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Louis NadaliniModernist Abstract Nude Pastel Cyan Figure Study1987
1987
About the Item
Modern abstracted nude figurative study on a bold cyan background by Louis Nadalini (American, 1927-1995), 1987. Signed and dated "L Nadalini 87" in the lower right. Unframed.
Louis Nadalini (American, 1927 - 1995) was born in San Francisco and attended the Art Students League where he studied with George Grosz. He also studied with Martin Baer in San Francisco from 1955-1957. In the late 1960s, he developed a form of painted relief, which was painting hard-edge forms of vertical louvers arranged so that different compositions were seen when observed from the right or the left side of the picture.
Exhibited:
Pennsylvania Academy of Fine Arts, 161st Annual Exhibition of American Painting and Sculpture 1966; Richmond Art Center & University of California; Pelican Bay Art Gallery, Seattle, WA; Village AC, NYC, 1953 (solo); & Am. Student & Artist Center, Paris, France, 1954 (solo); SFMA, Printing Ann., 1957-59 & 1966; CPLH, 1963-67; PAFA Ann., 1966; Oakland Art Mus., Painting Ann., 1966-69; Esther Bear Ga., Santa Barbara, CA, 1970s.
Studied:
City College San Fran.; ASL with George Grosz; Martin Baer, San Fran., 1958-60.
Member:
AFA; Artists Equity Assn.; East Bay Artists Assn.
- Creator:Louis Nadalini (1927 - 1995, American)
- Creation Year:1987
- Dimensions:Height: 25.5 in (64.77 cm)Width: 19 in (48.26 cm)Depth: 0.03 in (0.77 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Some minor corner wear. Tack holes from being on display. Fading around Bottom and edges, likely from adding details after it was matted.
- Gallery Location:Soquel, CA
- Reference Number:Seller: JT-62951stDibs: LU5426315502
Louis Nadalini
Louis Nadalini (American, 1927 - 1995) was born in San Francisco and attended the Art Students League where he studied with George Grosz. He also studied with Martin Baer in San Francisco from 1955-1957. In the late 1960s, he developed a form of painted relief, which was painting hard-edge forms of vertical louvers arranged so that different compositions were seen when observed from the right or the left side of the picture. Exhibited: Pennsylvania Academy of Fine Arts, 161st Annual Exhibition of American Painting and Sculpture 1966; Richmond Art Center & University of California; Pelican Bay Art Gallery, Seattle, WA; Village AC, NYC, 1953 (solo); & Am. Student & Artist Center, Paris, France, 1954 (solo); SFMA, Printing Ann., 1957-59 & 1966; CPLH, 1963-67; PAFA Ann., 1966; Oakland Art Mus., Painting Ann., 1966-69; Esther Bear Ga., Santa Barbara, CA, 1970s. Studied: City College San Fran.; ASL with George Grosz; Martin Baer, San Fran., 1958-60. Member: AFA; Artists Equity Assn.; East Bay Artists Assn.
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