William Glackens

William Glackens Watercolor on Paper, "Criticizing Ernest Lawson’s Art Class"

ca. 1907

William Glackens, 1870-1938 Dubourg Drew from his Basket his Mechanical Syringe, 1902 Charcoal, gouache and white chalk on paper Signed (at bottom cen...

Sloan, John, 1871-1951 The New Hat, c. 1912 graphite on paper 12 X 10 inches signed l.l. “John Sloan (per HFS)” inscribed by Helen Farr Sloan. Sloan-1 Provenance: The artist, Priva...

John Sloan, 1871-1951 Shine, Washington Square, 1923 Etching 5 X 7 inches Sloan-5 Signed lower right: “John Sloan” and Titled by the artist lower center: “Shine, Washington Square” Recorded: Peter Morse. John Sloan’s Prints...

Reginald Marsh, 1898 – 1954 Monseigneur News Theatre, 1925 Signed and dated at lower right: 'Reginald Marsh 1925' Watercolor on card 8 x 11 inches Born in Paris to parents who were American artists, Reginald Marsh became an adept illustrator at an early age. His family returned to the United States in 1900. Upon graduating from Yale University, Marsh moved to New York and in 1922 took a job as an illustrator at the New York Daily News. For the paper he provided cartoons of vaudeville and burlesque shows. In 1925 Marsh went to work for a new magazine -- The New Yorker -- as one of its original cartoonists. That same year he married Betty Burroughs, daughter of the paintings curator at the Metropolitan Museum of Art. Later that year they traveled to Europe where Marsh discovered the work of the old masters at the Louvre in Paris and British museums. With a sketchbook always on hand, he wandered the streets of Europe and began depicting bums or what he called figures of failure. Upon the couple’s return, Marsh, now with a serious interest in pursuing art, enrolled at the Art Students League where he studied under George Luks, John Sloan, and Kenneth Hayes Miller. This work, Monseigneur News Theatre, is accompanied by a letter from Marsh Scholar Professor Norman Sasowsky, University of Delaware...

Jules Andre Smith (American, 1880-1959) In the Art Gallery, 1936 Watercolor and pen and ink Signed Andre Smith, 1936 lower right 10.75 x 8.5 inches 20.25 x 17.25 inches, framed Jule...

A captivating early 20th century oil, by the artist John Falconer Slater (1857-1937) depicting an art class in full swing. The artist expertly captures the air of concentration in th...

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and published in 1938 in a limited edition of 1500 by the Yale Universi...

Painter's Studio is an original drawing in China ink and pastel on ivory paper, realized by Frederic Godefroy (1826- 1897) Hand-signed on the lower right. Sheet dimension: 37.5x 30...