Wood Panel Landscape Drawings and Watercolors
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Medium: Wood Panel
Beaches in Cap Skiring No.1 by Calo Carratalá - Pencil, Senegal, trees, river
Located in Paris, FR
Beaches in Cap Skiring No.1 is a unique oil pencil on cardboard, glued on wooden frame drawing by contemporary artist Calo Carratalá, dimensions are 80 × 139 × 4 cm (31.5 × 54.7 × 1....
Category
2010s Contemporary Wood Panel Landscape Drawings and Watercolors
Materials
Cardboard, Wood Panel, Pencil
Beaches in Cap Skiring No.2 by Calo Carratalá - Pencil, Senegal, trees, river
Located in Paris, FR
Beaches in Cap Skiring No.2 is a unique oil pencil on cardboard, glued on wooden frame drawing by contemporary artist Calo Carratalá, dimensions are 80 × 139 × 4 cm (31.5 × 54.7 × 1....
Category
2010s Contemporary Wood Panel Landscape Drawings and Watercolors
Materials
Pencil, Cardboard, Wood Panel
Treesong (Contemporary, Realist Charcoal Landscape Drawing by Sue Bryan)
By Sue Bryan
Located in Hudson, NY
Treesong (Contemporary, Realist Charcoal Landscape Drawing by Sue Bryan)
18 x 24 x 2 inches
Charcoal and acrylic on Primed Arches Paper Mounted on Wood Panel
Excellent condition, Ready to hang as is
This contemporary charcoal landscape drawing on arches paper was completed in 2021 by Sue Bryan. Born in Ireland, the artist uses landscapes from her childhood as inspiration for her current work primarily consisting of beautifully detailed charcoal drawings of trees and wooded landscapes. The artist captures exquisite detail and luminous light with the mere use of black and white charcoal and carbon pencil. The artist creates this tree through a blend of light and shadow that demonstrates the artist's masterful technique. Dark leaves and winding branches in black charcoal contrast elegantly against a light filled sky. There is sturdy wire installed on the back for easy hanging.
Artist Statement:
"My work is drawing based. As a native of Ireland, the landscape there has certainly shaped and influenced my own history. Many of my drawings are of places that have a deep personal association for me; an endeavor perhaps to stay connected to my roots. My aim is not only to convey a sense of place and belonging, but also an attempt to capture the ineffable, to evoke a feeling or a memory, to invite the viewer to look beyond and beneath what they see. My process is one of building up tones and textures using a combination of charcoal, carbon and graphite, all of which yield a wonderful range of blacks and grays that vary in density and transparency as much as in tonality. Much of drawing’s appeal to me lies in its very constraint, in its simplification, in the reduction of nature’s macrocosm to the coal-black char of organic matter. For me, the act of drawing is an end in itself."
About the work:
A native of Ireland, Sue Bryan explores the memories of youth rooted in her homeland's landscape. Employing charcoal on both paper and panel, these moody and misty studies reminds us that the water-locked terrain is not always sunny and green. Exquisite detail found in each tree branch or mass of tall grasses lining the horizon dominates the foreground. Light emulates from the background attempting to penetrate the density of opaque cloud cover. Bryan's small scale drawings convey an intimate and highly personal sense of place and belonging.
