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Medium: Chalk
Untitled Landscape painting by renowned female artist (signed and inscribed)
Located in New York, NY
Lois Dodd Untitled Landscape, 1990 Colored chalk on grey wove paper Signed, dated and inscribed "For Beverly & Howard", lower right. Original artist's frame included This unique work...
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1990s Contemporary Chalk Landscape Drawings and Watercolors

Materials

Chalk, Pastel, Mixed Media, Graphite

Louis DAVID (1798-1849) Le Moulin La Butte aux Cailles, Paris, signed drawing
Located in Paris, FR
Louis-Alphonse DAVID (1798-1849) Le Moulin de la Butte aux Cailles, Paris, (The Mill at la Butte aux Cailles) signed lower left Pencil and white chalk on paper 22,5 x 36 cm Framed : 40,5 x 55 cm Louis-Alphonse David is known for a relatively small body of work, including portraits and large compositions. In any case, in this work he shows a remarkable mastery of drawing, with particularly suggestive and subtle plays of light and shadow. The Butte aux Cailles, now part of the 13th arrondissement of Paris, was a hill covered in meadows, vineyards and woods, built with several windmills and overlooking the river Bièvre. It was named after Pierre Caille...
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1830s Romantic Chalk Landscape Drawings and Watercolors

Materials

Pencil, Chalk

"Downtown Lakefront" original conte cubist drawing by Sylvia Spicuzza
Located in Milwaukee, WI
The present work, drawn with black Conté crayon on a calendar sheet, Sylvia Spicuzza presents the viewer with a rhythmic vision of an urban lakefront. The beach scene is dominated by...
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1950s Modern Chalk Landscape Drawings and Watercolors

Materials

Conté

Mid 20th Century French Signed Painting Dark Boats At The Dock
Located in Cirencester, Gloucestershire
Jean La Forgue (French 1901-1975) signed watercolour, ink and chalk on paper, mounted in a card frame inscribed verso card frame: 16 x 12.5 inches painting: 12 x 9.5 inches provenanc...
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Mid-20th Century Post-Impressionist Chalk Landscape Drawings and Watercolors

Materials

Ink, Chalk, Watercolor

Inconscience by Yvon Pissarro - Contemporary work on paper
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Inconscience by Yvon Pissarro (b. 1937) Conté chalk and pastel pencil on paper 50 x 65 cm (19 ³/₄ x 25 ⁵/₈ inches...
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21st Century and Contemporary Chalk Landscape Drawings and Watercolors

Materials

Paper, Chalk, Conté, Pastel, Pencil

Evasion by Yvon Pissarro - Contemporary work on paper
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Evasion by Yvon Pissarro (b. 1937) Conté chalk, crayon, pastel pencil on paper 65 x 50 cm (25 ⁵/₈ x 19 ³/₄ inches...
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21st Century and Contemporary Chalk Landscape Drawings and Watercolors

Materials

Paper, Chalk, Conté, Crayon, Pastel, Pencil

Looking toward Nervi, near Genoa, 1903, by British artist Sir George Claussen RA
Located in Petworth, West Sussex
A captivating and intimate landscape sketch, gazing towards the charming town of Nervi, near the picturesque city of Genoa. This work was most likely crafted en plein air by the este...
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Early 20th Century English School Chalk Landscape Drawings and Watercolors

