Graphite Drawings and Watercolor Paintings

Landscape mineral oxide on Paper ( Canson Montaval Paper 300gr) 42x27 cm this drawing is sold with white wooden frame as pictured the total size with frame 50x40x3 cm Original Art ...

Michael O’Keefe’s sculptures, drawings, and paintings depict figurative narratives born from unpredictable processes. He couples innovative methods with unconventional tools to creat...

RECLINING NUDES, Signed Original Watercolor Drawing Chaim Gross (Austrian American, 1902-1991) Original mixed media - watercolor and graphite on paper, hand signed in pencil by Chaim Gross on lower right, very good condition, off-white cream archival acid-free mat, warm metallic pewter color wood frame. Framed size - 20 x 23 in., 2.5 inch, Image area 12.5 x 16 in. Frame is included. About the artist - Chaim Gross (1902-1991) was a modern American sculptor working in New York City from 1921 until his death in 1991. He was born in 1902 to a Jewish family in Austrian Galicia, in the village of Wolowa in the Carpathian Mountains. In 1911, his family moved to Kolomyia. During World War I, Russian forces invaded Austria-Hungary; amidst the turmoil, the Grosses fled Kolomyia. They returned when Austria retook the town in 1915, refugees of the war. When World War I ended, Gross and brother Avrom-Leib went to Budapest, where Gross attended the city's art academy and studied with painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna shortly before immigrating to New York City in 1921. In New York City, Gross's studies continued at the Educational Alliance Art School on the Lower East Side, led by Russian-American etcher Abbo Ostrowsky. Gross first began to exhibit his work as a student at the Alliance in 1922 (in the late 1920s, he joined their faculty). Gross also attended the Beaux-Arts Institute of Design from 1922-25, where he studied sculpture with Elie Nadelman and others, and at the Art Students League in 1926, with sculptor Robert Laurent. In 1926, Gross began to exhibit his sculpture at the Jewish Art Center (then in the Bronx), and in 1927, at the Salons of America exhibitions at the Anderson Galleries at 59th Street and Park Avenue. Beginning in 1928, he exhibited at the Whitney Studio Club at 10 West 8th Street (the precursor to the Whitney Museum of American Art), showing a watercolor "Circus" in their 13th Annual Exhibition of Paintings. In March 1932 Gross had his first solo exhibition of sculpture at Gallery 144 in New York City. Also in 1932, Gross married Renee Nechin (1909-2005), and they had two children, Yehudah and Mimi (Mimi Gross is a New York-based artist, and was married to the artist Red Grooms from 1963-1976). In 1933, Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration). Under these programs Gross taught and demonstrated art, made sculptures for schools and public colleges, and created works for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the 1937 Exposition universelle in Paris. Chaim Gross, Sculptor by Josef Vincent Lombardo, the first major book on Gross, came out in 1949 and included a catalogue raisonne of his sculpture. In the 1950s Gross began to make more bronze...

An abstract line drawing on white paper in graphite by Olaf Breuning. Mechanical Brain 2008 Graphite on paper 11 x 8.5 inches, sheet $1,875

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain." --Thaddeus Radell

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain." --Thaddeus Radell

Framed Dimensions: 16.5h x 18.5w inches Hiroshi Hayakawa was born and raised in Japan. He earned a BA in French Literature from Keio University in To...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

Framed Dimensions: 20.25h x 16.25w inches Hiroshi Hayakawa was born and raised in Japan. He earned a BA in French Literature from Keio University in ...

Sequences III is a unique graphite on Figueras paper painting by contemporary artist Franco Salas Borquez, dimensions are 70 × 50 cm (27.6 × 19.7 in). The artwork is signed, sold fra...

Sequences II is a unique graphite on Figueras paper painting by contemporary artist Franco Salas Borquez, dimensions are 70 × 50 cm (27.6 × 19.7 in). The artwork is signed, sold fram...

Jean Shin Annual Rings SC, 2015 Graphite Rubbing on Rice Paper Signed in graphite on the front 8 × 11 inches Unframed This poignant graphite rubbing on rice pa...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

"Kinda a Terrier" a sentimental dog painting by Robert Zakanitch a founder of the Pattern and Decoration movement of the 1970's believes in painting subjects of beauty with delicate ...

A drawing using flour, ash, graphite, and chalk.

