Veloy Joseph Vigil

'Native American Figurative Abstraction', Pueblo Indian Expressionism, Palo Alto

Signed lower right, 'A. Cunningham' for Alfred A Cunningham (American, 20th century) and painted circa 1965. Alfred Cunningham was active in Northern California from the 1950's thro...

Stamped, verso, with certification of authenticity for Suzanne Gertz (American, 1938-2003) and painted circa 1985, partial signature lower right. Suzanne Gertz first studied at the...

Signed lower right, 'Z. Kavin' for Zena Kavin (American, 1912-2003) and dated 1966. Born in Berkeley, California, Zena Kavin studied at the California School of Fine Arts in San Fra...

Signed lower right, in graphite, 'Sue Gertz' for Suzanne Gertz (American, 1938-2003) and painted circa 1975. Suzanne Gertz first studied at the Art Institute of Chicago and, subsequ...

Eugene Higgins In Foreign Parts, circa 1913 Signed lower right Watercolor on paper Sight 17 x 13 inches Born William Victor Higgins in 1884 to a Shelbyville, Indiana farm family where the only art Victor was aware of as a child was his father's love of flowers. "He loved their forms and their colors, and he tended his garden as a painter might work a canvas." At the age of nine, Victor met a young artist who traveled the Indiana countryside painting advertisements on the sides of barns. He purchased paints and brushes so the young Higgins could practice his own artwork on the inside of his father's barn. He also taught Victor about art museums and especially about the new Chicago Art Institute. This information never left the young artist, and he saved his allowance until his father allowed him at the age of fifteen to attend Chicago Art Institute. He worked a variety of jobs to finance his studies both there and at the Academy of Fine Arts. Victor Higgins traveled to New York in 1908, where he met Robert Henri, who became a significant influence by depicting every-day scenes and stressing the importance of the spirit and sense of place as important factors in painting. Higgins was also greatly affected by the New York Armory Modernism Show of Marsden Hartley in 1913. While Victor Higgins was in Chicago he met former mayor and avid collector Carter H. Harrison who was to prove instrumental in the growth of Higgins career for several years. Harrison agreed to support Higgins for four years to go to Paris and Munich and paint and study in the great museums in Europe. While at the Academie de la Grande Chaumier in Paris (1910-1914) he met Walter Ufer, who was another Chicago artist being sponsored by Carter Harrison. This meeting was not only a life-long friendship, but the beginning of a great change in the way Higgins looked at "American" art. He decided that America needed it's own authentic style rather than the 19th Century classic style he was taught in Europe. Very soon after returning to Chicago in 1914, Harrison sent him and Walter Ufer on a painting trip to Taos, New Mexico for a year in exchange for paintings. Higgins made other similar agreements and was able to support himself with his painting. This trip was a life-changing experience and introduced Higgins to the authentic America he had been looking for. In 1914 Taos was an isolated village about twelve hours from Santa Fe on an impossible dirt road. But the colorful life of the pueblo people and the natural beauty drew a collection of artists who became the Taos art colony, from which the Taos Society of Artists was founded in 1915. Victor Higgins became a permanent resident within a year of his arrival and a member of the society in 1917, exhibiting with Jane Peterson in 1925 and with Wayman Adams and Janet Scudder in 1927. The members would travel around the country introducing the Southwest scenes with great success. He remained a member until the Society's dissolution in 1927. Higgins was the youngest member of the group of seven. Other members were Joseph Henry Sharp, Bert Phillips...

Elizabeth Osborne (American, b. 1936) Interior with Figure Oil on paper, 10 3/4 x 13 3/4 inches; Framed: 18 1/2 x 21 1/2 inches Signed and dated at lower right: "Osborne 68" Note attached to backing: (handwritten) "Soc/Happy Spring!/I decided life is too/short and I want you to have this--Liz"; "(over)"; (verso) "This is referring to a/drawing of a figure/oil on paper 1968/given to me in exchange for one of my watercolors S.P." Provenance: the artist; Socrates and Rhea Perakis, NJ" Elizabeth Osborne was born in Philadelphia PA. Encouraged by her high school art teacher—the artist Hobson Pittman—to attend the Pennsylvania Academy of the Fine Arts (PAFA), she enrolled there in 1954 in a joint BFA program with the University of Pennsylvania. Only the third woman to have joined the faculty of PAFA in 1963, she was for many years the sole female faculty member. She retired from the Academy faculty in 2011. Her work is in the collections of the Philadelphia Museum of Art, the Pennsylvania Academy of the Fine Arts, the McNay Art Museum, the Reading Art...

Abstract work of art on paper by Iliyan Ivanov. The artwork belongs to the series "In Not So Many Words," which consists of 12 acrylic on paper pieces created in 2022-23. All the wo...

Acquired by the gallery directly from the artist UNFRAMED: 14" x 14" FRAMED: 22" x 20.25" x 1.25" Artist Statement “This preliminary study outlines the design for the final painti...