Materials

Chalk, Crayon

A rural landscape, a drawing partly attributed to Francois Boucher
By François Boucher
Located in PARIS, FR
Provenance: • Bought from Sicart in Lyon by the Marquis de Chennevières (1820 - 1899) - Chennevières Collection (stamped lower left - Lugt 2072) • Inscribed on the back of the mount "Salle 10/Delestre, 27 February 1899” • Sold in Paris at the Hôtel Drouot during the second Chennevières sale (4 to 7 April 1900, n°44) as François Boucher - number 44 (sold for 18 francs to Roblin) • Sold in Paris at the Hôtel Drouot, 4 and 5 March 1901, n°12 as François Boucher Bibliography: this drawing is cited by Chennevières in "Une collection de dessins d'artistes français" (chapter XVIII, page 24-25) and is number 1033 of the Catalogue de la Collection Chennevières compiled by Louis-Antoine Prat with the collaboration of Laurence Lhinares. This well-documented drawing was given to Boucher by the Marquis de Chennevières, one of the most important collectors of drawings at the end of the 19th century. While the landscape is reminiscent of Boucher's other landscape drawings, our drawing was probably modified at a later stage by the addition of the two figures in the right foreground and by the slight enhancement of the horizon line behind them. 1. François Boucher, the master of French rocaille The extraordinary career of Francois Boucher was unmatched by his contemporaries in versatility, consistency, and output. For many, particularly the writers and collectors who led the revival of interest in the French rococo during the last century, his sensuous beauties and plump cupids represent the French eighteenth century at its most typical. His facility with the brush, even when betraying the occasional superficiality of his art, enabled him to master every aspect of painting – history and mythology, portraiture, landscape, ordinary life and, as part of larger compositions, even still life. He had been trained as an engraver, and the skills of a draftsman, which he imbued in the studio of Jean-Francois Cars (1661 – 1738), stood him in good stead throughout his career; his delightful drawings are one of the most sought-after aspects of his oeuvre. As a student of Francois Lemoyne (1688 - 1737), he mastered the art of composition. The four years he spent in Italy, from 1727-1731, educated him in the works of the masters, classics, and history, that his modest upbringing had denied him. On his return to Paris in 1734, he gained full membership of the Royal Academy of Painting and Sculpture with his splendid Rinaldo and Armida (Paris, Musée du Louvre). Although, throughout his career, he occasionally painted subjects taken from the Bible, and would always have considered himself first as a history painter, his own repertoire of heroines, seductresses, flirtatious peasant girls and erotic beauties was better suited to a lighter, more decorative subject matter. His mastery of technique and composition enabled him to move from large scale...
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1740s Old Masters Chalk Landscape Drawings and Watercolors

Materials

Chalk

The Woodland Stream by British artist Charles Frederick Tunnicliffe, 1980
Located in Petworth, West Sussex
Charles Frederick Tunnicliffe (British, 1901-1979) The Woodland Stream Bears studio stamp `1980’387/24’ (under mount) Pencil and coloured chalks 10.1/2 x 15 in. (26.7 x 38 cm.)
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20th Century Chalk Landscape Drawings and Watercolors

Materials

Chalk, Pastel

Leaning Tower of Pisa, Italy architectural drawing by John Paxton
Located in London, GB
To see our other Architectural Drawings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. John D Paxton The Leaning Tower, Pi...
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20th Century Modern Chalk Landscape Drawings and Watercolors

Materials

Chalk, Pencil

In the forest of Durlach - Quiet ripple in a secret place -
Located in Berlin, DE
Franz Xaver Graessel (1861 Oberasbach/Baden - 1948 Emmering). In the forest of Durlach. 1881. Pencil drawing, heightened with white, on grey-green paper. 33 x 41.7 cm. Signed, dated and inscribed by the artist himself: 'Franz Graessel. Durlach, 12 April 1881". About the artwork The drawing depicts a view of the woods which, as if sharpening the visual focus, remains diffuse at the edges and does not allow the viewer to locate himself in the picture. As a result, the landscape appears to be an apparition, but at the same time it is given real substance by the solidity of the massive arched bridge made of quarry stone. As the main motif of the painting, the bridge, which blends in with nature like an archaic relic, also acts as a visual guide, drawing attention to the white, raised waters of the stream and the surrounding vegetation. The diffusion of perception that takes place there, however, draws the eye back to the bridge and thus to the overall view. This movement initiating a constant alternation of diffusion and concretion, which is the specific tension of the painting that brings the landscape to life. The materialisation and dematerialisation, however, does not take place solely through the eye's wandering through the picture; it is simultaneously linked to the viewer's approach to and distance from the picture, which loses its richness of detail precisely in the close-up, only to reconfigure itself with increasing distance. In this work, which dates from Graessel's studies in Karlsruhe, the artist reflects on the emergence of pictorial objectivity. Here, however, nature is more than a mere motif. The real connection between culture and nature is symbolically expressed by the choice of green paper. The drawing is an impressive testimony to Graessel's mastery of the sprezzatura with which he skilfully applies the most abstract of strokes, which visibly merge towards the centre of the picture. The signature and the exact date prove that Graessel gave this work more than the character of a mere sketch. About the artist Franz Graessel grew up in an environment that was to nourish his later key motifs: his parents' house was a mill. After attending the Karlsruhe Academy of Art from 1878 to 1884, where he studied under Carl Hoff, Graessel continued his training at the Munich Academy from 1886 to 1890 as a pupil of Wilhelm von Lindenschmidt. Trained primarily in genre and portrait painting, he initially portrayed the life of Black Forest farmers. From 1894 he turned increasingly to animal painting, concentrating on the depiction of ducks and geese, which earned him the nickname 'Enten-Graessel'. Graessel's work thus parallels that of Alexander Koester...
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1880s Naturalistic Chalk Landscape Drawings and Watercolors