Stacked river tube graphite drawing from Mary Robertson who is steeped in the Bay Area figurative movement. Her Mary oeuvre focuses on Northern California's Russian River, where she ...

Pencil/graphite on paper

With a career spanning more than three decades, Robbie Cornelissen has established himself among the leading contemporary draughtsmen in Europe. His vast and irresolute creative univ...

Ross Bleckner (American, b. 1949) Untitled Graphite on Paper 13 3/4 x 11 in. Ross Bleckner grew up in Hewlett, Long Island, New York; drawing all the time without being aware that o...

SEDUCTRESS is a unique original mixed media watercolor and graphite on paper, hand drawn and painted by the Dutch artist Nico Vrielink. SEDUCTRESS portrays a dark haired young woman wearing an off-shoulder evening gown and long elegant evening gloves looking sideways over her shoulder, seductively posing on a modern settee, her warm coral pink lipstick, rose lavender eye shadow and warm rose blushed cheeks enhancing her passionate mood. SEDUCTRESS is an erotic fashion portrait of expressive, modern boudoir art...

Graphite on paper Signed, verso This drawing is offered by ClampArt, located in New York City. Price includes framing. About the artist: Chris Ironside is a Toronto-based artist wor...

Original Drawing - Anatomical Study: Lion Skull - Frontal View, Upper, and Lower Casing - Graphite Drawing on Strathmore - 90 Gsm Paper. Using a series of...

Puffins [2016] Original Landscapes and seascapes Graphite on paper Image size: H:42.2 cm x W:29.7 cm Complete Size of Unframed Work: H:42.2 cm x W:29.7 cm x D:0.2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Puffins, A study of Puffins on a rocky outcrop at Bempton Cliffs, North Yorkshire. Original photographs taken by myself. David Truman...

Black Sky (The Cave Series), 3 graphite on paper 77 x 112 cm

Joel D. Sager (b. 1980) is a contemporary American painter of landscapes, still-life and portraiture. Often drawing on such standard subject matter with economy and singularity— a so...

Untitled is a beautiful artwork realized by Maurizio Gracceva in 2009. Mixed media on paper: graphite, acrylic, spray, pencils. Hand signed by the artist. Title, date, techiniqu...

Study for “The Haircut” Graphite and colored pencil on vellum 24 x 18 inches (61 x 45.7 cm) This work is offered by CLAMP in New York City.

John Selburg was born and raised in Peoria, Illinois. He holds a BFA in Drawing, Sculpture, and Graphic Design from Bradley University (2006), and an MFA from the University of Misso...

Photorealistic black and white drawing of rock concert goers - Graphite on paper by Andy Mister. Offered framed. The work of Andy Mister explores the boundary between mechanical and manual reproduction. Working with images appropriated from vintage photographs and deftly mimicking the Xerox aesthetic of punk zines and album covers, removing their specific historical context. Mister’s drawings question how meaning is created or lost through the act of “copying.” Mister says of the arrangement of his images, “It's something like my bedroom as a teenager, filled with images clipped from magazines: bands or writers that I admired interspersed with random images I found aesthetically interesting. I am interested in the relationship between images and connections that the viewer creates when encountering them, connections that I cannot control.” Andy Mister received a BA in English Literature and Philosophy from Loyola University of New Orleans, and an MFA in Creative Writing from the University of Montana. His artwork has been exhibited at Hirschl & Adler Modern, Turn Gallery, Joshua Liner Gallery, Morgan Lehman Gallery...

"Reticent" by Rick Sindt is a small graphite drawing of two figures. This deceptively simple drawing is very powerful in its beauty and intimacy. The graph ...

Tatiana Flis’ “Ripple Idly” is an 8 x 10 inch graphite and gouache drawing on thick rag paper with a deckled edge. Rich blues and indigos shine with white and shimmering silver stars...

Lina – Pocasset August 6, 1934 Signed in pencil, u.r.; Also titled and dated in pencil, l.r. Graphite on paper 10.25 x 14.5 inches, sheet This work is offered by CLAMP in New Yor...

Seated Nude Female Signed in pencil, u.l. Ink wash and graphite on paper 11 x 8.5 inches This work is offered by ClampArt in New York City.

This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...

