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Boardman RobinsonVintage Colorado Mountain Landscape, Original Modernist Graphite Drawing, Framed
About the Item
This original graphite on paper drawing by renowned artist Boardman Robinson (1876-1952) captures the dramatic beauty of a Colorado mountain landscape. Signed by the artist in the lower right and inscribed with “For Louise Baun” in the lower left, this piece showcases Robinson’s mastery of modernist rendering and his ability to evoke the rugged grandeur of the American West.
Presented in a custom black frame with all archival materials, the outer dimensions of the framed piece measure 15 ⅝ x 18 ⅝ x ⅝ inches. The image size is 5 ⅞ x 8 ⅞ inches, offering a compact yet striking depiction of nature. This vintage work is a testament to Robinson’s distinctive style and his deep connection to the Colorado landscape.
Perfect for collectors of modernist art or those drawn to the natural beauty of the American West, this graphite drawing is a timeless addition to any collection.
- Creator:Boardman Robinson (1876 - 1952, American)
- Dimensions:Height: 15.5 in (39.37 cm)Width: 16.5 in (41.91 cm)Depth: 0.5 in (1.27 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:
- Gallery Location:Denver, CO
- Reference Number:Seller: 258121stDibs: LU27310797562
Boardman Robinson
Boardman Robinson was born in 1876 in Somerset, Nova Scotia, Canada. He came to the United States in 1894 to attend the Massachusetts Art School. He then studied painting in Paris at the Academie Colarossi and the Ecole des Beaux-Arts. After returning to the United States, Robinson worked as a cartoonist in New York City for the Morning Telegraph (1907–10), the New York Tribune (1910–14). Robinson went with John Reed to Russia in 1915 and served as war correspondent, covering the Kerensky Revolution for the Metropolitan Magazine. From 1915-1920, he held positions at several magazines including The Masses, Liberator, and Harper’s Weekly. He also served as a one-time art editor at Vogue. Robinson worked with Thomas Hart Benton in the 1920’s, developing a new style of mural painting. As a result, the two men are recognized as the founders of the American mural movement of the 1930’s. In 1930, he moved to Colorado Springs and took a position at the Broadmoor Academy. The following year, he was named Director of the Academy. During this time, he influenced many other well-known artists instruct at the Academy including: George Biddle, Thomas Hart Benton, Henry Varnum Poor, Adolf Dehn, Arnold Blanch, and Edgar Britton.
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