Paul Lecomte

Paul Lecomte (1842-1920) A manor near a pond, signed watercolor

circa 1890

Ernest Lessieux (1848 - 1925) The sea in calm weather, signed lower left watercolor on paper 16.5 x 24 cm Framed : 35 x 41 cm This rather atypical work is a remarkable addition to...

Paul Lecomte (1842-1920) L'étang à Mortefontaine, an autumn landscape signed lower left Watercolor on paper, 29,3 x 22.5 cm In its original vintage frame : 46 x 39,5 cm titled on t...

Paul Lecomte (1842-1920) A village street with a calvary Signed lower left Watercolor on paper 29 x 23.5cm Framed : 46.5 x 420cm In quite good condition, light traces of a former fr...

Siebe Johannes Ten Cate (1858-1908) A View of Toledo Signed, located and dated lower left Watercolor on paper 35.5 x 55 cm irregularly shaped in good condition, some foxings in the ...

Reynolds Beal painted this watercolor entitled “Colon” [Panama] in the spring of 1923. The paper size of this painting is 7 x 10" (17.7 x 25.3 cm). It is signed, titled, and dated ...

"Summer and the Setting Sun" (2024) by Mo Myra is a watercolor painting on paper that depicts a landscape with the sun setting in the distance. Mo Myra, born in 1990, is a Connectic...

Early 20th C. Watercolor Portrait of an Elegant Young Woman at Gardens Gate c.1910 Absolutely beautiful watercolor by A.D. Turner. This elegant young woman stands in a country lands...

This artwork "The Gazebo" 1989 is a watercolor by noted Chinese/American artist Jake Lee, 1915-1991 It is signed and dated at the middle right corner by the artist. The image size is 14 x 17 inches, framed is 22.75 x 25.5 inches. It is custom framed in a wooden gold frame, with gold color spacer and fabric matting. it is in excellent condition. About the artist. Jake Lee is emerging as the visual chronicler of the Chinese American past, especially the daily life in San Francisco Chinatown. No other artist, of any background, has presented that history as richly and as evocatively as Lee did in his many, striking compositions. Completed over a lifetime of work, Lee's paintings of historical sites, moments, and experiences give us an artistic vision. For much of his life, Lee was known primarily as a commercial artist who completed arresting illustrations for travel magazines, greeting cards, and book jackets. He was an art teacher, with many students who learned the use of water-soluble pigments to depict the many landscapes of mid-20th century California. Less well-known were his representations of the many places historically linked to the Chinese of the state and the West. To this day, few in America know about Chinese work in the fisheries, in the early wine industry, in 19th century urban industry, and in the colorful cultural life of San Francisco in the years before the Great Earthquake. At a time when most Americans thought Chinese Americans had just been laundrymen, houseboys, or Charlie Chan, characters they saw on television. As a visual historian, he connected us with the past, but foremost he was an artist. He presented appealing scenes for the visitor to San Francisco who wanted a visual memento. He mastered Western...