Jose Luis De la Barra Bellido

Mermaid, Drawing, Pencil/Colored Pencil on Watercolor Paper

2020

Aportrait :: Drawing :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Signature Location: ...

Suddenly I'm letting surrealism just happen... it's creepy but I appreciate the way it happens. My drawing skills are a conduit for a stream of thought vision that I have no hope of understanding. Like dreams right? Pencil on Bristol plate...

Initiatrix - 03-12-18 The third art work in my new series on Egypt. I experimented with my personal style 'roundism' in combination with realism and surrealism. I also used a previous theme the 'holy vortex' and my theory on singularities. The new element is the ancient carved block patina, giving it a layered and also surrealistic look. Vortices as a result of the application of the golden ratio already were recognized and employed by the old Egyptians...

Believe it or not, most of the inspirations for this drawing were ordinary objects such as wood grain and shadows. No preparatory sketches were used for the figures and shapes in the...

sight size is irregular. size includes frame.. In scrawly pencil lines, William Anthony outlines figures that look like sock puppets with oversize heads and sausage-shaped limbs. An...

Original pastel and colored pencil drawing on paper by artist Matt Atkinson. Framed.

This charming 19th-century drawing by British artist Edmond Albert Joseph Tyrel de Poix (1840-1916) depicts a mother and child standing by a mill pond before a rustic watermill. De Poix was a gentleman artist descended from French nobility...

Untitled (Woman working in the fields) Graphite on wove paper Unsigned Exhibited: Spanierman Galleries, In Praise of Women, Oct. 21-Nov. 20, 2010 Illustrated: Lisa N. Peters, In Praise of Women, Spanierman Galleries (see catalog entry in photos) Condition: Excellent Sheet size (sight): 14 1//2 x 10 5/16 inches Provenance: Spanierman Galleries, New York The young woman is a known model for Knight. She is depicted in numerous paintings. The striped skirt and wooden shoes she wears also is repeated in Knight's oeuvre. "Daniel Ridgway Knight was born in Philadelphia to a Quaker family and studied at the Pennsylvania Academy of the Fine Arts from 1858 to 1861, the year he became a founding member of the Philadelphia Sketch Club. He went to Paris and studied at the Ecole des Beaux-Arts from 1861 to 1863 with Charles Gleyre (1808-1874) and Alexandre Cabanel (1823-1889), and attended the Accademia di San Lucca, then in Venice, in 1863. Knight returned to Philadelphia that year, married, and served in the Union Army during the Civil War. He went back to France in 1871 and lived there for the remainder of his long and successful career. He settled in Seine-et-Oise near Poissy to study with the noted academic painter Jean-Louis-Ernest Meissonier (1815-1891) in 1873, and the two artists became close friends. Influenced by his French contemporaries Jules Bastien-Lepage (1848-1884) and Jules- Adolphe-Aimé-Louis Breton...