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Jane GrayHarold Pinter and Antonia Fraser Stained Glass Window Design by Jane Gray1980
1980
$620.92
£450
€528.93
CA$844.50
A$946.26
CHF 492.56
MX$11,576.01
NOK 6,252.18
SEK 5,905.11
DKK 3,948.60
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About the Item
We acquired a series of watercolour stained glass designs from Jane Gray's studio. To find more scroll down to "More from this Seller" and below it click on "See all from this seller."
Jane Gray (b.1931)
Stained Glass Design
Watercolour
30.5 x 16 cm
Signed l.r. and dated on backing board.
Provenance: the artist's studio sale
Harold Pinter and Antonia Fraser married in London in November 1980, five years after they first met, and only a few months after Gray commenced designing this impressive stained glass window for their house at 52 Campden Hill Square in London. Her notes surrounding the design give insights into her process and the themes and imagery she wished the design to contain such as: Harold and Antonia’s initials, cricket, hollyhocks, butterflies, medallions of test matches.
Jane Gray A.R.C.A. (b.1931) is a British stained glass artist. She studied stained glass at the Kingston School of Arts (1949-51) and later at the Royal College of Art (1951-55) under Lawrence Lee. Lee was so impressed with Gray’s work that he asked her to work alongside him on the design of ten nave windows for Coventry Cathedral. This six-year-long design project culminated in their final installation in 1962 after the cathedral’s consecration. Gray was the first woman to become a liveryman of the Worshipful Company of Glaziers and has designed more than a hundred windows in private and public buildings, chapels and over forty churches across the country, including St Peter’s, Martindale, Shrewsbury Abbey, St Oswald, Oswestry and St Mary, Chirk. Gray’s designs mark a crucial turning point in the history of stained glass art as the Victorian style gave way to a modern, aesthetic. In her work, Gray navigates this shift with a style that, whilst distinctly modern, retains a deep rooted sense of the medieval. Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] playing with rainbows’.
- Creator:Jane Gray (1931, British)
- Creation Year:1980
- Dimensions:Height: 12.01 in (30.5 cm)Width: 6.3 in (16 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU795313169942
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Jane Gray A.R.C.A. (b.1931) is a British stained glass artist. She studied stained glass at the Kingston School of Arts (1949-51) and later at the Royal College of Art (1951-55) under Lawrence Lee. Lee was so impressed with Gray’s work that he asked her to work alongside him on the design of ten nave windows for Coventry Cathedral. This six-year-long design project culminated in their final installation in 1962 after the cathedral’s consecration. Gray was the first woman to become a liveryman of the Worshipful Company of Glaziers and has designed more than a hundred windows in private and public buildings, chapels and over forty churches across the country, including St Peter’s, Martindale, Shrewsbury Abbey, St Oswald, Oswestry and St Mary, Chirk. Gray’s designs mark a crucial turning point in the history of stained glass art as the Victorian style gave way to a modern aesthetic. In her work, Gray navigates this shift with a style that, whilst distinctly modern, retains a deep rooted sense of the medieval. Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] playing with rainbows’.
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