Items Similar to One, Two, mixed media female, mystery, symbols, numbers, black and white,
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Audrey Frank AnastasiOne, Two, mixed media female, mystery, symbols, numbers, black and white,2018
2018
$950
£704.94
€821.15
CA$1,322.41
A$1,472.62
CHF 766.42
MX$18,157.22
NOK 9,760.91
SEK 9,174.31
DKK 6,126.83
Shipping
Retrieving quote...The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation
About the Item
Paper paint charcoal collage
ABOUT the artist:
Audrey Frank Anastasi is a prolific feminist artist, working in painting, drawing, collage, mixed media, & printmaking. She is also curator, gallerist, educator and arts advocate. Most of Ms. Anastasi's figurative works are painted with her non-dominant left hand. She has created large bodies of works of birds, animals and birch trees.
She has had 20 solo & 200 group shows. Her "ref-u-gee" series will be shown in 2020 at Medgar Evers College in collaboration with the Valentine Museum of Art, Brooklyn. Accompanying the show will be a limited-edition monograph w/ over 180 images and a foreword by Phyllis Braff. Ms. Anastasi's collage series was exhibited at Welancora Gallery, Brooklyn, in May, 2019. In 2018, ten paintings were exhibited in "Painting to Survive," curated by Yale critic Jonathan Weinberg.
Book and catalog publications include "Stations of the Cross", SPQR press, BREUCKELEN magazine, “Audrey Frank Anastasi”, catalog essay Cindy Nemser, and "Collage," essay by Giancarlo T. Roma.
Public art includes a portrait of Jo Davidson at the Trailside Museum & Zoo, Bear Mountain State Park, NY, and the Stations of the Cross in the auditorium of Our Lady of Angels RC Church, Brooklyn. Her work is in Valentine Museum of Art, Brooklyn, NY, Munson Williams Proctor Art Institute, Utica, NY, Museum Pinacoteca do Estado de São Paulo, Brazil, Pfizer Corporation, NY, Avon Corporation, St. Vincent's Hospital Collection, NYC & MoMA Photography Archives.
- Creator:
- Creation Year:2018
- Dimensions:Height: 30 in (76.2 cm)Width: 22 in (55.88 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Brooklyn, NY
- Reference Number:1stDibs: LU133917626832
Audrey Frank Anastasi
Audrey Frank Anastasi is a prolific feminist artist, working in painting, drawing, collage, mixed media, & printmaking. She is also curator, gallerist, educator and arts advocate. Most of Ms. Anastasi's figurative works are painted with her non-dominant left hand. She has created large bodies of works of birds, animals and birch trees. She has had 20 solo & 200 group shows. Her "ref-u-gee" series will be shown in 2020 at Medgar Evers College in collaboration with the Valentine Museum of Art, Brooklyn. Accompanying the show will be a limited-edition monograph w/ over 180 images and a foreword by Phyllis Braff. Ms. Anastasi's collage series was exhibited at Welancora Gallery, Brooklyn, in May, 2019. In 2018, ten paintings were exhibited in "Painting to Survive," curated by Yale critic Jonathan Weinberg. Book and catalog publications include "Stations of the Cross", SPQR press, BREUCKELEN magazine, “Audrey Frank Anastasi”, catalog essay Cindy Nemser, and "Collage," essay by Giancarlo T. Roma. Public art includes a portrait of Jo Davidson at the Trailside Museum & Zoo, Bear Mountain State Park, NY, and the Stations of the Cross in the auditorium of Our Lady of Angels RC Church, Brooklyn. Her work is in Valentine Museum of Art, Brooklyn, NY, Munson Williams Proctor Art Institute, Utica, NY, Museum Pinacoteca do Estado de São Paulo, Brazil, Pfizer Corporation, NY, Avon Corporation, St. Vincent's Hospital Collection, NYC & MoMA Photography Archives.
About the Seller
5.0
Gold Seller
Premium sellers maintaining a 4.3+ rating and 24-hour response times
Established in 2005
1stDibs seller since 2020
100 sales on 1stDibs
Typical response time: 8 hours
- ShippingRetrieving quote...Shipping from: Brooklyn, NY
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllNine-O-One, dark colors, monochromatic, moody female figure, maps, text, time
By Audrey Anastasi
Located in Brooklyn, NY
Paper charcoal collage
These collages were created first in the presence of a live model, working quickly, in charcoal and pastel, and again, later, alone in the studio, furiously te...
Category
2010s American Modern Mixed Media
Materials
Mixed Media, Charcoal
Figure, black and white, monochromatic mysterious female nude
By Tom Bennett
Located in Brooklyn, NY
Monotype on paper
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Paper, Monotype
Dark Figure, dark female nude figure
By Audrey Anastasi
Located in Brooklyn, NY
Created directly from observation of a live model, this mostly monochromatic figure work exemplifies the masterly draughtsmanship skills of the artist. The charcoal drawing in on a s...