SELECTED EXHIBITIONS
2019 'A Quiet Respite", Carrie Haddad Gallery, Hudson, NY
2018 'DRAWN',5th Annual International Exhibition of Contemporary Drawing, Manifest Gallery, OH
2018 'On Paper - An Exhibition of Drawings', Florence Academy of Art, NJ
2018 'MONOCHROME', Bo.Lee Gallery, London
2017 'Arboreal', Manifest Gallery, OH
2017 'Hudson Valley Landscapes', Carrie Haddad Gallery, Hudson, NY
2017 'Affordable Art Fair, Battersea, London, October
2017 'A Long Way from Home', Bo.Lee Gallery, London
2017 187th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland
2017 'Palette', Abend Gallery, Denver, CO
2017 'Summer Exhibit', Carrie Haddad Gallery, Hudson, New York
2017 'Exquisite Abandon : Contemporary Miniature Works', Laguna College of Art & Design
2017 8th Annual Drawing Discourse, University of North Carolina Ashville
2017 'Small is Beautiful', Le Salon Vert, Geneva Switzerland
2016 'Smart Dust', Group Show, Sla307, 307 West 30th Street, New York, NY
2016 'Inside Outside', Carrie Haddad Gallery, Hudson, NY
2016 7th Annual Drawing Discourse, S Tucker Cooke Gallery, University of North Carolina Asheville
2016 186th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland
2016 DRAWN, 3rd Annual International Exhibition of Contemporary Drawing, Manifest Gallery, OH
2016 'Summer Group Invitational', George Billis Gallery, NYC
2015 'Radical Inventions', Carrie Haddad Gallery, Hudson, NY
2015 'Strange Paradise', First Street Gallery's National Juried Exhibition, Juror Steven Harvey
2015 185th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland
2015 'DRAWN' 2nd Annual International Exhibition of Contemporary Drawing, Manifest Gallery
2015 7th Annual Juried Exhibition, Prince Street Gallery, NYC, Juror Robert Berlind
2015 Bradley International Print & Drawing Exhibition, Heuser Art Center, IL, Juror Beth Grabowski
2015 'Interactive Lines' Small Group Invitational, Cabarrus Arts Council, Condor, NC
2014 ‘Regarding the Sublime’, Small Group Invitational, North Park University, IL
2014 27th Northern National Art Competition, Nicolet College Art Gallery
2014 184th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland
2014 'DRAWN’ 1st Annual International Exhibition of Contemporary Drawing, Manifest Gallery
2014 POP-UP : On and Off the Wall, Series 2, Invited Artist, First Street Gallery, NYC
2014 5th Drawing Discourse, University of North Carolina, Asheville, Juror Tim Lowly
2013 VISTA [landscape in contemporary art], National Juried Show, Manifest Gallery
2013 Marks, A National Juried Drawing Exhibition, Madelon Powers Art Gallery, East Stroudsburg University, PA
2013 American Art Today : Figures, The Bascom, A Center for Visual Art, Juror Jonathan Stuhlman
2013 First Street Gallery's National Juried Exhibition, Juror Donald Kuspit
2013 4th Annual Drawing Discourse, S Tucker Cooke Gallery, University of North Carolina, Asheville, Juror Susan Hauptman
2012 Fort Wayne Museum of Art Contemporary Realism Biennial, Fort Wayne Museum of Art, Juror Frank Bernarducci
2012 25th Northern National Art Competition, Nicolet College Art Gallery, Juror Sarah McKenzie
2011 Salmagundi Annual Non-Member Open Exhibition, Salmagundi Club, NYC
2011 33rd Bradley International Print & Drawing Exhibition, Juror Robert E Marx
Category
2010s Contemporary Wood Panel Landscape Drawings and Watercolors
Materials
Archival Paper, Charcoal, Acrylic, Wood Panel
Shire (2022), surreal abstract dream-like landscape, blue, silver, pink, black
Located in Jersey City, NJ
Shire (2022), surreal abstract dream-like landscape, blue, silver, pink, black
"Shire" by Shamona Stokes portrays a dreamy, inviting, surreal landscap...
Category
2010s Contemporary Wood Panel Landscape Drawings and Watercolors
Materials
Silver, Foil
"Pasture" Abstracted Landscape with Trees, Oil on Board Painting
By Eric Abrecht
Located in Baltimore, MD
"Pasture" is an unframed oil on board piece by Eric Abrecht, depicting a lush hillside with trees and a shared fence line. With vibrant blues and greens, the abstracted landscape pai...
Category
2010s Contemporary Wood Panel Landscape Drawings and Watercolors
Materials
Paint, Panel, Wood Panel, Board, Oil
Dark, Moody, Wet, Detailed, Oil Paintings, Medium Sized, Natural Diptych
Located in Fort Worth, TX
These are two separate works that can be sold together or separately. They are dark, moody, wet, detailed, oil paintings, on medium-sized panels. They portray natural landscapes of the ground, right after a fresh rain.
Mihee Nahm...