"Garden Entrance" is a watercolor painting featuring subtle hues of green, blue and yellow. This work is framed measuring 15.5 by 14 inches. McLean Jenkins is inspired by the work of JMW Turner, Richard Diebenkorn and Louis Khan. McLean Jenkins is a practicing architect and his work derives from and celebrates the classical forms of his trade. Working in graphite, ink and watercolor, McLean employs a gestural approach that frees his hand to explore a subject’s essence. His compositions rely on the quick, decisive sketch and are then given over to the whims and splashes of watercolor. Spontaneity, movement and spirit are all emphasized and his drawings collectively form their own narrative of his passion for architecture. The city of Venice has captured McLean’s imagination since his first trip there as a 12 year old boy. Over the years a kind of courtship with the city has evolved, and its impact has motivated and sustained his development as both architect and artist. His work depicting the city has been recognized within the architectural profession by the Georgia Trust for Historic Preservation in its award to McLean of the J. Neel Reid...

A drawing using flour, ash, graphite, and chalk.

"Santa Maria della Salute I" is a watercolor painting of the Santa Maria della Salute church and minor basilica in Venice, Italy. This work features hues of blue, orange, green and yellow. This piece is 14.5 by 17.75 inches framed. McLean Jenkins is inspired by the work of JMW Turner, Richard Diebenkorn and Louis Khan. McLean Jenkins is a practicing architect with McAlpine and his work derives from and celebrates the classical forms of his trade. Working in graphite, ink and watercolor, McLean employs a gestural approach that frees his hand to explore a subject’s essence. His compositions rely on the quick, decisive sketch and are then given over to the whims and splashes of watercolor. Spontaneity, movement and spirit are all emphasized and his drawings collectively form their own narrative of his passion for architecture. The city of Venice has captured McLean’s imagination since his first trip there as a 12 year old boy. Over the years a kind of courtship with the city has evolved, and its impact has motivated and sustained his development as both architect and artist. His work depicting the city has been recognized within the architectural profession by the Georgia Trust for Historic Preservation in its award to McLean of the J. Neel Reid...

Rene Genis (French 1922-2004) Le Malade : The Sick. A sick patent in bed. Pencil on paper laid down on matt board. Signed in pencil lower right. Image size 8 1/4” x 10 1/2”, matt ...

Attributed to Ross Bleckner (American, b. 1949) Group of 3 Double Sided Drawings Watercolor and graphite on paper Largest: 24 x 18 in. Smallest: 23 1/4 x 18 in. Ross Bleckner grew up in Hewlett, Long Island, New York; drawing all the time without being aware that other artists existed. He was the middle child between two sisters; his father manufactures electronic parts He attended New York University where Sol Lewitt, Chuck Close and others were his teachers. He graduated in 1972, then spent a year at the California Institute of Arts. His contacts in the next few years were very fortuitous; Sol Lewitt and Chuck Close, Carl Andre, David Salle, Julian Schnabel, etc. Bleckner is on the nervous side, beset by self-doubt, insomnia, and gloom. He is unpretentious, although he is bluntly handsome, with olive complexion, and a compact build. He is "10 percent that is superficial and 90 percent that has to do with the depths and that is threatened by living. He is a very complicated individual. He is a very, very morose, deeply feeling, hardworking artist- he takes a lot from within himself - but always, no matter how successful he is, he feels he is going to fall into those depths." 1 Bleckner first exhibited his work in New York in 1974. The following year he was given his first one-man show; he was included in the 1975 Whitney Biennial.. Since about 1985 has addressed many of his paintings to the subject of AIDS- both documenting it as a historical phenomenon and commemorating specific individuals who have died. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Bio sourced from the Archives of askArt. Sources include: Ross Bleckner's Mood Indigo by Lisa Liebmann, in ARTnews, May 1993...

Attributed to Ross Bleckner (American, b. 1949) Group of 3 Double Sided Drawings Watercolor and graphite on paper Largest: 24 x 18 in. Smallest: 22 3/4 x 18 in. Ross Bleckner grew up in Hewlett, Long Island, New York; drawing all the time without being aware that other artists existed. He was the middle child between two sisters; his father manufactures electronic parts He attended New York University where Sol Lewitt, Chuck Close and others were his teachers. He graduated in 1972, then spent a year at the California Institute of Arts. His contacts in the next few years were very fortuitous; Sol Lewitt and Chuck Close, Carl Andre, David Salle, Julian Schnabel, etc. Bleckner is on the nervous side, beset by self-doubt, insomnia, and gloom. He is unpretentious, although he is bluntly handsome, with olive complexion, and a compact build. He is "10 percent that is superficial and 90 percent that has to do with the depths and that is threatened by living. He is a very complicated individual. He is a very, very morose, deeply feeling, hardworking artist- he takes a lot from within himself - but always, no matter how successful he is, he feels he is going to fall into those depths." 1 Bleckner first exhibited his work in New York in 1974. The following year he was given his first one-man show; he was included in the 1975 Whitney Biennial.. Since about 1985 has addressed many of his paintings to the subject of AIDS- both documenting it as a historical phenomenon and commemorating specific individuals who have died. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Bio sourced from the Archives of askArt. Sources include: Ross Bleckner's Mood Indigo by Lisa Liebmann, in ARTnews, May 1993...

