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Marcel DzamaUntitled (Too Tired, Shelly)2000
2000
$4,750
£3,670.20
€4,243.10
CA$6,712.09
A$7,528.06
CHF 3,942.33
MX$91,473.26
NOK 50,060.96
SEK 47,461.32
DKK 31,672.49
About the Item
With his unmistakable version of contemporary Surrealism, Marcel Dzama is one of the most successful contemporary Canadian artists. Born in Winnipeg in 1974, Dzama had an international reputation by the time he was 30.
In the 1990's, as one of the founding members of the Royal Art Lodge, Dzama contributed to the renaissance of figurative art while simultaneously putting Winnipeg on the map as a center for Canadian creativity.
Dzama's works are instantly recognizable for their bizarre subject yet friendly style. He often takes banal scenes or characters and injects them with menacing, eerie or twisted details that can border on the absurd.
In this untitled drawing (aka "Shelly") we find two strange characters in a domestic setting, evocative of a comic-book or graphic novel set in the 1940's. Like the best of Dzama's work the viewer is drawn in and asked to assemble a narrative.
Who is this dapper alien-esque man notifying Shelly he won't be attending the dance? Who is the beautiful woman in a robe next to him? And what is their relationship? The finely detailed interior and characters force one to beg the ultimate question: what is happening off the page...?
While Caviar20 has handled a number of Dzama's works, this is the first we've offered that has the inclusion of text.
Marcel Dzama's work can be found in a host of prestigious public and private collections including Paris' Centre Georges Pompidou, The Metropolitan Museum of Art in New York, the MoMA, Le Musée d’art contemporain de Montréal. He is particularly favored by celebrity collectors including Brad Pitt, Jim Carrey and Steve Martin.
- Creator:Marcel Dzama (1974, Canadian)
- Creation Year:2000
- Dimensions:Height: 14.74 in (37.44 cm)Width: 11.75 in (29.85 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Very good condition.
- Gallery Location:Toronto, CA
- Reference Number:Seller: 4-211stDibs: LU21528009802
Marcel Dzama
Dzama was born in 1974 in Winnipeg, Canada. Dzama received his BFA in 1997 from the University of Manitoba. He has been represented by David Zwirner since 1998 and has had many solo exhibitions. Dzama has exhibited widely in solo and group presentations throughout the United States and abroad. Marcel Dzama: An End to the End Times was on view through August of 2021 at the Savannah College of Art and Design Museum of Art, Georgia. Also in 2021, the Sara Hildén Art Museum in Tampere, Finland will present a solo exhibition of the artist’s work entitled Marcel Dzama: Tonight We Dance. In 2018, the solo exhibition Ya es hora was presented at Galería Helga de Alvear in Madrid and A Jester’s Dance was shown at University of Michigan Museum of Art in Ann Arbor, Michigan. In 2017, La Casa Encendida in Madrid exhibited Drawing on a Revolution, a solo show of the artist’s work. In 2015, the artist’s film Une danse des bouffons (or A jester’s dance) was presented alongside related two- and three-dimensional work in a solo show at the World Chess Hall of Fame in St. Louis. In 2010, a major survey of the artist's work was held at the Musée d’art contemporain de Montréal in Montreal. In 2016, the artist created the costume and stage design for New York City Ballet’s The Most Incredible Thing, a performance based on Hans Christian Andersen’s fairy tale. Coinciding with the performance, Dzama also created an installation in the Promenade of the David H. Koch Theater as part of the New York City Ballet Art Series, titled The tension around which history is built. Work by the artist is held in museum collections worldwide, including the Dallas Museum of Art; Musée d’art contemporain de Montréal; The Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; National Gallery of Canada, Ottawa; Solomon R. Guggenheim Museum, New York; Tate, London; and the Vancouver Art Gallery. Dzama lives and works in Brooklyn, New York.
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