Category
21st Century and Contemporary Contemporary Wood Panel Landscape Drawings and Watercolors
Materials
Oil, Panel, Wood Panel
Journey #39 (monochrome grey pen drawing wood detailed oriental dansaekhwa)
By Cheolyu Kim
Located in Quebec, Quebec
keywords; wood, pencil drawing, monochrome, highly detailed, Korean art, dansaekhwa, oriental art, circles, moire, geometric abstraction, intentionally exposed support, line form and color, curvilinear forms, dynamism, contemporary drawing, graphism, repetition, engaged with traditional Korean art...
Category
2010s Surrealist Wood Panel Landscape Drawings and Watercolors
Materials
Wood Panel, Pen, Birch
Journey #54 (monochrome grey pen drawing wood detailed oriental dansaekhwa)
By Cheolyu Kim
Located in Quebec, Quebec
Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by.
Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives.
Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas.
Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems.
keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...
Category
2010s Surrealist Wood Panel Landscape Drawings and Watercolors
Materials
Birch, Wood Panel, Pen
Walking table #47 (monochrome grey pen drawing wood detailed oriental dansaekhwa
By Cheolyu Kim
Located in Quebec, Quebec
Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by.
Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives.
Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas.
Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems.
keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...
Category
2010s Op Art Wood Panel Landscape Drawings and Watercolors
Materials
Birch, Wood Panel, Pen
Journey #53 (monochrome grey pen drawing wood detailed oriental dansaekhwa)
By Cheolyu Kim
Located in Quebec, Quebec
Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in G...
Category
2010s Surrealist Wood Panel Landscape Drawings and Watercolors
Materials
Birch, Wood Panel, Pen
Journey #38 (monochrome grey pen drawing wood detailed oriental dansaekhwa)
By Cheolyu Kim
Located in Quebec, Quebec
Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in G...
Category
2010s Contemporary Wood Panel Landscape Drawings and Watercolors
Materials
Birch, Wood Panel, Pen
Journey #40 (monochrome grey pen drawing wood detailed oriental dansaekhwa)
By Cheolyu Kim
Located in Quebec, Quebec
Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by.
Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives.
Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas.
Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems.
keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...
Category
2010s Surrealist Wood Panel Landscape Drawings and Watercolors
Materials
Birch, Wood Panel, Pen
Journey #49 (monochrome grey pen drawing wood detailed oriental dansaekhwa)
By Cheolyu Kim
Located in Quebec, Quebec
Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by.
Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives.
Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas.
Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems.
keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...
Category
2010s Surrealist Wood Panel Landscape Drawings and Watercolors
Materials
Birch, Wood Panel, Pen
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This contemporary charcoal landscape drawing on canvas was completed in 2021 by Sue Bryan. Born in Ireland, the artist uses landscapes from her childhood as inspiration for her current work primarily consisting of beautifully detailed charcoal drawings of trees and wooded landscapes. The artist captures exquisite detail and luminous light with the mere use of black and white charcoal and carbon pencil. The artist creates this tree through a blend of light and shadow that demonstrates the artist's masterful technique. Dark leaves and winding branches in black charcoal contrast elegantly against a light filled sky. There is sturdy wire installed on the back for easy hanging.
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Artist Statement:
"My work is drawing based. As a native of Ireland, the landscape there has certainly shaped and influenced my own history. Many of my drawings are of places that have a deep personal association for me; an endeavor perhaps to stay connected to my roots. My aim is not only to convey a sense of place and belonging, but also an attempt to capture the ineffable, to evoke a feeling or a memory, to invite the viewer to look beyond and beneath what they see. My process is one of building up tones and textures using a combination of charcoal, carbon and graphite, all of which yield a wonderful range of blacks and grays that vary in density and transparency as much as in tonality. Much of drawing’s appeal to me lies in its very constraint, in its simplification, in the reduction of nature’s macrocosm to the coal-black char of organic matter. For me, the act of drawing is an end in itself."