Materials

Paper, Chalk, Pencil

Landscape with Trees and a Fisherman walking, a drawing by Jan Van Goyen
Located in PARIS, FR
No Dutch draughtsman ever captured the atmosphere of the rural countryside of Holland with the same atmospheric and engaging simplicity that Van Goyen achieved in drawings such as this. Indeed, his landscapes were seminal in the development of the genre. The present sketch conveys a striking sense of movement within the natural landscape, conveyed by the deftly applied strokes of chalk, from which the artist’s hand can be sensed. The composition is characteristic of his work, with the low horizon affording significance to the broad sky and the soaring birds within. This feeling of windswept motion powerfully evokes the expansive Dutch farmland with which he was evidently preoccupied. 1. Jan van Goyen...
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1650s Old Masters Chalk Landscape Drawings and Watercolors

Materials

Chalk, Ink, Laid Paper

Plenty - 1930s British Art Deco design for a Mural by Harry Carleton Attwood
Located in London, GB
HARRY CARLETON ATTWOOD (1907-1985) Plenty - Design for Eltham Palace Chalks Framed 20.5 by 12 cm., 8 by 4 ¾ in. (frame size 39.5 by 31.5 cm., 15 ½ by 12 ½ in.) Attwood was born i...
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1930s Art Deco Chalk Landscape Drawings and Watercolors

Materials

Chalk

'Guijarros y Agua'. Spanish seascape painting, drawing
Located in Penzance, GB
SOPHIA MILLIGAN 'Guijarros y Agua' Original Artwork (unframed*) ______________ Winter solstice light dancing on shingles and lapping tidal movements, towering rock formations rise ...
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2010s Contemporary Chalk Landscape Drawings and Watercolors

Materials

Paper, Conté, Mixed Media, Pencil, Carbon Pencil, Color Pencil

A Windmill above an Arched Bridge, at left a Quay Wall
Located in New York, NY
Inscribed “159” in the upper right Provenance: (Possibly) The Van Goyen sketchbook which in 1845 belonged to Andrew Geddes, A.R.A. (1783-1844), London; his sale, Christie's, London,...
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1650s Old Masters Chalk Landscape Drawings and Watercolors

Materials

Paper, Chalk, India Ink, Watercolor

Old Master Drawing, Westerkerk Keizersgracht in Amsterdam, 17th century, Dutch
Located in Greven, DE
Jan van der Heyden (1637 Gorinchem - 1712 Amsterdam), attributed. Old Master Drawing, Westerkerk Keizersgracht in Amsterdam, 17th century, Dutch Westerkerk and Keizersgracht in Amsterdam Backside: later drawn backside with village church of the 18th century Chalk and pen on paper 23,5 x 18,5 cm Preliminary drawing for a painting from the creative period c. 1667 - 1670. This painting has been published a few years ago by Peter C. Sutton in the catalogue raisonné of the artist. Van der Heyden was initially a pupil of a glass painter, but later turned exclusively to architectural painting and went to Amsterdam, where he painted views of churches, castles, palaces, public squares, streets, canals, etc., most of which are richly decorated with staffage. In addition, van der Heyden was also active as an inventor, for example, he developed a street lighting system for Amsterdam by means of oil street lamps, which was in operation from 1669 to 1840. After a stay in London, he painted the London fire of 1666, which he either witnessed himself or had seen the consequences of. Certainly influenced by this, he did much to further the technical and organisational development of the fire brigade from 1669 onwards. His greatest invention was probably the fire hose, which enabled significant improvements in fire-fighting technology and tactics. He also improved the hand-operated fire engines of the time by making them smaller, more mobile and more powerful, and he developed the series connection of several pumps to increase the pressure in order to achieve a greater range for the water jet. In 1690, together with his son, he was the author and illustrator of the Brandspuiten-boek, the first manual for fire fighting. Johann Lingelbach, Adriaen van de Velde and Eglon van der Neer...
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17th Century Dutch School Chalk Landscape Drawings and Watercolors

