Corner Landscape Drawings and Watercolors

Deddington Hedges by Cornelia Fitzroy [2022] original and hand signed by the artist Pastel on Paper Image size: H:23 cm x W:30 cm Complete Size of...

James Wilson Rayen's 'Untitled Pastel #10' is from a series of studies of spring and summer rural landscapes.This piece, loose and impressionistic in technique, depicts a cluster of ...

James Wilson Rayen's 'Untitled Pastel #11' is a 15 x 15 inch pastel drawing on paper from a series of studies of spring and summer rural landscapes. This piece depicts three flowerin...

This piece is framed measuring 27.5 by 35 inches. Based in Carrollton, Georgia, Erin Dixon is a mixed media artist whose work bridges realism and surrealis...

Tomas Sanchez "Untitled" 1995 Pastel on paper 12 x 18 in Included a certificate of authenticity by the artist Tomás Sánchez paints imagined landscapes that fall into two radically d...

This piece is framed in a natural wood frame measuring 30 by 45.5 inches. Based in Carrollton, Georgia, Erin Dixon is a mixed media artist whose work bridg...

"Looking North 2" by Janet Richardson-Baughman is a pastel drawing on paper, signed in the lower right corner. The work is framed and matted with acid-free mat board. This landscape ...

La Rivière de Dotahn by Lélia Pissarro (b. 1963) Pastel on paper 12.5 x 19 cm (4 ⁷/₈ x 7 ¹/₂ inches) Signed lower right, Lélia Pissarro Executed in 2020 This work is accompanied by ...

Detailed and vibrant depiction of a spider web by Doris Howard (American, b. 1935). Signed "Doris Warner" in the lower left corner. Tag on verso from the "Harvest of Colors" exhibition at Roberts Field...

This piece is framed measuring 17 by 14 inches. Based in Carrollton, Georgia, Erin Dixon is a mixed media artist whose work bridges realism and surrealism....

Fullerton Music Studio by Kamil Kubik, Czech/American (1930–2011) Pastel on Paper, signed l.r. Size: 19.5 x 25.5 in. (49.53 x 64.77 cm)

"Wolf Lake I-8" by Janet Richardson-Baughman is a pastel drawing on paper. The signature is in the lower right and the title is in the lower left, both of which are in graphite pencil. The work is framed and matted with cream-colored acid-free mat board and museum glass. The drawing depicts a landscape in oranges, greens and blues and evokes a farm field just after harvest. Art size: 22" x 22" Frame size: 36.5" x 36.5" A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life, and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply to her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers. Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture. Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting. Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her. With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI. Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay...