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Charles Kern Fiedler
Nature by Charles Kern Fiedler - Pastels on paper 30x40 cm

1915

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Landscape - Drawing on paper 26x39 cm
Located in Geneva, CH
Work on cardboard
Category

Early 20th Century Modern Landscape Drawings and Watercolors

Materials

Crayon, Pastel, Carbon Pencil

At Paulette's by M. Opériol - Drawing 32x41 cm
Located in Geneva, CH
Work on canton paper
Category

1970s Academic Landscape Drawings and Watercolors

Materials

Pastel

At the market by Jean Ducommun - Drawing 30x42 cm
Located in Geneva, CH
Work on paper without frame Signed
Category

Mid-20th Century Academic Landscape Drawings and Watercolors

Materials

Crayon

Landscape by Paul Mathey - Pencil on paper 30x43 cm
By Paul Mathey
Located in Geneva, CH
Work on paper
Category

Mid-20th Century Academic Landscape Drawings and Watercolors

Materials

Crayon

Geneva countryside and Lake Bienne, Switzerland by Pierre Desaules drawing 20x29
By Pierre Desaules
Located in Geneva, CH
Work on paper
Category

1960s Academic Landscape Drawings and Watercolors

Materials

Crayon

A modest tribute from a student by Paul François XI - Engraving 32x50 cm
Located in Geneva, CH
Work on paper
Category

1930s Modern Landscape Drawings and Watercolors

Materials

Engraving

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Abstracted New York City landscape drawing of urban rooftops and tree tops "Rooftops", created by William Clutz in 1977 30 x 20 inches, charcoal and pastel on paper 33 x 25 inches in light wood frame This framed pastel on paper was made in 1977 by William Clutz. It features an abstracted depiction of New York City rooftops as seen from a high window. Of particular note is the artist's technique with pastel; a wonderful texture and motion is created by closely woven striated lines. Sunlight reflects off brown rooftops and peaking green tree tops. The charcoal and pastel drawing is framed in a natural light wood frame with non-reflective glass and wire backing for installation. About the Artist: Renowned as the “impressionist of the contemporary metropolis”, William Clutz uses the city, in its entirety, as his subject. Pedestrians crossing streets become stars of the stage; the hustle and bustle of traffic and surrounding buildings are the chorus; each play their part in the overall composition. Lighting and color shift this observation of the everyday into a remarkable wonder. “It is surely Clutz”, wrote Gerrit Henry in Art News, 1979, “an artist who has rejected the niceties of representation in favor of the quintessence.” The young artist moved to New York City in 1955 and just four years later had his first solo exhibit at the Condon Riley Gallery. Clutz went on to show in major uptown galleries such as David Herbert, where, notably in 1962 he received a NYTimes review titled, Return of the Figure. That same year, his role in the revival of figuration was further solidified with inclusion in the MoMA group show, Recent Painting USA, The Figure. This was a pivotal turning point from which emerged a 50-year exhibiting career. Resume Born: Gettysburg, PA 1933 Mercersburg, PA 1933-1951 New York City 1955-1996 Education Painting: Thomas Danaher(WPA artist) 1944-51 Mercersburg Academy, PA 1947...
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