Materials

Paper, Chalk

Tony Broderick, St John's College Great Gate, Cambridge (c.1990) conté drawing
Located in London, GB
To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from...
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1990s Realist Chalk Landscape Drawings and Watercolors

Materials

Conté

Tony Broderick, King's College Cambridge Chapel West Front conte drawing (1995)
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
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1990s Realist Chalk Landscape Drawings and Watercolors

Materials

Conté

Tony Broderick, Shrewsbury Tower, St John's College Cambridge conte drawing
Located in London, GB
To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from...
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1990s Realist Chalk Landscape Drawings and Watercolors

Materials

Conté

Study of Trees in Forest II
Located in New York, NY
Study of Trees in Forest II Conté crayon on paper 8.5 x 11 inches (21.6 x 27.9 cm) This work is offered by ClampArt in New York City.
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20th Century Contemporary Chalk Landscape Drawings and Watercolors

Materials

Conté

Tony Broderick, Trinity College Cambridge Hall From Exterior conte drawing
Located in London, GB
To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from...
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20th Century Modern Chalk Landscape Drawings and Watercolors

Materials

Conté

Pair of Sea Views, decorative Drawings, Marine Interior, French Coast, Moin
Located in Greven, DE
A Pair of Drawings, Framed Signed and dated 1855 Chalk in black, brown wash, heightened with white, on paper each sheet, 46 x 31 cm . Framed. Two Landscape and Sea View Old Master Drawings, Paris, 18th Century, by Mozin Charles Louis Mozin (* 12 March 1806 in Paris; † 7 November 1862 in Trouville-sur-Mer) was a French painter. He is the grandfather of the Post-Impressionist Fernand Piet. The brother of the composer Théodore Mozin was a pupil of Xavier Leprince. He is considered the "discoverer" of Trouville-sur-Mer, which developed into a popular seaside resort at the end of the 19th century. At the age of nineteen, he first came to the fishing village on the coast...
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19th Century Romantic Chalk Landscape Drawings and Watercolors

Materials

Paper, Chalk

Entrance to the temple at Klungkung, Bali, 1925
Located in Amsterdam, NL
Entrance to the temple at Klungkung, Bali, 1925 With studio seal at the reverse, dated and described, bottom left Black chalk on paper, 53 x 46.5 cm In ebonized frame with white mount Willem Otto Wijnand Nieuwenkamp (1874-1950) Nieuwenkamp was born on July 27th 1874 in Amsterdam. His father owned sailing ships sailing to Indonesia and hearing the stories of the returning captains evoked in the young Nieuwenkamp an obsession for distant lands and adventure. After a failed attempt by his father to have his son make a career in his business, Nieuwenkamp attended the Academy for Decorative Art in Amsterdam. However, he left within one year to go his own way. He was an autodidact and a great experimenter with new techniques, particularly in the art of etching. Nieuwenkamp was a very focused man with the discipline of a scientist tempered by the sensitivity of an artist, a lust for adventure, a natural appreciation for ethnic arts and an enormous ambition to tread new paths. In 1898 he visited Indonesia for the first time and on his second visit in 1903-1904 he went on to Bali and became the first foreign artist to love Bali and the Balinese with a passion. Having secured agreements with several museums in the Netherlands to obtain Balinese art...
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1920s Art Nouveau Chalk Landscape Drawings and Watercolors

Materials

Paper, Chalk

Part of the ring-wall of the Taj Mahal, Agra, India, 1914
Located in Amsterdam, NL
Part of the ring-wall of the Taj Mahal, Agra, India, 1914 Signed with initials and dated bottom right Black chalk on paper, 45.5 x 53 cm Literature: Ernst Braches en J.F. Heijbro...
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1910s Art Nouveau Chalk Landscape Drawings and Watercolors

