Erte - Romain de Tirtoff

Romain de Tirtoff, called Erte, Art Deco theatre design, signed drawing

Romain de Tirtoff, called Erte (French/Russian, 1892-1990) L`Usine de Beaute – 1er aspect du decor Ink pen Signed with studio stamp and stamped signature (lower right) 5 x 7 in. (12....

Romain de Tirtoff, called Erte (French/Russian, 1892-1990) L`Usine de Beaute – 2er aspect du decor Ink pen Signed with studio stamp and stamped signature (lower right) 5 x 7 in. (12....

Romain de Tirtoff, called Erte (French/Russian, 1892-1990) Décor pour une entrée des danseuses Ink pen Signed with studio stamp (lower right) 5 x 7 in. (12.8 x 17.8 cm.) Provenance :...

Romain de Tirtoff, called ERTÉ (French/Russian, 1892-1990) Plus ca change – Plus c`est la meme chose, Décor; and Rideau du Coeur Ink pen Signed with studio stamp (lower right) 5 x 7 ...

Romain de Tirtoff, called Erte (French/Russian, 1892-1990) Les Mers – Apparition de Britannia; and Debut de l`effet Final Ink pen 5 x 7 in. (12.8 x 17.8 cm.) A pair Provenance : From...

Romain de Tirtoff, called ERTE (Russian/French, 1892-1990) Coiffeuse Commode Ink and watercolour with pencil Inscribed with details (upper left) and signed with studio stamp (lower right) 11 x 16.1/2 in. (28 x 42 cm.) Provenance: The personal collection of the artist Gifted to Serge Leeman and thence by descent Romain de Tirtoff, commonly known as Erté, is widely recognized as the most influential artist of the Art Deco movement. His distinguished career spanned over 80 years and crossed over into several mediums including fashion illustration, stage and costume design and bronze sculpture. Erté was born on November 23, 1892 in St. Petersburg, Russia. His father was a military man...

“Dime a Dance” American Art Deco 20th Century Modernism Pin-Up Social Realism Arthur Rosenman Ross (1913 - 1981) “Dime a Dance”, 1933 Watercolor and Ink on Illustration Board 18” x 10 1/2 inches (sight) Signed Arthur Rosenman, ‘33 L/R 29 1/2”H x 25 1/2 inches ( Framed) Provenance: Estate of the artist. The Drawing is in very good condition. The period frame is solid, but could use some restoration. BIO Arthur Rosenman Ross was a key figure in automotive design at General Motors during America's "Golden Age" of auto design, the 1930's through the 1950s. He attended the Art Institute of Chicago from age 17, exhibiting a special interest for automotive renderings and the female figure. In 1934, he changed his name from Rosenman to Ross, fearing his Jewish ancestry could prejudice his career prospects. At age 20, he turned down job offers from MGM Studios in Hollywood and Duesenberg to work at General Motors alongside the Legendary Harley Earl in 1935. He was hand picked by Mr. Earl and assigned to GM's War and Camouflage Division in 1937 through WW2. It was during this pivotal period in which he executed some extraordinary military aircraft artworks, likely used between GM and America's military aeronautics companies in design preparation for WW2. General Motors played an important role in helping America's aircraft manufacturers preceding and during the war. Just after the war in 1945, Mr. Ross was rewarded by GM, being made Chief Designer of Cadillac, then two years later becoming Chief at Oldsmobile until his retirement in 1959. He was in large part responsible for some of GM's classic Cadillac designs such as the Cadillac Sixty Special, Fleetwood, LaSalle and GM's first concept car, the extraordinary Buick Y-Job. Mr. Ross was an exceptionally charismatic and vivacious man who quite by chance, befriended His idol, Salvador Dali at GM in 1955. They talked about art, cars and girls late into the evening, according to his son, Carter Ross. He had a gift in rendering the erotic arts...

"Transparent Teardrop Window" is a hand-painted watercolor painting on high-quality 300g paper of a minimalist architectural sculpture, drawn and ...

Lucien-Victor Guirand de Scevola (1871-1950) A Man writing at his desk, 18th century interior scene Pastel on paper Signed upper right 20.5 x 15.8 cm Framed under glass : 37 x 31.5 cm It is known that Guirand de Scevola was very interested in the Palace of Versailles and its Old Regime atmosphere, that he often painted it and that he participated in the Versailles Revival movement at the beginning of the century. This probably led him to paint scenes in the 18th century style, for which he was particularly well known and which are still sought after. What is striking is the modernity of the execution of our pastel, which obviously contrasts with its subject in the style of the 18th century. Guirand de Scevoal is a great colourist and he proves it here with eclat, by building up his composition with white pastel highlights, contrasting with brown and black. There is something of the northern painters in this treatment of light. All this, as always with him, is very subtle. The light radiating from the window is almost an abstract notation, but it gives meaning to this interior scene. Lucien-Victor Guirand de Scévola ( 1871 – 1950) was a French painter. He was student of Fernand Cormon and Pierre Dupuis...

This attractive French interior decoration study project drawing is attributed to Maurice Dufrene Studio. The project features the interior decoration for a typical 1930/40s upper-cl...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Le chien qui fume (The Smoking Dog) Signed “Erté” (lower right) Gouache on paper This set design by Erté, entitled Le chien qui...

Charles Paine 1895 - 1967 Evening Nursery Gouache Signed upper right with monogram Image size: 3 × 3 inches Acid free mount and black frame Perhaps best known for his iconic London ...