Maximilien LuceMaximilien Luce, Paris, Bridge over the Seine (Pont Neuf)
About the Item
- Creator:Maximilien Luce (1858-1941, French)
- Dimensions:Height: 8.86 in (22.5 cm)Width: 9.45 in (24 cm)
- Medium:
- Period:
- Condition:Original frame with tiny marks of time.29.
- Gallery Location:PARIS, FR
- Reference Number:1stDibs: LU2661214498502
Maximilien Luce
Maximilien Luce was born in Paris in 1858. In 1876 he apprenticed in the shop of the engraver Eugène Froment (1844–1900), a qualified craftsman and graduate of the Ecole des Arts Décoratifs. There, Luce worked on numerous illustrations for French newspapers and foreign periodicals.
In 1877, Luce left Paris and went to London. When he returned to France in 1879 he was called for military service. It was during his military service that Luce met Charles Emile Carolus-Duran (1837–1917), the famous French painter and sculptor who was an instructor to countless artists. Luce entered Carolus-Duran’s studio, a move that not only provided him with meticulous training as a draftsman but also introduced him to the leading painters of the time. Luce met Camille Pissarro (1830–1903), with whom he became very good friends and who gave Luce much artistic advice. Along with Pissarro, Georges Seurat (1859–1891) and Paul Signac (1863–1935), Luce was one of the founders of the Neo-Impressionist School (i.e., the Pointillists).
Luce joined the Société des Indépendants in 1887 and consistently participated in the avant-garde group’s exhibitions. Though landscapes made up most of his oeuvre, Luce executed some marvelous paintings of people in the Pointillist style, and this social realist aspect differentiated him from many of his fellow Neo-Impressionists. For a period of time, Luce was a strict Pointillist. After 1920, however, Luce started to paint in a freer manner. He accepted the position of President of the Société des Artistes Indépendants in 1935, a role from which he would eventually resign as a statement against the society’s growing posture towards restricting Jewish artists from exhibiting.
Luce made a significant contribution to exporting Neo-Impressionism and maintained strong ties with the Belgian Pointillist Théo van Rysselberghe (1862–1926). An indefatigable artist, he left a sizable amount of work in various mediums and remains a very important figure in French Post-Impressionist art. Maximilien Luce died in 1941.
(Biography provided by Stern Pissarro Gallery)You May Also Like
Mid-19th Century Figurative Drawings and Watercolors
Paper, Ink, Watercolor, Gouache
1930s Art Nouveau Landscape Drawings and Watercolors
Paper, India Ink, Pencil
1930s Art Nouveau Landscape Drawings and Watercolors
Paper, India Ink, Pencil
1920s Realist Figurative Drawings and Watercolors
Ink
21st Century and Contemporary Realist Landscape Drawings and Watercolors
Ink, Paper, Watercolor
Late 17th Century Italian School Figurative Drawings and Watercolors
Paper, Ink, Watercolor
1810s Realist Figurative Drawings and Watercolors
Paper, Ink, Pen
Late 18th Century French School Landscape Drawings and Watercolors
Ink, Watercolor, Gouache, Vellum
1920s Impressionist Landscape Drawings and Watercolors
Ink
1920s Impressionist Landscape Drawings and Watercolors
Ink
More From This Seller
View All1960s Figurative Drawings and Watercolors
Ink, Pencil, Gouache
1880s Post-Impressionist Landscape Drawings and Watercolors
Charcoal
Early 20th Century Landscape Drawings and Watercolors
Watercolor, Graphite
1920s Landscape Drawings and Watercolors
Charcoal
Early 20th Century Figurative Drawings and Watercolors
Ink, India Ink
1970s Figurative Drawings and Watercolors
India Ink