Materials

Chalk, Paper

Alpine Landscape - Original Pencil Drawing by Marie Hector Yvert - 19th Century
Located in Roma, IT
Alpine Landscape is an original artwork realized in the second half of the 19th Century by Marie Hector Yvert. Original pencil and white chalk on brown paper. Stamp of Atelier M.H....
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Late 20th Century Modern Chalk Landscape Drawings and Watercolors

Materials

Chalk, Pencil

Attributed G Dughet Landscape Drawing 17 century pencil white lead paper
Located in Florence, IT
The drawing, made of white lead and pencil on paper, is a study of two trees with a knotty trunk, typical of the mediterranean vegetation. The subject can be found quite commonly in Gaspard Dughet's landscape paintings. Gaspard Dughet is an half french half italian artist who was the brother in law of Nicholas Poussin...
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Mid-17th Century Other Art Style Chalk Landscape Drawings and Watercolors

Materials

Paper, Chalk, Pencil

Landscape - Drawing in Mixed Media and Pencil on Paper - 20th Century
Located in Roma, IT
Landscape is a drawing in mixed media and pencil and chalk on paper realized by an Anonymous artist of the 20th Century. The State of preservation is very good except with the smal...
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Mid-20th Century Modern Chalk Landscape Drawings and Watercolors

Materials

Chalk, Pencil, Mixed Media

Opoczno - XXI century, Figurative landscape drawing, Black and white
By Józef Panfil
Located in Warsaw, PL
JÓZEF PANFIL (born in 1958) He graduated from PWSSP in 1984. In 1987 he received a grant from the Department of Culture and Arts. He won several prizes, e...
Category

2010s Other Art Style Chalk Landscape Drawings and Watercolors

Materials

Paper, Chalk, Charcoal

Olive Grove with Hills in the Distance - Charcoal Drawing, Greek Island, Country
Located in New York, NY
This 17.5 x 35 inches black and white chalk drawing on paper represents a Greek landscape. Two olive trees are in the foreground, with the countryside extending behind in the distant horizon. Tzannes is an American painter of Greek origins. In his twenties, he visited Kythera, the Greek island of his father's birth. Since then, the island has become the primary reference of his creativity. Using black and white to represent this landscape gives the mighty hundred-year-old olive trees a monumental presence. The viewer is drawn into the timeless, spiritual quality of the Greek landscape. Despite the absence of color, Tzannes' mastery of drawing creates a tangible effect of the Greek light...
Category

2010s Realist Chalk Landscape Drawings and Watercolors

Materials

Charcoal, Chalk, Paper

Alpine Landscape - White Chalk on Brown Paper by M.H. Yvert - Late 1800
Located in Roma, IT
Alpine Landscape is an original artwork realized in the second half of the XIX century by Marie Hector Yvert. Original pencil and white chalk on brown pap...
Category

Late 19th Century Modern Chalk Landscape Drawings and Watercolors

Materials

Chalk

France 18th Century, Pastorale (Arcadian Landscape), original drawing
Located in Paris, FR
France 18th Century, Pastorale (Arcadian Landscape) Black chalk and heightenings of white gouache on blue-grey paper 19 x 31 cm Framed : 34.5 x 46.5 cm The atmosphere and the subje...
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1760s Old Masters Chalk Landscape Drawings and Watercolors

