Albert Goodwin

British 19th C watercolour of River Witham, Lincoln Cathedral beyond by Goodwin

1875

Fred Bottomley (British, 1883-1960) St Ives harbour Gouache and watercolour Signed `F. Bottomley.’ (lower right) 9.1/8 x 13.1/8 in. (23.2 x 33.4 cm.)

English School, 19th Century Droving cattle before a woodland manor Watercolour on paper with body colour 9.1/4 x 13.3/8 in. (23.5 x 34cm.) This is a very well executed watercolour landscape using body colour to create depth and contrast, in certain cases building up impasto depicting an idyllic rural scene of old England.

English School, 18th Century A traveller before a Hilltop Coastal Fort Watercolour and ink on paper 10.1/2 x 15.1/2 in. (26.7 x 39.5 cm.) This early watercolour was initially though...

English School, Early 19th century Figures before a cottage in a hilly woodland landscape Watercolour on paper 12.1/4 x 16.1/4 in. (31 x 41.1/2 cm.) A serene rural scene depicting d...

American school, circa 1850 ‘The American steamer Franklin being piloted to Boston’ Pencil and watercolour and body colour Inscribed ‘Franklin’ on the sail 6.1/4 x 9.1/2 in. (16 x 24...

Sam Barclay (British, 20th Century) Sailing vessels in a harbour, possibly Greece Watercolour Signed and dated ‘SAM BARCLAY.1.50’ (lower right) 14.1/2...

Beautiful watercolor and gouache on archival paper by the well known Maine artist Bill Paxton. The watercolor depicts what Portland harbor in Maine looked like in 1910 with sailing vessels of the era moored in the harbor. Signed lower right by the artist. Titled verso. Circa 1975. Condition is excellent and is finely matted and framed. The artwork is matted and framed in a thin gold leaf custom gallery frame. Overall framed measurements are 17.5 by 21.75 inches. Provenance: Sarasota, Florida estate. William (Bill) Paxton 1930—2007 William Paxton, born August 5, 1930 in Lewiston, was one of Maine’s top selling artists. He had a passion for painting and from a young age he was known for his talents in sketching. Paxton captured many popular Maine scenes with watercolor, acrylic, and oils. His work also includes historical scenes he referenced in books from as early as the 1920’s, painting locomotives, aircraft, and war scenes. Paxton’s art is sold all over the world. As a student at Bridgton Academy, he was featured in his yearbook. It states, “When artist Bill picks up his pen, we all stand at attention, for his remarks and pictures are certainly worth mention.” He wanted to pursue a career selling his art, but it was during the time of the Great Depression. Also in his younger years, Paxton had an interest in skiing and won a medal for Second Highest Ski Jump. From there he went to flying and received a certification for Second-in-Command, to fly alongside the captain in a C-46F type of aircraft. He then joined the Air Force in the 40’s, although his passion and talents for art were constant throughout his life. Paxton quickly became the front line military sketch...

Graphite and watercolor on paper stock drawing by the Russian Federation artist, Carl Ivanovitch Kollmann. Circa 1830. Condition: Good. Actual drawing diameter is 6.5 inches. Impr...

A very attractive and meticulously executed view of a rocky landscape within the woods dating to 1823. This would suit a library or study with its muted tones and skifull draughtsmanship. William Nicholson (1781-1844) Near Croxdale Hall Signed with initials and inscribed with title and date 1823 Pen, ink and grey wash 11 x 8 inches, image only 17 x 13 inches without frame The portrait-painter and etcher William Nicholson was born in Ovingham-on-Tyne, Northumberland, on Christmas Day 1781. His family transferred to Newcastle when his father was appointed Headmaster of the city's Grammar School. At an early age, though, Nicholson appears to have moved to Hull where he made his artistic debut, painting miniatures of officers garrisoned there. He was almost entirely self-taught, learning his craft through the close study of artworks in private and public galleries. He subsequently returned to Newcastle where he received many commissions to paint portraits of the old families of Northumberland. In 1808, he began to exhibit at the Royal Academy, continuing to do so until 1822. By 1814, Nicholson, whose mother was a Scot, had moved to Edinburgh where he set up as a miniaturist and painter in oils. Soon, however, he began to specialize in watercolour portraits. Early subjects included the actor Daniel Terry and the poet and novelist James Hogg. In 1818 he began to publish a series of Portraits of Eminent Scotsmen, etched from his own portraits and those of other painters. Besides Scott and Hogg, the subjects included the writers Robert Burns, John Wilson ('Christopher North'), and Lord Jeffrey, the painters Sir Henry Raeburn, the divines Alexander Carlyle and Alexander Cameron, the engineer James Watt, the architect John Playfair, and the song-collector and composer George Thomson...

A very attractive view of a rural lane in Pirbright by this highly collectable artist who was a contemporary and friend of John Constable. Dr William Crotch (1775-1847) Mr Pear's House at Pirbright from the Turnpike Signed with initials on reverse and inscribed as title and additionally " Thunder about/ 1 pm" watercolour and pencil 4 x 6½ inches without frame 11 x 13 inches with frame William Crotch (5 July 1775 – 29 December 1847) was an English composer and organist. According to the British musicologist Nicholas Temperley, Crotch was "a child prodigy without parallel in the history of music", and was certainly the most distinguished English musician in his day. Crotch was a professional musician, becoming the first Principal of the Royal Academy of Music...

Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade: “Over the course of his career, Bob Stuth-Wade has examined his responses to...

"These small works are the result of a tribulation. Eyes that could see only double, a heart that gave out from chemo, facial surgery to remove half the face; I lived only in hope against hope to be able to work again. With that old dear longing, restored face, renewed heart, and improving health, I started again to recline upon the shores of Texas waterways and vistas wishing to express as simply as possible my love and delight at being able to see and paint again. Also included in this exhibition will be the egg tempera panel, Christmas, one of the recent paintings completed for The Chapel installation, now 36 years in the making." “God bless us one and all.”—Tiny Tim...