Maurice Falliès

French Countryside Landscape Pen and Ink

3828 Antique English watercolor of Blackpool from Cleveley Lancashire England Image size 9.25x13.25"

4033a Strolling Piazza San Marco figurative landscape water color

3867 Parthenon Greece landscape watercolor on paper Part of a series of 10 Greek watercolors on our site by the same artist

3866 Mykonos watercolor village view Part of 10 watercolors of Greece on our site

4028 Italian Tuscan landscape watercolor in a period frame Image size 9x14"

3872 Greek Village scene landscape watercolor Part of a series of 10 Greek watercolors on our site

Inspiration and process: Laura takes her inspiration from visiting cities and captures her ideas initially through photography. As well as photographing for research Laura will spend a large amount of time people watching and trying to understand how the people of the city function and move about their daily lives. She divides her attention between the physical spaces colour and shape of a city and the cultural economical and social behaviour of a city, eventually being able to combine the different elements and making visual connections. Once back in the studio she will then create lots of small...

Peri Taylor Racing Yawls, Salcombe Watercolour and Ink on Paper Size: H 39cm x W 49cm Sold Unframed (Please note that in situ images are purely an indication of how a piece may look)...

River Dart Meander II by James Bonstow [2021] Original Ink and Watercolour on paper Image size: H:58 cm x W:64 cm Complete Size of Unframed Work: H:58 cm x W:64 cm x D:0.1cm Sold Unf...

James Bonstow Early Light at Gatcombe Valley Original Landscape Ink and Watercolour on Paper Size: H 58cm x W 61.5cm x D 0.1cm (Please note that in situ images are purely an indicati...

River Dart Meander II is an original work by artist James Bonstow. Made with watercolour and Ink on paper. Using simple lines gestured with ink James suggests a variety of natural wo...

This study presents a typical Roman countryside landscape: an ancient mausoleum in front of which a cart is passing by followed by two peasants. If the technique (a pen drawing on graphite lines, completed with a wash of brown and grey inks) and the signature inevitably evoke the art of Lorrain, we find on the verso of this drawing additional evidences that lead us to consider this unpublished drawing as a work by the master. The motif of the mausoleum has been taken up in pen on the verso in a technique that can be found in several other drawings by Lorrain. There is also a study of three characters, which can be considered as preparatory to Lorrain’s painting entitled The Port of Ostia with the Embarkation of Saint Paula, leading us to claim this attribution with a dating of around 1629. 1. Claude Lorrain or the perfection of classical landscape in Rome in the 17th century Claude Gellée was born in 1600 in Chamagne in Lorraine. Orphaned at the age of twelve, he spent a year with his brother in Freiburg, where the latter was a woodcarver. Claude Gellée then probably arrived in Rome in 1613, where he joined the workshop of Agostino Tassi (1580 - 1644) in 1617. Between 1619 and 1620 he studied for two years in Naples in the workshop of Goffredi Wals (who was himself a former pupil of Tassi). In 1625 he returned to Lorraine for two years where he worked alongside Claude Deruet. He then returned to Rome, a city he never left for the rest of his life (except for short trips to the surrounding countryside). From 1627 to 1650 he lived in Via Margutta. From 1635 onwards he became a renowned painter and commissions started to pour in. Considered during his lifetime as the most accomplished of the classical landscape painters, his reputation never faded. Between 1629 and 1635 Le Lorrain often went to the Roman countryside to draw with his friend Joachim von Sandrart (1606 - 1686). He became a member of the Academy of Saint Luke in 1633, while being closely acquainted with the Bentvueghels, this guild which brought together the young Nordic painters active in Rome. In 1643 he joined the Congregation of the Virtuosi. In 1650 he moved to Via Paolina where he lived until his death. Little is known of his intimate life. He seems to have had a daughter, Agnes, from an ancillary love affair. In 1657/ 1658 she moved in with him. Stricken with gout in 1663, he died in 1682. 2. Description of the drawing; the technique of nature studies Two peasants are walking behind a horse-drawn cart on a road that winds through ancient tombs. While a rectangular tomb with a columned facade can be seen in the distance, the cart passes an important ancient building. It has a circular shape and its partially ruined façade is decorated with columns. The start of a second floor can...