Vance Kirkland
Watercolor
Dated 1943.7 (Number 7). Presented in a custom frame, outer dimensions measure 36 ¼ x 44 ¾ x 2 inches. Image size is 22 ½ x 31 inches.
As an artist and educator, Vance Kirkland alm...
Vance KirklandCool Colors in Space #22, 1970
Price Upon Request
Cool Colors in Space #22
Vance Kirkland
Canvas, Oil
An abstract "dot painting" from Kirkland's "Energy of Vibrations in Space" series.
Exhibited: Vance Kirkland Retrospective: Color Experiments in Space, 1955-1971
Denver Art Museum,...
Untitled (Two Dancers)
Margo Hoff
Watercolor
An original watercolor painting by American artist, Margo Hoff, featuring two dancing figures. Housed in a custom frame with all archival materials measuring 26.5 x 19.5 x 1.5 inches...
Untitled (Sunset, Along the Front Range, Colorado)
Charles Partridge Adams
Watercolor
Original Watercolor on paper. Housed in a custom frame with archival materials and Museum Glass (UV Protection/Anti-reflective). Framed dimensions measure 14 ½ x 17 ½ x ¾ inches; ima...
You May Also Like
Gary HansmannModern Figurative Surrealism Watercolor Painting, Drawing 'The Fire of my Soul', 1988
$1,100
Modern Figurative Surrealism Watercolor Paintin...
Gary Hansmann
Paper, India Ink, Watercolor
On heavy Arches deckle edged paper. This combines text or poetry in calligraphy on the side.
Gary Hansmann (1947-2008) was active/lived in California. He is known for abstract, Surr...
Modern Figurative Surrealism Watercolor Paintin...
Gary Hansmann
Paper, India Ink, Watercolor
On heavy Arches deckle edged paper. This combines text or poetry in calligraphy on the side.
Gary Hansmann (1947-2008) was active/lived in California. He is known for abstract, Surr...
Gary HansmannModern Figurative Surrealist Watercolor Painting, Drawing 'Prince of Innocence' , 1984
$850
Modern Figurative Surrealist Watercolor Paintin...
Gary Hansmann
Paper, India Ink, Watercolor
Angelic boy with a devil figure.
Gary Hansmann (1947-2008) was active/lived in California. He is known for abstract, Surrealism figure painting.
Gary William Hansmann was born Dec. ...
Gary HansmannModern Figurative Surrealism Watercolor Painting, Drawing California Artist, 1988
$1,100
Modern Figurative Surrealism Watercolor Paintin...
Gary Hansmann
Paper, India Ink, Watercolor
"The Sadness of Mr. lapin After the Artist Left"
Gary Hansmann (1947-2008) was active/lived in California. He is known for abstract, Surrealism figure painting.
Gary William Hansmann...
Kartick Chandra PyneReclining nude, back of a woman perhaps sunbathing, Indian Modern Art, 2005
$1,392 Sale Price
20% Off
Reclining nude, back of a woman perhaps sunbath...
Kartick Chandra Pyne
Watercolor, Rice Paper
B 1937 ,West Bengal
After graduating from the Government College of Art and Crafts, Calcutta in 1955 Pyne began to move away from the tenets of both classical Indian and Western ar...
The Prophet
Walter Peregoy
Gouache, Graphite
WALTER PEREGOY
"THE PROPHET"
DRAWING, SIGNED
CALIFORNIA, C.1950
21 X 10 INCHES
Walter Peregoy
1925-2015
Alwyn Walter Peregoy was born in Los Angeles in 1925. At age nine he be...
Crouching Woman
Walter Peregoy
Granite, Gouache
WALTER PEREGOY
"CROUCHING WOMAN"
GOUACHE AND GRAPHITE, ESTATE LABEL
CALIFORNIA, CIRCA 1960
48 X 24 INCHES
Walter Peregoy
1925-2015
Alwyn Walter Peregoy was born in Los Angeles...
Hiding
Walter Peregoy
Gouache, Graphite
WALTER PEREGOY
"HIDING"
GOUACHE AND GRAPHITE, ESTATE LABEL
CALIFORNIA, CIRCA 1960
48 X 24 INCHES
Walter Peregoy
1925-2015
Alwyn Walter Peregoy was born in Los Angeles in 1925....
Why Shop on 1stdibs?
Only Vetted, Professional Sellers
Buyer Protection Guaranteed
Fully Insured Global Deliveries