Rowland Suddaby

Rowland Suddaby (1912-1972) - Signed British Gouache, Pen & Ink, Coastline

Bright gouache highlights bring this delicate watercolour study of a spring woodland to life. The artwork is signed and dated in the lower right-hand corner and is well presented in ...

Impastoed gouache is used to depict a quiet river leading to a countryside cottage on a still evening. The artwork is unsigned and well presented in a gilded wood frame with a white ...

Subtle impastoes are combined with a dry brush technique to render a cosy study of a country cottage in the late evening to brilliant effect. The artwork is unsigned and well represe...

Subtle impastoed depict a tranquil study of a rural cottage. The artwork is unsigned and well presented in a gilded wood frame with a blue and white double mount. On wove.

In this gouache study, Williams depicts a late summer woodland with a bright palette and compelling brush strokes. The artwork holds a calming, immersive ambiance, and is signed in t...

A superb mid 20th century painting by the highly acclaimed British artist Rowland Suddaby, depicting a dramatic coastline. Suddaby has captured the intensity of this jagged landscape through the use of hurried brushwork - indicating that this was painted en plein air. Further shadow and details have been added in black ink - again the mark making is energetic and instinctive, as Suddaby tries to capture the scene before the light changes. Multi hued clouds on the horizon suggest an approaching storm rolling off the sea. The painting is stamped to the lower right and excellently presented in a cream card mount and decorative gilt frame. Provenance: Ex collection of the artist's widow Elizabeth. This piece is accompanied by a letter of authenticity from Grant M...

This very modern drawing presents a view of Ariccia, a small town 25 kilometres south-east of Rome. The Palazzo Chigi (in which the film-maker Luchino Visconti would film a large part of The Leopard a century later) and the adjoining church are seen from the bottom of the ravine that surrounds the town. This drawing is a moving testimony to the attraction of the city for artists of the Romantic period, who established in Ariccia a vivid artists' colony. 1. Achille Bénouville...

Watercolor on paper, framed. Dark Night, 2020, watercolor, oil pastel, black, frame, landscape, fantasy, blue, creature. Framed and matted, frame size measures 24" x 35.75" x 1.25" ...

Airacuda Fighter Planes Art Deco Machine Age 20th Century American Modernism Arthur Rosenman Ross (1913 - 1981) Bell YFM-1 Airacuda Fighter Planes 17 1/2 x 26 1/2 inches Gouache, Airbrush and Ink on Illustration Board, 1938 Signed A. Ross lower right Provenance: Estate of the artist. BIO Arthur Rosenman Ross was a key figure in automotive design at General Motors during America's "Golden Age" of auto design, the 1930's through the 1950s. He attended the Art Institute of Chicago from age 17, exhibiting a special interest for automotive renderings and the female figure. In 1934, he changed his name from Rosenman to Ross, fearing his Jewish ancestry could prejudice his career prospects. At age 20, he turned down job offers from MGM Studios in Hollywood and Duesenberg to work at General Motors alongside the Legendary Harley Earl in 1935. He was hand picked by Mr. Earl and assigned to GM's War and Camouflage Division in 1937 through WW2. It was during this pivotal period in which he executed some extraordinary military aircraft artworks, likely used between GM and America's military aeronautics companies in design preparation for WW2. General Motors played an important role in helping America's aircraft manufacturers preceding and during the war. Just after the war in 1945, Mr. Ross was rewarded by GM, being made Chief Designer of Cadillac, then two years later becoming Chief at Oldsmobile until his retirement in 1959. He was in large part responsible for some of GM's classic Cadillac designs such as the Cadillac Sixty Special, Fleetwood, LaSalle and GM's first concept car, the extraordinary Buick Y-Job. Mr. Ross was an exceptionally charismatic and vivacious man who quite by chance, befriended His idol, Salvador Dali at GM in 1955. They talked about art, cars and girls late into the evening, according to his son, Carter Ross. He had a gift in rendering the erotic arts...

French Town Square by Bernard Labbe (French mid 20th century) original watercolour/ gouache painting on paper , unframed size: 12 x 17.5 inches condition: very good and ready to be e...

Milan Cathedral by Bernard Labbe (French mid 20th century) signed original watercolour/ gouache painting on paper , unframed size: 16.5 x 11.75 inches condition: very good and ready ...

French Buildings by Bernard Labbe (French mid 20th century), signed, stamped verso original watercolour/ gouache painting on paper , overall size: 19.75 x 16.5 inches condition: ver...