About the work:
A native of Ireland, Sue Bryan explores the memories of youth rooted in her homeland's landscape. Employing charcoal on both paper and panel, these moody and misty studies reminds us that the water-locked terrain is not always sunny and green. Exquisite detail found in each tree branch or mass of tall grasses lining the horizon dominates the foreground. Light emulates from the background attempting to penetrate the density of opaque cloud cover. Bryan's small scale drawings convey an intimate and highly personal sense of place and belonging.
SELECTED EXHIBITIONS
2019 'A Quiet Respite", Carrie Haddad Gallery, Hudson, NY
2018 'DRAWN',5th Annual International Exhibition of Contemporary Drawing, Manifest Gallery, OH
2018 'On Paper - An Exhibition of Drawings', Florence Academy of Art, NJ
2018 'MONOCHROME', Bo.Lee Gallery, London
2017 'Arboreal', Manifest Gallery, OH
2017 'Hudson Valley Landscapes', Carrie Haddad Gallery, Hudson, NY
2017 'Affordable Art Fair, Battersea, London, October
2017 'A Long Way from Home', Bo.Lee Gallery, London
2017 187th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland
2017 'Palette', Abend Gallery, Denver, CO
2017 'Summer Exhibit', Carrie Haddad Gallery, Hudson, New York
2017 'Exquisite Abandon : Contemporary Miniature Works', Laguna College of Art & Design
2017 8th Annual Drawing Discourse, University of North Carolina Ashville
2017 'Small is Beautiful', Le Salon Vert, Geneva Switzerland
2016 'Smart Dust', Group Show, Sla307, 307 West 30th Street, New York, NY
2016 'Inside Outside', Carrie Haddad Gallery, Hudson, NY
2016 7th Annual Drawing Discourse, S Tucker Cooke Gallery, University of North Carolina Asheville
2016 186th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland
2016 DRAWN, 3rd Annual International Exhibition of Contemporary Drawing, Manifest Gallery, OH
2016 'Summer Group Invitational', George Billis Gallery, NYC
2015 'Radical Inventions', Carrie Haddad Gallery, Hudson, NY
2015 'Strange Paradise', First Street Gallery's National Juried Exhibition, Juror Steven Harvey
2015 185th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland
2015 'DRAWN' 2nd Annual International Exhibition of Contemporary Drawing, Manifest Gallery
2015 7th Annual Juried Exhibition, Prince Street Gallery, NYC, Juror Robert Berlind
2015 Bradley International Print & Drawing Exhibition, Heuser Art Center, IL, Juror Beth Grabowski
2015 'Interactive Lines' Small Group Invitational, Cabarrus Arts Council, Condor, NC
2014 ‘Regarding the Sublime’, Small Group Invitational, North Park University, IL
2014 27th Northern National Art Competition, Nicolet College Art Gallery
2014 184th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland
2014 'DRAWN’ 1st Annual International Exhibition of Contemporary Drawing, Manifest Gallery
2014 POP-UP : On and Off the Wall, Series 2, Invited Artist, First Street Gallery, NYC
2014 5th Drawing Discourse, University of North Carolina, Asheville, Juror Tim Lowly
2013 VISTA [landscape in contemporary art], National Juried Show, Manifest Gallery
2013 Marks, A National Juried Drawing Exhibition, Madelon Powers Art Gallery, East Stroudsburg University, PA
2013 American Art Today : Figures, The Bascom, A Center for Visual Art, Juror Jonathan Stuhlman
2013 First Street Gallery's National Juried Exhibition, Juror Donald Kuspit
2013 4th Annual Drawing Discourse, S Tucker Cooke Gallery, University of North Carolina, Asheville, Juror Susan Hauptman
2012 Fort Wayne Museum of Art Contemporary Realism Biennial, Fort Wayne Museum of Art, Juror Frank Bernarducci
2012 25th Northern National Art Competition, Nicolet College Art Gallery, Juror Sarah McKenzie
2011 Salmagundi Annual Non-Member Open Exhibition, Salmagundi Club, NYC
2011 33rd Bradley International Print & Drawing Exhibition, Juror Robert E Marx
Category
2010s Contemporary Wood Panel Landscape Drawings and Watercolors
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H 24 in W 30 in D 1.5 in
Inner Landscape (Contemporary Charcoal Drawing of Trees with Blue Tinted Sky)
By Sue Bryan
Located in Hudson, NY
Treesong (Contemporary, Realist Charcoal Landscape Drawing by Sue Bryan)
18 x 24 x 2 inches
Charcoal and acrylic on Primed Arches Paper Mounted on Wood Panel
Excellent condition, Ready to hang as is
This contemporary charcoal landscape drawing on arches paper was completed in 2021 by Sue Bryan. Born in Ireland, the artist uses landscapes from her childhood as inspiration for her current work primarily consisting of beautifully detailed charcoal drawings of trees...
