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Louis Oscar Griffith
Standing Lincoln: The Man, Lincoln Park, Illinois

c. 1895

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untitled (Maine Autumn Landscape across the narrows from Mt. Desert)
By Greta Allen
Located in Fairlawn, OH
untitled (Maine Autumn Landscape across the narrows from Mt. Desert) Watercolor, 1945-1955 Signed by the artist lower left in pencil (see photo) Provenance: Estate of the artist Cond...
Category

1940s American Impressionist Landscape Drawings and Watercolors

Materials

Watercolor

Standing Lincoln: The Man, Lincoln Park, Illinois
By Louis Oscar Griffith
Located in Fairlawn, OH
Standing Lincoln: The Man, Lincoln Park, Illinois Watercolor and graphite on paper , c. 1895 Signed in script lower right (see photo) The scene depicts the Augustus Saint-Gaudens bro...
Category

1890s American Impressionist Landscape Drawings and Watercolors

Materials

Watercolor

Spring Landscape with house and figure
By Louis Oscar Griffith
Located in Fairlawn, OH
Spring Landscape with house and figure A preliminary watercolor for a color aquatint, illustrated on line, title unknown Signed lower left in block letters (see photo) Watercolor and...
Category

1920s American Impressionist Landscape Drawings and Watercolors

Materials

Watercolor

Temple of Isis, View of Philae (verso)
By Henry Bacon
Located in Fairlawn, OH
Temple of Isis Philae (verso) Dpouoble sided watercolor, 1902 Signed on front lower left: "Henry Bacon" and dated 1902 Note: The Temple of Isis is located on the Island of Philae at ...
Category

Early 1900s American Impressionist Landscape Drawings and Watercolors

Materials

Watercolor

untitled (Maine Autumn Landscape across the narrows from Mt. Desert)
By Greta Allen
Located in Fairlawn, OH
untitled (Maine Autumn Landscape across the narrows from Mt. Desert) Watercolor, 1945-1955 Signed by the artist lower left in pencil (see photo) Provenance: Estate of the artist Cond...
Category

1940s American Impressionist Landscape Drawings and Watercolors

Materials

Watercolor

Untitled
Located in Fairlawn, OH
Untitled Watercolor on paper, c,. 1890 Unsigned Provenance: Estate of the artist Image/Sheet size: 3 1/4 x 4 1/8 inches From Wikipedia "Francis Augustus Lathrop (June 22, 1849 – Oct...
Category

1890s American Impressionist Landscape Drawings and Watercolors

Materials

Watercolor

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Canyon Country by Lu Haskew Pastel 16x20" image size Landscape view of the Grand Canyon ABOUT THE ARTIST: Lu Haskew 1921-2009 "Life is good to me. Being able to go to my studio five days weekly and paint for several hours, living in a supportive community, having family and friends who encourage me--all have contributed to helping me become an artist. Being fortunate to study with some of the artists I admire has kept me painting from the garden, people and my favorite things. With the support of galleries, teaching and doing demos, how could I do anything else? My goal is to try to be the best I can be by always being a student, looking for new ideas and stretching my horizons." Upon retirement from a 33-year teaching career, Lu rented a studio in Loveland and began concentrating on her oil and watercolor painting. Learning from artists she had followed and admired throughout the years her painting became a full time career. Since 1992, she has studied with renowned painters Richard Schmid, Clyde Aspevig, Joyce Pike, and others at the Scottsdale Art...
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Pine trees in a river valley with the Blue Ridge Mountains - American School
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"Monhegan Island, Maine, " Edward Dufner, American Impressionism Landscape View
By Edward Dufner
Located in New York, NY
Edward Dufner (1872 - 1957) Monhegan Island, Maine Watercolor on paper Sight 16 x 20 inches Signed lower right With a long-time career as an art teacher and painter of both 'light' and 'dark', Edward Dufner was one of the first students of the Buffalo Fine Arts Academy to earn an Albright Scholarship to study painting in New York. In Buffalo, he had exchanged odd job work for drawing lessons from architect Charles Sumner. He also earned money as an illustrator of a German-language newspaper, and in 1890 took lessons from George Bridgman at the Buffalo Fine Arts Academy. In 1893, using his scholarship, Dufner moved to Manhattan and enrolled at the Art Students League where he studied with Henry Siddons Mowbray, figure painter and muralist. He also did illustration work for Life, Harper's and Scribner's magazines. Five years later, in 1898, Dufner went to Paris where he studied at the Academy Julian with Jean-Paul Laurens and privately with James McNeill Whistler. Verification of this relationship, which has been debated by art scholars, comes from researcher Nancy Turk who located at the Smithsonian Institution two 1927 interviews given by Dufner. Turk wrote that Dufner "talks in detail about Whistler, about how he prepared his canvasas and about numerous pieces he painted. . . A great read, the interview puts to bed" the ongoing confusion about whether or not he studied with Whistler. During his time in France, Dufner summered in the south at Le Pouleu with artists Richard Emil Miller...
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