Items Similar to Tree Cutters, pencil drawing by William Roberts
Want more images or videos?
Request additional images or videos from the seller
1 of 7
William RobertsTree Cutters, pencil drawing by William Roberts
About the Item
William Roberts (1895-1980)
Tree Cutters
Pencil on paper
17 x 19 cm
Provenance: Albemarle Gallery
William Roberts (1895-1980) is remembered as a distinctive and independent figure in 20th-century British art, bridging radical modernism and more traditional representational painting. After training at the Slade School of Art, Roberts became both one of the founding members of the Vorticist group--a short-lived but influential British avant-garde movement that embraced modernity, abstraction, and the dynamism of the machine age--and enlisted as a gunner on the Western Front in 1916, becoming an official war artist in 1918. After the war, he went on to enjoy great artistic success. He staged his first one-man show at the Chenil Gallery in London in 1923, worked prolifically throughout his career, leading to a major retrospective at the Tate Gallery in 1965 and his election as a full member of the Royal Academy in 1966. His works are now housed in a number of influential galleries, including the Tate and the National Portrait Gallery.
This dynamic pencil drawing exemplifies Roberts' meticulous approach to composition and his enduring interest in the human figure at work. Likely a preparatory study for a larger painting, the piece captures a group of labourers engaged in the process of tree-cutting or timber work—an industrial subject Roberts returned to frequently, especially during and after his wartime commissions.
Roberts arranges the figures in a rhythmic, almost architectural structure, using angular lines and intersecting planes to convey the physical energy of manual labor. The forms are simplified and stylised, consistent with his modernist roots in Vorticism, yet grounded in observation. Each figure is engaged in a specific action—sawing, lifting, chopping—contributing to the overall momentum of the scene. The composition is likely built on a grid, subtly visible or implied, which allowed Roberts to maintain balance and proportion across the image.
Though rendered in graphite, the drawing is rich in tonal variation and movement. It reflects Roberts’ ability to distill complex human activity into a formal, almost sculptural arrangement—at once abstract and narrative, analytical and alive.
- Creator:William Roberts (1788 - 1867, British)
- Dimensions:Height: 6.7 in (17 cm)Width: 7.49 in (19 cm)
- Medium:
- Period:
- Condition:Pin holes to corners, squared for transfer.
- Gallery Location:London, GB
- Reference Number:1stDibs: LU795316326842
About the Seller
4.8
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 2014
1stDibs seller since 2017
345 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: London, United Kingdom
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllMotorcyclist drawing by Gerald Mac Spink
By Gerald Mac Spink
Located in London, GB
To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...
Category
Early 20th Century Figurative Drawings and Watercolors
Materials
Pencil
View of St Peter's Church, Willersey, pencil sketch by George Bissill
Located in London, GB
George Bissill (1896-1973)
Landscape view with barn and church, Devon
Pencil sketch
25 x 35 cm
Born in 1896, George Bissill was a British miner, painter and furniture designer. Ra...
Category
Mid-20th Century Modern Figurative Drawings and Watercolors
Materials
Pencil
Landscape View with Barn and Church, Devon, pencil sketch by George Bissill
Located in London, GB
George Bissill (1896-1973)
Landscape view with barn and church, Devon
Pencil sketch
25 x 35 cm
Born in 1896, George Bissill was a British miner, painter and furniture designer. Ra...
Category
Mid-20th Century Modern Figurative Drawings and Watercolors
Materials
Pencil
Field View in North Devon, pencil sketch by George Bissill
Located in London, GB
George Bissill (1896-1973)
Landscape view with barn and church, Devon
Pencil sketch
25 x 35 cm
Born in 1896, George Bissill was a British miner, painter and furniture designer. Ra...
Category
Mid-20th Century Modern Figurative Drawings and Watercolors
Materials
Pencil
View of the Village Church, pencil sketch by George Bissill
Located in London, GB
George Bissill (1896-1973)
View of the village church
Pencil sketch
13 x 18 cm
Born in 1896, George Bissill was a British miner, painter and furniture designer. Raised in the mini...
Category
Mid-20th Century Modern Figurative Drawings and Watercolors
Materials
Pencil
Lake District View of a U-Shaped Valley, pencil sketch by George Bissill
Located in London, GB
George Bissill (1896-1973)
Lake District View of a U-Shaped Valley
Pencil sketch
28 x 40 cm
Born in 1896, George Bissill was a British miner, painter and furniture designer. Raise...