Materials

Chalk

Under Scattered Clouds: Abstract Chalk Drawing of Blue Clouds on Vintage Paper)
Located in Hudson, NY
Abstract mixed media drawing of blue, black and grey clouds on vintage book pages 'Under Scattered Clouds' by Louise Laplante chalk on vintage collaged book pages. Artwork measures 26 x 40 inches unframed 30 x 43 inches in light wood frame This dreamy, whimsical drawing of fluffy light blue clouds was created by Louise Laplante in 2019. The vivid silhouette of clouds are suspended in space, drifting against a background of an early 20th century book of fables. Illustrations on the page include a hot air balloon, a rocking horse, a pheasant. In certain segments the stenciled images are delicately brushed over with a thin wisp of chalk which adds a delicate textured effect to the drawing. About the artist: Interested in blending the old world with the new, mixed media artist Louise Laplante combines her original images with ephemera of the past, enticing a conversation about it’s “relevancy to the present.” Her compositions begin with vintage book pages, personal handwritten letters, sheet music, or instruction from old guides on etiquette or science. While the text itself is weighted with reference to a particular subject, the visual of the typed or handwritten words and printed illustrations establish a unique pattern. These layered backgrounds are superimposed with opaque charcoal drawings that are inspired by the themes read between the lines. Most recently, the artist has opted for larger scale work, combining multiple sheets of vintage paper to expand her unique motifs. Laplante exhibits across the Northeast and has shown with Carrie Haddad for more than ten years. Artist Statement: My work connects the texts, and ideas, in the vintage book...
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2010s Contemporary Chalk Landscape Drawings and Watercolors

Materials

Paper, Chalk

"Barn Near Big Cedar Lake #781, " Original Sepia Conte signed by S. Spicuzza
Located in Milwaukee, WI
"Barn Near Big Cedar Lake #781" is an original sepia conte crayon drawing on paper by Sylvia Spicuzza. The drawing depicts an old barn surrounded by wooden fencing. The fence cuts di...
Category

1950s Post-Modern Chalk Landscape Drawings and Watercolors

Materials

Paper, Conté

Flat Rock (Santa Ana Rescue)
Located in Dallas, TX
“Anne Weary, who grew up as a Texas cowgirl, is at home in the outdoors and knows its ways and its language. There is a sort of very quiet but very powerful mysticism in her work, a ...
Category

2010s Contemporary Chalk Landscape Drawings and Watercolors

Materials

Conté, Paper

Waterloo Crescent, Dover - 20th Century British chalk drawing by John Sergeant
Located in London, GB
JOHN SERGEANT (1937-2010) Waterloo Crescent, Dover Chalks on grey paper 21.5 by 37.5 cm., 8 ½ by 14 ¾ in. (mount size 38 by 52.5 cm., 15 by 20 ¾ in.) Sergeant was born in London...
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1970s Realist Chalk Landscape Drawings and Watercolors

Materials

Chalk

Cormorant Drying Off
Located in Dallas, TX
“Anne Weary, who grew up as a Texas cowgirl, is at home in the outdoors and knows its ways and its language. There is a sort of very quiet but very powerful mysticism in her work, a ...
Category

2010s Contemporary Chalk Landscape Drawings and Watercolors

Materials

Conté

Barns in the Helderberg, New York (rural 1930s American scene with vintage car)
Located in New Orleans, LA
"Barns in the Helderberg, New York" by Martin Lewis shows neighbors (one in a Model T car) visiting outside a series of barns with a tree in the background...
Category

1930s American Modern Chalk Landscape Drawings and Watercolors

Materials

Charcoal, Chalk

Landscape with Olive Tree - Black and White Landscape of Greek Island
Located in New York, NY
George Tzannes's Landscape with Olive Tree is a 22 x 24 inches black and white chalk painting on canvas representing a Greek landscape. Olive trees populate the landscape. Tzannes is an American painter of Greek origins. In his twenties he visited Kythera, the Greek island of his father's birth. Since that time, the island has become the major reference of his creativity. The choice of using black and white to represent this landscape gives the mighty hundred-years old olive trees a monumental presence. The viewer is drawn into the timeless, spiritual quality of the Greek landscape. Despite the absence of color, Tzannes' mastery of drawing creates a tangible effect of the Greek light...
Category

2010s Realist Chalk Landscape Drawings and Watercolors

Materials

Charcoal, Chalk, Paper

Summertime
Located in Dallas, TX
“Anne Weary, who grew up as a Texas cowgirl, is at home in the outdoors and knows its ways and its language. There is a sort of very quiet but very powerful mysticism in her work, a ...
Category

2010s Academic Chalk Landscape Drawings and Watercolors

Materials

Conté, Paper

Place 12
Located in Mill Valley, CA
Artist Statement: My drawings are made with mixtures of white chalk, graphite, flour and ash. Personal history is always present in my artwork, whether straightforward or oblique. Th...
Category