Category
2010s Feminist Nude Drawings and Watercolors
Materials
Charcoal, Acrylic, Archival Paper
Flawed Characters, monochromatic collage neutral greys text, newspaper, figure
By Audrey Anastasi
Located in Brooklyn, NY
Paper paint charcoal collage
Whether the subject matter is figuration or nature, Audrey Anastasi approaches all her subjects directly and unabashedly. In this work on paper, she co...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Charcoal, Archival Paper, Magazine Paper
Twice Dancer, monochromatic, black and white figurative, sketch quality
By Audrey Anastasi
Located in Brooklyn, NY
ABOUT the artist:
Audrey Frank Anastasi is a prolific feminist artist, working in painting, drawing, collage, mixed media, & printmaking. She is also curator, gallerist, educator and arts advocate. Most of Ms. Anastasi's figurative works are painted with her non-dominant left hand. She has created large bodies of works of birds, animals and birch trees.
She has had 20 solo & 200 group shows. Her "ref-u-gee" series will be shown in 2020 at Medgar Evers College in collaboration with the Valentine Museum of Art, Brooklyn. Accompanying the show will be a limited-edition monograph w/ over 180 images and a foreword by Phyllis Braff. Ms. Anastasi's collage series was exhibited at Welancora Gallery, Brooklyn, in May, 2019. In 2018, ten paintings were exhibited in "Painting to Survive," curated by Yale critic Jonathan Weinberg.
Book and catalog publications include "Stations of the Cross", SPQR press, BREUCKELEN magazine, “Audrey Frank Anastasi”, catalog essay Cindy Nemser, and "Collage," essay by Giancarlo T. Roma.
Public art includes a portrait of Jo Davidson...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Mixed Media, Charcoal, Archival Paper
Celestial, female face figure, grey, clouds, sky patterns
By Audrey Anastasi
Located in Brooklyn, NY
These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...
Category
2010s Contemporary Mixed Media
Materials
Mixed Media, Charcoal, Archival Paper
You May Also Like
Drawing 14, Series Drawing - Large Format, Charcoal On Paper Panting
By Krzysztof Gliszczyński
Located in Salzburg, AT
The artwork is unframed and will be shipped rolled in a tube
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk.
Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video.
Artist Statement
In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...
Category
Early 2000s Conceptual Figurative Drawings and Watercolors
Materials
Paper, Charcoal
Drawing 13, Series Drawing - Large Format, Charcoal On Paper Panting
By Krzysztof Gliszczyński
Located in Salzburg, AT
The artwork is unframed and will be shipped rolled in a tube
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. ...
Category
Early 2000s Conceptual Figurative Drawings and Watercolors
Materials
Paper, Charcoal
Untitled - Contemporary mixed media drawing, Figurative, Monochromatic
By Antoni Janusz Pastwa
Located in Warsaw, PL
ANTONI JANUSZ PASTWA (b. 1944)
Graduated from Academy of Fine Arts in Warsaw at the Faculty of Sculpture. Obtained his diploma in 1970. Between 1974-1981 he was an assistant at profe...
Category
2010s Abstract Figurative Drawings and Watercolors
Materials
Paper, Mixed Media
Strange situation - Contemporary Drawing, Figurative, Black & white
By Jolanta Johnsson
Located in Warsaw, PL
JOLANTA JOHNSSON (born 1955)
Polish painter. She studied at the Warsaw Academy of Fine Arts in the years 1984-1989, in the graphic studios of prof. Ha...
Category
21st Century and Contemporary Figurative Drawings and Watercolors
Materials
Paper, Ink, Pen
Citation - black, white, abstracted figurative, brushed ink on paper
By Andrew Lui
Located in Bloomfield, ON
Brushed ink in grey and black leads the eye up the picture plane in this 55-inch tall painting on paper. The intense movement suggestive of rearing horses in this painterly work is in keeping with Lui's theme of pilgrimage in which he explores the idea of "self-inflicted happiness" as a deliberate response to the melancholy and complexity of life. This painting is floated and framed. Framed Size: 60 × 35 inches
Born in Guangzhou, China, Lui participated in the Chinese Cultural Revolution as a member of the Red Guard 1968-70 and then escaped to Hong Kong by swimming. Making his way to Toronto he studied at the Ontario College of Art and became a citizen in the late 1970s. He continued studies in the UK, and Italy where he was drawn to the dynamic Uccello's Battle of San Romano...
Category
2010s Contemporary Abstract Drawings and Watercolors
Materials
Ink, Archival Paper
As time goes by - Mixed media print, Figurative etching, Black & White
By Jacek Sowicki
Located in Warsaw, PL
JACEK SOWICKI (born in 1948)
He studied at the Academy of Fine Arts in Cracow and graduated from the Academy Of Fine Arts in Warsaw in 1973. In 1984-89 he run the graphics atelier at...
Category
Early 2000s Abstract Figurative Prints
Materials
Paper, Mixed Media
More Ways To Browse
St Frank
Stations Of The Cross
White Birch Trees
Stations Of The Cross Paintings
Mixed Media Trees Birds
Engravings Of Rome
The Four Seasons
Money Painting
Young Female
Bay Area Paintings
Landscape Paintings Evening
Mother Child Art
1958 Signed Paintings
Market Scene Painting
Tube Top
Contemporary Dot Painting
French Church
French Vintage Films