Georges Lemmen

Deux modèles nus

1906

Large, attractive color linocut by Pablo Picasso from a limited edition of 50. Signed by Picasso and numbered in pencil. Printed by Arnéra, Vallaur...

Drypoint on paper, 1913. Signed by the artist and titled in pencil, in the lower margin. Framed dimension is 11"x14". Catalogue raisonne reference: Petermann 58.

A very good, dark and evenly-printed impression of this scarce lithograph on cream laid paper. From the edition of approximately 50.

A very good impression of this large and scarce etching. 1969. Signed and numbered 8/50 in pencil. Printed by Lacourière, Paris. Catalogue reference: Jacob 29

Two women is an original modern artwork realized by Mario Mafai in the early 20th Century. China ink drawings. Some light foxings on paper. Includes frame. Mario Mafai Volpe (Rome, February 12, 1902 - Rome, March 31, 1965) was an Italian painter, initiator, in 1929, with Scipione and Antonietta...

Couple is an original drawing in pencil, realized in the Mid-20th Century by Jean Delpech (1916-1988). Good conditions. Jean-Raymond Delpech (1988-1916) is a French painter, e...

Three Nudes is an original artwork realized by an anonymous artist of the early 20th Century. Pastel on paper. With sketches on the rear. Very good conditions. Interesting artwork...

Signed oil on canvas nudes in landscape circa 1910 by Belgian neo-impressionist painter Georges Lemmen. The work depicts nude bathers on a sunny beach beside the sea. Signature: Signed lower left with the cachet of painter Dimensions: Framed: 23.5"x24.5" Unframed: 14.5"x15.5" Provenance: Olivier Bertrand (expert on the painter) has confirmed the authenticity of this work Georges Lemmen was the son of an architect and studied under Amédée Bourson at the academy in St Joost-ten-Node. He was invited in 1889 to join the Group of Twenty ( Cercle des XX) which had been launched in 1884 by Oscar Maus and had in the interim emerged as an influential force in Belgian artistic circles, not least by bringing to public and critical attention the work of such artists as Georges Seurat and Paul Signac. The Cercle des XX would be reborn in 1894 as La Libre Esthétique. In the early days of the Cercle des XX, Lemmen espoused a pointilliste technique. His earlier painting was clearly influenced by the Neo-Impressionists; over time, however, his style became more subtle and nuanced - recalling, perhaps, that of his compatriot Van Rysselberghe, another Cercle des XX member. With the group's rebirth as the Libre Esthétique, Lemmen's work became more intimiste in character, most notably in his portraits, nudes and still-lifes, where the influence of Bonnard and Vuillard is unmistakable, as is that of Renoir, particularly after Lemmen's travels in the Midi in 1911. From this point onwards, he would go on to make a major contribution to the renewal of the graphic and decorative arts in terms of his input to the new 'free' aesthetic and to Art Nouveau. Although his draughtsmanship retained its essential purity and elegance of line, his painting became more fleshy, imprecise and sensual, his compositions governed less by technical considerations than by the urgent need to express his emotions. Between 1889 and 1893, Lemmen exhibited at the Salon des Indépendants in Paris, aligning himself with the Neo-Impressionists. In 1893, Henry van de Velde invited him to participate in the Pour l'Art association that had been created in Antwerp. He travelled to the south of France in 1911. By this juncture, he had already exhibited solo on two occasions (in 1906 and 1908) at the Galerie Druet in Paris. A further solo exhibition in 1913, his first in Brussels, cemented Lemmen's reputation. Museum and Gallery Holdings: Bremen (Kunsthalle): Standing Nude Combing her Hair Brussels (Mus. royaux des Beaux-Arts de Belgique): Children's Room (watercolour); Reading; Couture; Young Girl by the Sea...