Jane Gray

Port Scene Watercolour Design for Stained Glass Roundel by Jane Gray

1962

William Matthison Christ Church, Oxford Watercolour 38x25cm Born outside Birmingham, Matthison attended King Edward’s School in the city. Learning drawing at Birmingham Central Scho...

John Dean Monroe Harvey (1895-1978) Garret Hostel Bridge, Cambridge Watercolour and pencil 38 x 61 cm Signed and dated 1969, with label for Guy Morgan & Partners. The present Garret Hostel Bridge is at least the eighth bridge on this site which lies between Trinity and Trinity Hall...

To see our other views of London, scroll down to "More from this Seller" and below it click on "See all from this seller". William Alistair MacDonald (1861-1948) Middle Temple...

John Newberry RWS (b. 1934) Exeter College Chapel, Oxford (1979) Watercolour 18x27cm Newberry read Architecture at Cambridge and then Fine Art at Newca...

"Windmill on the Plains" is a captivating watercolor and ink on paper painting by 20th century Colorado artist Jenne Magafan. Created in the 1940s, this work depicts a large windmill...

untitled (Rocks along the Coast) Gouache and watercolor on paper, c. 1950 Signed with the estate stamp signature lower left (see photo) This is a preliminary study for a large exhibition painting...

The Duomo, Florence Watercolor, 1914 Signed and dated lower center edge (see photo) Florence Cathedral, formally the Cattedrale di Santa Maria del Fiore, is the cathedral of Florence, Italy. It was begun in 1296 in the Gothic style to a design of Arnolfo di Cambio and was structurally completed by 1436, with the dome engineered by Filippo Brunelleschi. Condition: Excellent Image size: 16 3/4 x 14 1/2 inches Frame size: 24 1/4 x 22 inches Donald Shaw MacLaughlan was born in Charlottetown, Prince Edward Island, Canada on November 9, 1876. His family moved to Boston, Massachusetts in 1890 where he began to experiment with different art media; watercolor, oil painting and finally, etching – with a few attempts at lithography. He spent much of his early years at the Boston Public Library studying the work of printmakers, from Durer and Rembrandt to the 18th century English, French and Italian masters. Like many American artists of the time MacLaughlan traveled to Europe to study in Paris, enrolling in the Ecole des Beaux Arts and studied further with Jean Leon Gerome and Jean Paul Laurens. In 1899 he began producing etchings, which became his major interest until his death in 1938. He became acquainted with James NcNeill Whistler (1834-1903) and other artists who created etchings and spent time studying the etchings of Rembrandt van Rijn (1606-1669) and other old masters in the collection of the Bibliothèque Nationale. Both Rembrandt and Whistler would have major influences on his art. In 1900 he created a set of 25 etched views of Paris and in 1901 exhibited two etchings in the Salon de la Société Nationale des Beaux-Arts. He returned to the U.S. in 1903, then went back to Paris the following year. He traveled extensively in Europe, visiting England, Switzerland, Italy and Spain as well as various locales in France. His etched views of Venice were well-known. MacLaughlan exhibited views of Paris, Rouen, Normandy and Italy in 1906 in a solo show at the American Art Association Galleries in Paris. He also displayed his work in the 1906 exhibitions of the Société Nationale des Beaux-Arts and the Société des Peintres-Graveurs Français. MacLaughlan even instructed other expatriate Canadian artists then living in Paris, most notably Clarence...

Francis Chapin was one of the most celebrated painters in Chicago during his lifetime. When he was a young art student, Valley House founder, Donald Vogel, painted with "Chape" on th...