Harold Cohn

Carmen

1950

Acrylic and collage on Cardboard by John Urbain titled “Waverly Consort” dimensions : 20” X 15” Framed Signed and dated 1979 Exhibited several times Provenance : from the estate of...

A rare mid-19th century Phra Malai illustrated Buddhist Manuscript from Thailand, 19th century Samut khoi accordion-style folding book with lacquered paper cover, narrating the lege...

Fine China Trade Paintings depicting local farmers tending their ducks. Excellent condition Lovely collectible and cultural subject Provenance : Martyn Gregory Gallery, London dim...

A miniature Indo Persian Mughal Gouache painting on antique manuscript depicting Prince Salim enthroned, the future Jahangir, fourth Mughal emperor. the figure is presented, seated...

Fannie Hillsmith (1911-2007) oil on canvas,1967 Exhibited at Peridot Gallery Note : titled 'Blue Plate', numbered on back of canvas '181', signed on canvas, F. Hillsmith 67’, dim...

Acrylic on canvas part of a series of 3 works entitled : 'what did they do to our flag'

Original Painting. New Yorker Cover Proposal Baseball c. 1939 Modern Cubist Deco Antonio Petruccelli (1907 - 1994) Play Ball New Yorker cover proposal, c. 1939 12 x 8 inches (sight) Framed 18 1/2 X 14 3/4 inches Gouache on board Estate sticker verso BIOGRAPHY: Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests. In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s. ‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune. Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...

Though signed "Yolanda," the artist of this gouache and watercolor painting is unknown. The still life, contained and symmetrical, is dominated by the form of a pear. On either side,...

Gloria Dudfield Driver with Hard Hat 1960s Gouache and Oil Pastel on Paper 27"x36" unframed $700 *Custom framing available for additional charge. Please expec...

House Beautiful Cover Proposal. American Scene Social Realism Industrial WPA Antonio Petruccelli (1907 – 1994) Mixing Mortar 12 1/2 X 14 3/4 inche...

Abstract Mid 20th Century WPA Non Objective American Modernism New Hope Modern.mixed media. 21 x 16 (sight). Housed in a hand carved frame. Louis King Stone ...

Glassblowers WPA American Scene Mid- 20th Century Modern Figurative Workers. Dated and signed "32 Harry Gottlieb" lower right. Sight: 13 1/8" H x 18 1/4" W. Harry Gottlieb, painter, screenprinter, educator, and lithographer, was born in Bucharest, Rumania. He emigrated to America in 1907, and his family settled in Minneapolis. From 1915 to 1917, Gottlieb attended the Minneapolis Institute of Arts. After a short stint as an illustrator for the U.S. Navy, Gottlieb moved to New York City; he became a scenic and costume designer for Eugene O"Neill's Provincetown Theater Group. He also studied at the Philadelphia Academy of Fine Arts and the National Academy of Design. He was one of America's first Social Realist painters, influenced by that Robert Henri-led movement in New York City where Gottlieb settled in 1918. He was also a pioneer in screen printing, which he learned while working for the WPA. He married Eugenie Gershoy, and the couple joined the artist colony at Woodstock, New York. He lectured widely on art education. In 1923, Gottlieb settled in Woodstock, New York and in 1931, spent a a year abroad studying under a Guggenheim Fellowship. In 1935, he joined the Federal Art Project...