Category
Mid-20th Century Modern Figurative Drawings and Watercolors
Materials
Pencil
You May Also Like
Three Women
Located in Fresno, CA
“Three Women” is an early work of Artist F. John Sierra whose career spans over four decades. He has produced images of the people, lifestyles and challeng...
Category
1980s Impressionist Figurative Drawings and Watercolors
Materials
Color Pencil
Beach of Kusambe, Bali 1937
Located in Amsterdam, NL
Four outrigger proa’s on the beach of Kusambe, Bali, 1937
Signed with initials, dated and described with location bottom left
Pencil and ink on paper, 29.7 x 35 cm
In ebonized frame with white mount
WILLEM OTTO WIJNAND NIEUWENKAMP
(1874-1950)
Nieuwenkamp was born on July 27th 1874 in Amsterdam. His father owned sailing ships sailing to Indonesia and hearing the stories of the returning captains evoked in the young Nieuwenkamp an obsession for distant lands and adventure. After a failed attempt by his father to have his son make a career in his business, Nieuwenkamp attended the Academy for Decorative Art in Amsterdam. However, he left within one year to go his own way.
He was an autodidact and a great experimenter with new techniques, particularly in the art of etching. Nieuwenkamp was a very focused man with the discipline of a scientist tempered by the sensitivity of an artist, a lust for adventure, a natural appreciation for ethnic arts and an enormous ambition to tread new paths.
In 1898 he visited Indonesia for the first time and on his second visit in 1903-1904 he went on to Bali and became the first foreign artist to love Bali and the Balinese with a passion. Having secured agreements with several museums in the Netherlands to obtain Balinese art and objects for their collections, Nieuwenkamp immediately started to purchase and order a wide range of ethnographic art and objects from local artists and craftsmen.
Through his drawings and books, he gave an excellent impression of Balinese art and culture at that time. Since 1854 Northern Bali was under Dutch...
Category
1930s Art Nouveau Landscape Drawings and Watercolors
Materials
Paper, India Ink, Pencil
Incoming Rain, Bali, 1937
Located in Amsterdam, NL
Incoming rain, Den Pasar, Bali 1937
Signed with initials, dated and titled, bottom right
Black chalk and ink on paper, 42 by 46 cm
Literature:
Ernst Braches en J.F. Heijbroek, W.O...
Category
1930s Art Nouveau Landscape Drawings and Watercolors
Materials
Paper, Graphite
Costume drawings for ‘Ambassadeur de Siam’ and ‘La Sultana Reine’
Located in Amsterdam, NL
Joseph-Marie Vien (1716-1809)
‘Ambassadeur de Siam’ and ‘La Sultana Reine’
Both titled lower centre, the drawing of the ambassador inscribed with colours intended for the prints, e...
Category
Mid-18th Century Old Masters Figurative Drawings and Watercolors
Materials
Paper, Pencil
Statue of Vishnu Garuda, Bali, 1904
Located in Amsterdam, NL
Statue of Vishnu Garuda, Bali, 1904
Signed with initials
Pencil and ink on paper, 21.4 x 21.3 cm
Literature:
Bruce W. Carpenter, W.O.J. Nieuwenkamp. First European Artist in Bali,...
Category
Early 1900s Art Nouveau Landscape Drawings and Watercolors
Materials
Paper, Pencil, India Ink
Portrait of a Slave Ship: 'Le Negrito à l’ancre. Dans le port de la havanne'
Located in Amsterdam, NL
FRANÇOIS MATHURIN ADALBERT, BARON DE COURCY (1805-1839)
'Le Negrito à l’ancre. Dans le port de la havanne'
Indistinctly signed lower left
Titled on the mount
Pencil and watercolour, heightened with white, on paper, 24.8 x 34.6 cm
Literature:
The present watercolour will be illustrated in:
- Prof. Manuel Garcia’s projected book on the disease and the slave trade provisionally titled “Fighting the Yellow Demon of Fever: The Struggle against Disease in the Illegal Slave Trade”.
- Prof. Micael Zeuske’s forthcoming Global history of slave trade.
Exhibited:
Mexico City, 1998, Palacio Virreinal, El Barón de Courcy, illustrationes de un viaje, 1831-1833, no. 108
Note:
Baron de Courcy was in the Caribbean in late 1832 and early 1833, following his tour of Mexico in 1832, on the last leg of his “Grand Voyage...
Category
Mid-19th Century Old Masters Figurative Drawings and Watercolors
Materials
Paper, Watercolor, Gouache, Pencil