Julia Whitney Barnes

Cyanotype Painting Poppies, Rose of Sharon, Ferns, Botanical Painting in Blue

2020

In this bright botanical diptych in pulled ink, silkscreen printing, gouache and hand-drawn lines on paper, dark coral red flowers with verdant green leaves and stems are dramatic against a luminous yellow gold background. Signed, titled, dated and numbered on recto. 30.25 x 35.5 inches (each), 30.25 x 71 inches (diptych) (unframed). Brooklyn-based artist Nancy Blum uses botanical motifs to create images that are universally associated with growth and continuity, aiming to propel comprehension of the connectedness of all beings within the limitless energy operating throughout this world. Blum's large‐scale works on paper, rendered in ink, colored pencil, gouache and graphite, portray a fantastic realm in which flowers own the space. Using a variety of 16th and 17th-century botanical images, from Chinese plum blossoms...

In this vertical work in watercolor, gouache, and tea toned cyanotype on cold press watercolor paper, a cyanotype print impression of flowers, in...

Meticulously detailed flowers, including cosmos and Rose of Sharon are depicted in shades of pale blue with luminous gold details against a deep, indigo blue background with stars an...

In this vertical work in watercolor, ink, gouache, and cyanotype on Arches platine paper, meticulously detailed flowers, including crocus, star flower, cosmos and ferns are depicted ...

In watercolor, ink, gouache, and cyanotype on Arches platine paper, meticulously detailed flowers, including anemones, rose of sharon, and queen anne's lace are depicted in shades of...

Meticulously detailed flowers, including clematis, Queen Anne's lace, and forget me nots are depicted in a luminous shade of pale sienna brown against a dark background in this water...

This painting is both strange and intimate. It depicts a small wooden boat floating on the water and two "passengers" in the form of a leafless tree and shrub. The placid water and ...

Two bud vases seemingly defy gravity as they teeter upon a watery surface in Christina Haglid's "Janus". This meticulously detailed watercolor invites the viewer to take a closer look at nature, to question what is seen and to enter into a newly created world. Intricate in her execution, Haglid uses watercolor as one might use a colored pencil. Layer upon layer of color is added to achieve this impressively detailed painting. Christina Haglid Janus watercolor and gouache on paper 11h x 8w in 27.94h x 20.32w cm CMH031 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at night...

Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Wom...

Warm & Golden (2020), surreal abstract dream-like landscape, skyscape, garden, rainbow, flowers "Warm & Golden" by Shamona Stokes portrays a playful, ...

This surreal landscape comes from the inner sanctum of artist Christina Haglid. Two paper orbs combine and reveal a portal to another dimension. The artist invites the viewer to take a closer look at nature, to question what is seen and to enter into a newly created world. Meticulous in her execution, Haglid uses watercolor as one might use a colored pencil. Layer upon layer of color is added to achieve this impressively detailed painting. The piece is matted and framed in a simple white frame measuring 20.25 x 16.75. Christina Haglid Nest, 2020 watercolor and gouache on paper 11h x 8w in 27.94h x 20.32w cm CMH051 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at night...

Translucent vessels are suspended upon the surface of the water in this surreal landscape entitled "Cloud Lake". This landscape is done in exacting detail with watercolor and gouache down to the smallest water droplet. Layer upon layer of color is added to achieve this impressively detailed painting. The piece is matted and framed in a simple white frame measuring 20.25 x 16.75 inches. Christina Haglid Cloud Lake watercolor and gouache on paper 11h x 8w in 27.94h x 20.32w cm CMH053 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at...