Eve Nethercott

Gloucester, Impressionist Watercolor by Eve Nethercott

1961

Eve Nethercott, American (1925 - 2015) - Gloucester (P5.66), Year: 1961, Medium: Watercolor on Paper, Size: 15 x 22 in. (38.1 x 55.88 cm), Description: Anchored along the doc...

Eve Nethercott, American (1925 - 2015) - Gloucester (P5.10), Year: 1948, Medium: Watercolor on Paper, Size: 11 x 15 in. (27.94 x 38.1 cm), Description: Looking out over the s...

Eve Nethercott, American (1925 - 2015) - Gloucester (P3.11), Year: 1961, Medium: Watercolor on Paper, Size: 10 x 22.5 in. (25.4 x 57.15 cm), Description: Shimmering with ligh...

Eve Nethercott, American (1925 - 2015) - Rockport (P5.34), Year: 1961, Medium: Watercolor on Paper, Size: 15 x 22 in. (38.1 x 55.88 cm), Description: Moored along the water n...

Fishing Village in Gloucester Harbor, 1950 - Watercolor on Paper In earthy tones, the fishing harbor of Gloucester, Massachusetts is captured with an ethereal fog hovering over the ...

John Hare Gloucester Harbor at Sunset, Massachusetts Signed lower right Watercolor on paper 16 x 12 inches John Cuthbert Hare, 1908-1978, was a watercolorist who painted boats, seascapes and harbor scenes. He was primarily associated New England, especially Cape Cod, Massachusetts where he spent his summers from 1938 to 1965. However, he was in Florida where he was a member of the St. Augustine Art Association, and other locations on the East Coast. It is likely Hare was born in New York City. He first studied commercial art in Brooklyn at the Pratt Institute and also studied at the Art Students League in Manhattan. He worked for Hearst newspapers corporation, and in 1933 married. In the next few years, he and his wife traveled extensively, camping and painting and exhibiting his work in galleries. In 1935, they visited St. Augustine and an exhibition of his watercolors was held there in the old bank...

Dorothy Rivo Gloucester Harbor, c. 1950s Watercolor and ink on paper Framed dimensions: 34 in. H × 30 in. W Contemporary black frame with white archival mat In Gloucester Harbor, Dorothy Rivo captures the gritty beauty of a working port with expressive brushwork and tonal depth. The scene unfolds in loose washes of ochre, rust, and charcoal, where weathered boats float before a jagged row of fishing sheds and coastal structures rendered in gestural lines. Rather than striving for topographic precision, Rivo offers a painterly impression of the harbor—moody, atmospheric, and undeniably alive. The smudged foreground, dripping masts, and clouded sky convey both movement and memory, as if the harbor were emerging from a dream or dissolving into one. Executed in watercolor and ink, this piece shows Rivo's command of mixed media and her deft ability to balance structure with spontaneity. It is a standout example of mid-century American waterfront painting...