Alexander Warren Montel

Lanvin Of Paris Original c1950s Advertising Watercolor Artwork

Original Cecil Beaton (signed LR) watercolour set design for the 2nd version of Beaton's play "The Gainsborough Girls" circa 1951 theatrical production entitled "Landscape with Figur...

Sz: 14 3/8"H x 23"W Alexander Warren Montel (1921-2002) Fashion illustrator for House of Lanvin Paris in the 1950s featured in Harper's Bazaar Flower Arrangement

Elegant & fabulously rare, original Philippe Jullian (1919-1977) (ink signed LR) watercolour depicting a lavish Moorish opium salon interior with a reclining nude portrait on the wall and two monkeys with their turban clad handler. Sagittarius Gallery, NY label inscribed Jullian No. 18 on verso Art Sz: 8 3/4"H x 11 1/8"W Frame Sz: 16"H x 18"W w/ Hermes orange mat & antique bamboo frame Provenance: The estate of D. D. Ryan (1928-2007), noted fashion editor at Harper's Bazaar, an associate of Halston and a regular on best-dressed lists! Another widely appreciated achievement is her association with the creation of Eloise, the fictional little girl who lives at the Plaza Hotel. Eloise began as a character that Kay Thompson, a cabaret singer, portrayed to amuse her friends, of whom Ms. Ryan was one. Ms. Ryan urged her to write a book, put her together with Hilary Knight, the illustrator, and never stopped pushing her to finish the job. The result was “Eloise,” published in 1955 and a best seller the next year, and its popular sequels. “The book would never have existed without D. D. Never,” Mr. Knight said in an interview Thursday. “She would have just dropped it and gone on to something else.” Beyond her historic Eloise moment, Ms. Ryan thrived at the crossroads of New York’s fashion and artistic worlds, seeming to make a statement every time she dressed, almost always in clothes she made herself, always recognizable with her famous precisely stylized eyebrows. Her first job in Manhattan was as an assistant to the photographer Richard Avedon; she was photo editor at Harper’s Bazaar under the legendary editor Diana Vreeland, and she designed the costumes for Stephen Sondheim’s 1970 Broadway musical “Company.” Her social circle included Cole Porter, Andy Warhol, Mr. Sondheim and Truman Capote. When she recommended a new pair of sandals or a piece of costume jewelry — only “really good costume jewelry...

Sz: 14 1/2"H x 23"W Alexander Warren Montel (1921-2002) Fashion illustrator for House of Lanvin Paris in the 1950s featured in Harper's Bazaar Crescendo Panels

Original watercolour signed Thomas (LR) depicting an elaborate chinoiserie-inspired dining room interior Art Sz: 10"H x 14 1/2"W Frame Sz: 15"H x 19 1/2"W w/ gilt bamboo frame

Original design sketches for David Linley's exquisite, bespoke table furniture inspired by the Monte Carlo Casino which is priced at $100,000 Art Sz: 30 3/4"H x 19 1/2"W Frame Sz: ...

Coloured Pencils and pastel on Hahnemühle paper - Realistic Figurative original Drawing, Colorful, Interior. Work Title : Intérieur Provence Artist : Gabriel Riesnert...

Andrew Loomis (American, 1892-1959) Signed: Andrew Loomis (Lower, Right) " Mosaic Tiles " 1930 16 1/2" x 21" Watercolor with Graphite and Gouache on Illustration Board Overall S...

Arabian Charger Seller" by Antonio Rivas (Spanish, 1845-1911) stands as an exquisite example of Orientalism, a 19th-century artistic movement that sought to depict the rich and diverse cultures of the East. Rivas, a master of his craft, delves into this genre with a keen eye for detail and a dedication to authenticity that brings the scene to life. In this antique watercolor on paper...

A pillow book was meant to teach a young bride about the art of lovemaking. This rare museum-quality 19th century example is composed of 12 masterfully pai...

"Painter" 20th Century American Scene Social Realism Working Man Modern WPA Era Jo Cain (1904 - 2003) Painter 41 ½ x 36 3/4 inches (sight) Gouache on paper c. 1930s Signed lower rig...

THUNDER ROLL is a watercolor on Arches paper by Fleur Thesmar. The artwork measures 22x30". It is professionally framed in white, with UV protection and anti-glare glass. Framed it measures 26x34". A recurring subject for the artist, a world traveller, is memory and landscape, possessions and identity. In "Thunder Roll" we see cherished wine glasses in a carton being packed or unpacked, either way in a state of transition. The play of light on the glass and on the wrapping paper suggests sunny days and warm moments. And the presence of the leaves adds a natural, wholesome energy to this home. From Fleur Thesmar – "The painting "Thunder Roll" is part of a body of work called “Removal” which features semi-realistic still lives of clothes, bubble wrap and sometimes cardboard and glasses. It questions themes​ such as possession and identity, removal and travel, memories and storage. It also resonates with landscapes and here, with the summer fields in France before the storm. I store memories of large tables, wine glasses and lace napkins...