Idoline Duke

Yellow Lotus

2018

Janet Jennings is known for her luminous oil & watercolor paintings. After working for Lawrence Rubin at Knoedler Contemporary Art, Jennings maintained a studio at Waverly Studios in New York City. She began as a Color Field painter, working on canvas and linen. Janet moved to Amagansett, NY in 1981 and switched her focus to landscape painting. Her career path led her to teach at The Parrish Art Museum, Guild Hall & The Victor D’amico Institute of Art. From 1993 to 1998, she was the Chair of the Andy Warhol Visual Arts Preserve Program. Jennings maintains ties to the art community as an educator and curator. She is a member of the East Hampton Arts Council, an advocacy group for performing and visual artists of East Hampton. Ms. Jennings maintains a painting studio in East Hampton and currently teaches oil and watercolor classes. In 1997, she was a founding member of CMEE, The Children’s Museum of the East End. Working with Lee Skolnick and JoAnn Secor, she was an exhibit designer and fabricator for “Time and Place, Light and Space”, the initial installation at Guild Hall, which launched CMEE. She was a lead designer for the permanent exhibition installation of CMEE, located in Bridgehampton, NY. Jennings received her BFA from the University of Dayton and attended The Dayton Art Institute, Antioch College and The Art Students League. Her paintings are in numerous corporate and private collections worldwide. She has exhibited at numerous galleries on Long Island and New York City including The New York Design Center, Hampton Road Gallery, Pamela Williams Gallery, Folioeast, Lizan-Tops Gallery, Chase Edwards Gallery...

Watercolor on arches, unframed

"Fall to Grace" is an original ink and watercolor painting on paper mounted to wood by artist Robert Kraiza measuring 19in height x 9in width. Artist Statement // In my work I invoke a whimsical world inspired by Victorian and Edwardian eras. To me they represent a romantic time period that has roots that extend directly into the modern world, both good and bad. The customs and aesthetics of the period are both fascinating and breathtaking but a vast portion of the population was victim to subjugation. It has since been eradicated on paper but still permeates to this day. I am exploring an imagined supernatural world hidden just out of sight where these woman could escape. This is an evolution from my earlier work set in the same time period with a continuous thread of humans and their animal companions. Through witchcraft these women find strength in their abilities and each other to leave the oppressive world they inhabit behind and escape to the woods to their Covendom, the boundary that defines the territory of their coven. They shed their customs, their corsets, and their concerns at the edge of the forest and gather among the trees to explore their magical potential with their familiars at the side. This body of work is exploring multiple media with a consistent theme and setting; combining watercolor painting, pen and ink illustrations, and graphite drawings. All pieces are created in monochrome on hot press watercolor paper mounted on wood with a gold painted border reminiscent of daguerreotype frames. Watercolor allows me to achieve results ranging from soft ethereal layered washes similar to oil glazes to precise minute details I include in all of my works. Bio // ROBERT KRAIZA (pronounced: cry-zuh) is an illustrator and fine artist who lives and works in Philadelphia, Pennsylvania. He studied Media Arts and Animation at the Art Institute of Philadelphia. Interested in many media, he often paints in monochrome watercolor on a small scale, inspired by the Victorian era and whimsical dreams in both his art and personal aesthetic. Depicting fantasy worlds from the hidden life of nineteenth century witches to miniature children...

"McDonald's Hamburgers Invading Japan" is a delightfully inventive comic self-portrait by the creative genius Masami Teraoka. He has presented himself dressed in the traditional kimono robe and the artwork is in the famous Ukiyo-e style. Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica and sometimes humorous characters. The term ukiyo-e (浮世絵) translates as "picture[s] of the floating world". This delightful watercolor self-portrait, comments on the problematic relationship between the United States and Japan and the Americanization of his country in the work, utilizing subtle pun humor that is the hallmark of Japanese culture. As Teraoka explains, "the character 'maku; means spread, 'donald; means screaming, 'do' and 'han' mean often, and 'Han' also means obnoxious or annoying. 'Burger' sounds like 'Baka' which means stupidity." This work was originally purchased by filmmaker Eric Saarinen...