Leo Primavesi

Lonely hiker

c. 1890

Carl August Walther (1880 Leipzig - 1956 Dresden): Lakescape with Poplars, Surrealistic Landscape, 20th century, Charcoal Technique: White heightened Charcoal on Paper Stamp: Lower...

Leo Primavesi (1871 Cologne - after 1937 ): Appearance in the rocky landscape, c. 1890, Pencil Technique: Pencil on Paper Date: c. 1890 Keywords: Beach, Man, Hat, Stick, Sea, Rock...

Leo Primavesi (1871 Cologne - after 1937 ): Pine trees on a slope, c. 1890, Pencil Technique: Pencil on Paper Date: c. 1890 Keywords: Landscape, Nature, Hill, Slope, Trees, nature...

Carl August Walther (1880 Leipzig - 1956 Dresden): Italian city with bridge arch, 20th century, Charcoal Technique: Charcoal over Pencil on Paper Inscription: lower left with estat...

Leo Primavesi (1871 Cologne - after 1937 ): The Cypresses of Michelangelo in Rome, 1895, Pencil Technique: Pencil on Paper Inscription: Inscribed and dated by the artist himself: "...

Carl August Walther (1880 Leipzig - 1956 Dresden): The shore of the Devil's Lake, 1907, Charcoal Technique: Charcoal on Paper Inscription: Inscribed, dated and monogrammed lower le...

Louise Marie Jossier-Grémillon L'amphore blessée (the wounded amphora), 1934, signed, titled and dated lower left watercolor on paper 62 x 44 cm In good condition In its original f...

Katie Blackmore, R.B.A., A.S.W.A. (fl.1913-1950) She was a female illustrator and artist who painted fantastic scenes of fairies and Angles and Doves floating in celestial space. Blackmore exhibited at the RBA, and also at RA, RI, RHA, Ridley Art Club, Carfax Gallery, Royal Glasgow Institute...

Provenance: Dr. George Hamilton, Massachusetts; and by descent. Private Collection, Ohio, until 2021. Exhibited: (Possibly) Clark Art Institute, Massachusetts (according to a handwritten inscription on the reverse). This drawing by an anonymous, 16th-century German hand presents a delightful scene of nymphs—mostly nude but some draped with cloth—making music in an outdoor setting. The composition is executed within a roundel and centers on the harpsichord played by the figure seen from behind. She is accompanied by a host of other instruments, including horns, a harp, and a lira da gamba played by figures gathered nearby, several of which are positioned along the curved edges of the visual field. Two satyrs observe the merrymaking—one leans on the harpsichord while the other holds aloft a cup, presumably of wine, adding a bacchic element to the revelry. The drawing was previously owned by Dr. George Hamilton, scholar of modern art and Director of the Sterling and Francine Clark Art Institute in Williamstown (1966–1977). Hamilton played...

Inscribed “159” in the upper right Provenance: (Possibly) The Van Goyen sketchbook which in 1845 belonged to Andrew Geddes, A.R.A. (1783-1844), London; his sale, Christie's, London,...

Wilhelm Heine (Dresden 30 January 1827-Löbnitz 5 October 1885) ‘Funeral of Robert Williams in the cemetery of the Temple Gyokusen-ji at Shimoda in April 1854’ With a sticker on the reverse of the frame by Coupil & Co. 1855 Watercolour on paper, H. 57 x W. 92 cm Depicted is the Bay of Shimoda with seven American ships including the two paddle-wheel warships USS Mississippi and Susquehanna. On the Gyokus- en-ji temple grounds on the right is the coffin in the middle with the remains of US marine Robert Williams, ready to be lowered into the grave. Looking on from the left are the Buddhist monks and Japanese officials who joined the first Christian funeral on Japanese soil. Around the grave are US marines, Commodore Perry...

Premises in North Bali, 1906 Signed with initials and titled bottom left and fully signed, bottom right Pencil and ink on paper, 10.5 x 18 cm Black ebonized frame with white mount ...