Category
2010s Contemporary Wood Panel Landscape Drawings and Watercolors
Materials
Charcoal, Acrylic, Canvas, Wood Panel
H 18 in W 24 in D 1.5 in
Moutain Birches (Realistic Landscape of a Birch Forest, Burned Drawing on Panel)
Located in Hudson, NY
Realistic landscape of a Birch forest on Baltic Birch panel made with a blow torch
Burned drawing on panel, naturally sepia toned
30 x 40 inches unframed
32.5 x 42.5 inches in custo...
Category
2010s Modern Wood Panel Landscape Drawings and Watercolors
Materials
Birch, Wood Panel
H 32.5 in W 42.5 in D 1.5 in
Great boat, Jungle series - Large Pencil Drawing
Located in Paris, FR
Great boat is a pencil on paper drawing mounted on wood by Spanish contemporary artist Calo Carratalá, from the "Jungle" series. This drawing portrays a group of travelers on a boat ...
Category
2010s Contemporary Wood Panel Landscape Drawings and Watercolors
Materials
Paper, Pencil, Wood Panel
Edgeland L (Small Contemporary Realistic Landscape of Forest in Black Charcoal)
By Sue Bryan
Located in Hudson, NY
black and white landscape drawing of country field and forest
charcoal and carbon on Arches cotton paper mounted on wood
4 x 4 inches
This contemporary charcoal drawing on Arches ...
Category
2010s Modern Wood Panel Landscape Drawings and Watercolors
Materials
Paper, Charcoal, Wood Panel, Carbon Pencil
Minikin III (Modern, Small Realistic Tree Drawing on Square Wood Panel)
By Sue Bryan
Located in Hudson, NY
charcoal and carbon on Arches paper mounted on wood
4 x 4 inches
This contemporary charcoal drawing on Arches cotton paper mounted on wood was completed in 2017 by Sue Bryan. Born...
Category
2010s Contemporary Wood Panel Landscape Drawings and Watercolors
Materials
Charcoal, Wood Panel, Carbon Pencil
H 4 in W 4 in D 0.5 in
Aperture IV (Contemporary Realist Charcoal Landscape Drawing of Trees on Panel)
By Sue Bryan
Located in Hudson, NY
charcoal on panel
12 inch diameter circle
17 x 17 inches framed
This modern finely detailed charcoal drawing on round panel was completed in 2016 by Sue Bryan. Born in Ireland, the artist uses landscapes from her childhood as inspiration for her current work primarily consisting of detailed charcoal drawings of trees...
Category
2010s Contemporary Wood Panel Landscape Drawings and Watercolors
Materials
Charcoal, Wood Panel
Wayne Junction Markings
Located in Philadelphia, PA
"Wayne Junction Markings" is an original drawing and mixed media work by Miriam Singer. The piece measures 10in x 10in.
Statement // My drawings look perceptually at multiple loc...
Category
21st Century and Contemporary Contemporary Wood Panel Landscape Drawings and Watercolors
Materials
Intaglio, Pencil, Permanent Marker, Screen, Wood Panel
Wood Panel landscape drawings and watercolors for sale on 1stDibs.
Find a wide variety of authentic Wood Panel landscape drawings and watercolors available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape drawings and watercolors created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Cheolyu Kim, Sue Bryan, Eric Abrecht, and James Isherwood. Frequently made by artists working in the Contemporary, Surrealist, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Wood Panel landscape drawings and watercolors, so small editions measuring 0.1 inches across are also available Prices for landscape drawings and watercolors made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $49 and tops out at $985,000, while the average work can sell for $804.
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