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Jane PetersonThe White Boat, Edgartownc. 1916
c. 1916
$140,000
£106,080.41
€121,506.52
CA$198,294.22
A$216,384.98
CHF 113,497.58
MX$2,628,067.78
NOK 1,417,647
SEK 1,339,747.32
DKK 906,878.82
About the Item
The White Boat, Edgartown, c. 1916
Watercolor and gouache on board
18 x 24 inches (45.7 x 61 cm)
Framed dims: 24 x 29 1/2 inches
Signed at lower right: JANE PETERSON
Inscribed on verso: The White Boat - Edgartown
Provenance
The artist;
By descent in the family, until 2023;
Private collection;
Meredith Ward Fine Art, New York, until 2024
In the early years of the twentieth century, American Impressionist Jane Peterson rose from modest beginnings to become a critically acclaimed artist. Her distinctive impressionist style is marked by an interest in broad areas of color, light and shadow, and capturing spontaneous movement. Born in Elgin, Illinois, Peterson was the second daughter of a watchmaker for the Elgin Watch Company and a homemaker. Showing an early talent for art, she was admitted to the Pratt Institute of Brooklyn. In 1895 she traveled to New York City to take up her studies there with $300 in her pocket borrowed from her mother. Peterson paid for her classes and supported herself by giving private art lessons. At Pratt, Peterson studied under a new instructor, Arthur Wesley Dow, whose teaching method and spirit allowed his students the freedom to develop their own individual styles.
After completing her studies at Pratt, Peterson went on to study painting at the Art Students League under Frank Vincent DuMond. She left for Europe in 1907, visiting London, Paris, and Venice. It was in Venice that she met Joaquìn Sorolla y Bastida, the artist who likely had the most profound influence on her art. Sorolla agreed to take her on as a student and in the summer of 1909, Peterson arrived in Madrid for six months of study with the Spanish master. Under his influence, her work at this time took on a new brilliance of color. In 1910, Peterson left Madrid and headed for Egypt and Algiers, energized to take her work in a new direction.
Peterson continued to travel extensively throughout the next few years, visiting Paris (1912), the American Southwest (1915), Canada and Alaska, and New England (1916). From 1913 to 1919, she held a teaching position at the Art Students League in New York, roughly coinciding with the years of the First World War, when she was unable to travel abroad. It was during this period that the present work was painted.
Executed around 1916, The White Boat, Edgartown displays the striking color and bold line that is characteristic of Peterson's unique painting style. Her scenes of beachgoers and strollers along a pier done during her stays at Gloucester and, as in this work, Edgartown on Martha's Vineyard, "figure prominently during this period, exquisitely capturing Americans on holiday" (P.J. Pierce, Jane Peterson: An American Artist, p. 32). By 1916, Peterson's unique painting style had been firmly developed. Using broad brush strokes and bold lines, Peterson creates a tapestry of highly expressive tones of blue, red, lavender, and yellow, with bright summer sunlight suggested by the glowing white of the bare sheet on which the work is painted.
- Creator:Jane Peterson (1876-1965, American)
- Creation Year:c. 1916
- Dimensions:Height: 18 in (45.72 cm)Width: 24 in (60.96 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Excellent condition. The artwork has been recently cleaned. There was a small area of loss in the upper-right corner of the image which has been restored. The pigments are vibrant, and the work should be hung as-is.
- Gallery Location:Bryn Mawr, PA
- Reference Number:1stDibs: LU2773216976872
Jane Peterson
Jane Peterson's most innovative period was from 1910 to 1930. During this time she produced her most important work. Her trips to Venice resulted in exuberant paintings full of glowing color. This painting is from that period. The brushwork is bold and exciting. The bright round yellow carob flowers contrast with the vertical mauve carob pods. The trunks and branches of the trees form a series of triangles that reflect the lush Mediterranean landscape. Originally the painting was sold in Paris to an American collector. Jane Peterson was a leading woman post-impressionist painter of the early 20th century. Born in Elgin, Illinois, on November 28, 1876, she was interested in art throughout her childhood. In 1895, she went to New York City to study art at Pratt Institute. Before graduating in 1901, Peterson taught painting and became a popular teacher at Pratt. She then became the Drawing Supervisor of Brooklyn Public Schools. She studied oil painting with Frank Vincent DuMond who emphasized a prismatic palette. Subsequently, she studied painting with Frank Brangwyn in London, Jacques Emile Blanche and André Lhote in Paris, and Joaquín Sorolla y Bastida in Madrid. She was influenced by Impressionism and Fauvism during her studies in Paris. In 1924, Peterson's painting, Toilette, received critical acclaim at the New York Society of Painters. Her one-woman show on Fifth Avenue sold out. By this time, she had won numerous awards, was a Fellow at the National Academy of Design, and a member of many art clubs including the American Watercolor Society, Audubon Artists, Pen & Brush Club, and the National Association of Women Artists. In 1925, The New York Times characterized Peterson as "one of the foremost women painters in New York." Known for her colorful, post-impressionistic paintings of Gloucester streets and harbor on Cape Ann; palm trees along the Florida coast; street scenes in Paris, Istanbul, and New York City; and boating views in Venice. Peterson also flamboyantly executed floral subjects and dynamic genre-like portraits. Carob Tree (Ceratonia siliqua) is a small evergreen tree of the Mediterranean coasts. It has dark green, compound leaves with glossy, oval leaflets. In Italy, the carob tree blooms from September to November. Its seedpods, also known as Saint John's bread, are up to 45 centimeters long and are filled with round, hard seeds and a thick pulp. St. John's Bread was probably the husks in the Prodigal Son parable and the seed which is said to have been the original jewelers' carat weight. The Spaniards call it Algaroba, and the Arabs Kharoub, hence Carob or Caroub Pods, Beans, or Sugar-pods. It is also named Locust Pods. These pods are grown in southern Europe for feeding domestic animals as well as for human food. Carob is sold in health food stores and is often a substitute or alternate to chocolate.
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