2010s Contemporary Chalk Landscape Drawings and Watercolors

Materials

Graphite, Chalk

The Belltower of Piza, a Pleine Aire Study in Pen and Chalk, Matted and Framed
Located in Chicago, IL
A beautiful pleine aire study of the Leaning Bell Tower of Pisa is by Christopher Ganz. This drawing is matted and framed in a metallic frame measuring 17.5h x 14w inches. Christopher Ganz The Belltower of Piza colored pens & chalk 11h x 8w in 27.94h x 20.32w cm CG0003 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...
Category

21st Century and Contemporary Contemporary Chalk Landscape Drawings and Watercolors

Materials

Pen, Paper, Chalk

Departure 3
Located in Mill Valley, CA
Artist Statement: My drawings are made with mixtures of white chalk, graphite, flour and ash. Personal history is always present in my artwork, whether straightforward or oblique. Th...
Category

2010s Contemporary Chalk Landscape Drawings and Watercolors

Materials

Graphite, Chalk

Pines in Ravine
Located in Dallas, TX
“Anne Weary, who grew up as a Texas cowgirl, is at home in the outdoors and knows its ways and its language. There is a sort of very quiet but very powerful mysticism in her work, a sense of presence that goes quite beyond words,” wrote poet and University of Texas at Dallas professor Frederick Turner in the American Arts Quarterly. Dallas born Weary studied under Olin Travis, Octavio Medellin and Chapman Kelley before earning a 4 year certificate from the Pennsylvania Academy of Fine Arts with awards for excellence in drawing. In 2008, Weary left Texas for a three year sabbatical in Southern California where she began drawing in Torrey Pines State Natural Reserve with red conté...
Category

21st Century and Contemporary Contemporary Chalk Landscape Drawings and Watercolors

Materials

Paper, Conté

San Elijo Beach
Located in Dallas, TX
“Anne Weary, who grew up as a Texas cowgirl, is at home in the outdoors and knows its ways and its language. There is a sort of very quiet but very powerful mysticism in her work, a sense of presence that goes quite beyond words,” writes poet and University of Texas at Dallas professor Frederick Turner (American Arts Quarterly.) Dallas born Weary studied under Olin Travis, Octavio Medellin and Chapman Kelley before earning a 4 year certificate from the Pennsylvania Academy of Fine Arts with awards for excellence in drawing. In 2008, Weary left Texas for a three year sabbatical in Southern California where she began drawing in Torrey Pines State Natural Reserve with red conté...
Category

21st Century and Contemporary Contemporary Chalk Landscape Drawings and Watercolors

Materials

Paper, Conté

Bent Tree, Torrey Pines
Located in Dallas, TX
“Anne Weary, who grew up as a Texas cowgirl, is at home in the outdoors and knows its ways and its language. There is a sort of very quiet but very powerful mysticism in her work, a sense of presence that goes quite beyond words,” writes poet and University of Texas at Dallas professor Frederick Turner in the American Arts Quarterly. Dallas born Weary studied under Olin Travis, Octavio Medellin and Chapman Kelley before earning a 4 year certificate from the Pennsylvania Academy of Fine Arts with awards for excellence in drawing. In 2008, Weary left Texas for a three year sabbatical in Southern California where she began drawing in Torrey Pines...
Category

21st Century and Contemporary Contemporary Chalk Landscape Drawings and Watercolors

Materials

Conté, Paper

View of the Ile de la Cite - Barbizon Landsape Watercolor by Henri Harpignies
Located in Marlow, Buckinghamshire
Signed Barbizon School figured in cityscape watercolour and chalk on paper by French painter Henri Joseph Harpignies. The work depicts a view of the Ile de la Cite - an island in the...
Category

1860s Barbizon School Chalk Landscape Drawings and Watercolors

Materials

Paper, Chalk, Watercolor

Chalk landscape drawings and watercolors for sale on 1stDibs.

Find a wide variety of authentic Chalk landscape drawings and watercolors available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape drawings and watercolors created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Anne C. Weary, Tony Broderick, Sue Bryan, and Gale Antokal. Frequently made by artists working in the Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Chalk landscape drawings and watercolors, so small editions measuring 4 inches across are also available Prices for landscape drawings and watercolors made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $450 and tops out at $3,800, while the average work can sell for $900.

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