JW HOLMES

19th Century Victorian Period Watercolour of a Ship - Signed JW Holmes

1880

A large early nineteenth century scroll work painting, depicting two rabbits beneath white peonies, together with butterflies and a grass hopper. Ink and...

After Richard Westall, early 19th century ‘The Fishing Party’ Oil on panel; held in a period Empire style frame. Dimensions listed refer to framed size. Provenance: Private Colle...

A late nineteenth century oak and painted iron commemorative plaque of the famous chemist, philosopher and theologian, Joseph Priestley (1733-1804). This is a version of the portrait...

A mid-20th century portrait of a huntsman, depicted seated with a bow and arrows, upon a floral ground, the whole set within a giltwood frame.

An important late 17th century pastel portrait depicting King Charles II of England. Edmund Ashfield (1640-1678) King Charles II, circa 1675 Paste...

A group of four late eighteenth century hand-coloured engravings depicting monkeys. Set within giltwood frames From “Histoire Naturelle des Singes et des Makis Peintres d’après Natu...

A very attractive rural scene of a fisherman and his dog on a riverbank, in very good colour and an appealing composition. Claude Hayes (1852-1922) A fisherman and his dog by a riverbank Signed Watercolour with touches of pencil 6½ x 10 inches, image only 13 x 16 inches with the frame Claude Hayes was a Dublin born painter who to avoid his father's wish to make a businessman of him ran away to sea and served on the Golden Fleece, one of the transports used in the Abyssinian expedition of 1867-68, and also spent a year in the United States. Returning to London, he studied art at Heatherley's and the Royal Academy Schools, and then in Antwerp, under Charles Verlat. He worked in Hampshire with James Aumonier and also in Surrey with William Charles Estall, whose sister he married. Hayes exhibited widely in London and provincial centres, and was elected a member of the Royal Institute of Painters in Water Colours in 1886, the Royal Institute of Oil Painters in 1883, and the Royal Scottish Society of Painters in Watercolour, 1902. He also showed at the RA, RBSA, Brook Street Art Gallery, Dudley Gallery, FAS, GI, Grosvenor Gallery, Walker Art Gallery, Liverpool, MAFA, RBA, RHA, Ridley Art Club, RSW and Walker's Gallery, London. In 1912, Claude Hayes represented England at the Venice Biennale. His work is in various public collections in England and Ireland including the Ulster Museum, Museums Sheffield, Torre Abbey Museum and the Leeds City Art Gallery. His father was the artist Edwin Hayes.

William Crouch (active 1817-1850) A view of a country estate in the mountains Watercolour 3 x 4½ 8¼ x 9¼ inches with frame William Crouch was a prolif...

Two delightful watercolours, with wonderful details by the highly collectable Charles Robertson. They depict two different aspects of Victorian life, the first captures two boys fis...

On the Lea River attributed to Peter de Wint (British 1784-1849) signed lower right corner, titled verso original watercolour painting, unframed painting: 11 x 14 inches Condition ...

A Day out in the Highlands Scottish School, circa 1830's period original watercolour painting on paper unframed painting: 12.75 x 16.5 inches A lovely tranquil scene of figures enj...

English School Mid 19th Century Watercolour The Shooting Party unsigned but usefully inscribed verso, by the artist watercolour painting on stiff paper, unframed sheet: 7.2 x 10 i...