The female figure in Oliver Benson's "Maid of Agora" is drawn in exquisite detail. On the reverse side, the artist has drawn another female figure. The artwork is not framed. Ple...

Graphite on paper Signed, verso This drawing is offered by ClampArt, located in New York City. Price includes framing. About the artist: Chris Ironside is a Toronto-based artist wor...

Cry Me a River (a fleuve) 2017 cca. Acrylic, graphite, pen, gesso and gel medium on paper 22 x 30 inches

This gorgeous artwork on paper was created initially with a screen print base of the model, then Rosie hand finishes the work with a unique splash and painted composition. Some call ...

Attributed to: Ross Bleckner (American, b. 1949) Group of 3 Double Sided Drawings Watercolor and graphite on paper Largest: 24 x 18 in. Smallest: 23 1/4 x 18 in. Ross Bleckner grew up in Hewlett, Long Island, New York; drawing all the time without being aware that other artists existed. He was the middle child between two sisters; his father manufactures electronic parts He attended New York University where Sol Lewitt, Chuck Close and others were his teachers. He graduated in 1972, then spent a year at the California Institute of Arts. His contacts in the next few years were very fortuitous; Sol Lewitt and Chuck Close, Carl Andre, David Salle, Julian Schnabel, etc. Bleckner is on the nervous side, beset by self-doubt, insomnia, and gloom. He is unpretentious, although he is bluntly handsome, with olive complexion, and a compact build. He is "10 percent that is superficial and 90 percent that has to do with the depths and that is threatened by living. He is a very complicated individual. He is a very, very morose, deeply feeling, hardworking artist- he takes a lot from within himself - but always, no matter how successful he is, he feels he is going to fall into those depths." 1 Bleckner first exhibited his work in New York in 1974. The following year he was given his first one-man show; he was included in the 1975 Whitney Biennial.. Since about 1985 has addressed many of his paintings to the subject of AIDS- both documenting it as a historical phenomenon and commemorating specific individuals who have died. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Bio sourced from the Archives of askArt. Sources include: Ross Bleckner's Mood Indigo by Lisa Liebmann, in ARTnews, May 1993...

Attributed to Ross Bleckner (American, b. 1949) Group of 3 Double Sided Drawings Ink and graphite on paper Largest: 23 1/2 x 17 1/4 in. Smallest: 22 7/8 x 18 in. Ross Bleckner grew up in Hewlett, Long Island, New York; drawing all the time without being aware that other artists existed. He was the middle child between two sisters; his father manufactures electronic parts He attended New York University where Sol Lewitt, Chuck Close and others were his teachers. He graduated in 1972, then spent a year at the California Institute of Arts. His contacts in the next few years were very fortuitous; Sol Lewitt and Chuck Close, Carl Andre, David Salle, Julian Schnabel, etc. Bleckner is on the nervous side, beset by self-doubt, insomnia, and gloom. He is unpretentious, although he is bluntly handsome, with olive complexion, and a compact build. He is "10 percent that is superficial and 90 percent that has to do with the depths and that is threatened by living. He is a very complicated individual. He is a very, very morose, deeply feeling, hardworking artist- he takes a lot from within himself - but always, no matter how successful he is, he feels he is going to fall into those depths." 1 Bleckner first exhibited his work in New York in 1974. The following year he was given his first one-man show; he was included in the 1975 Whitney Biennial.. Since about 1985 has addressed many of his paintings to the subject of AIDS- both documenting it as a historical phenomenon and commemorating specific individuals who have died. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Bio sourced from the Archives of askArt. Sources include: Ross Bleckner's Mood Indigo by Lisa Liebmann, in ARTnews, May 1993...

"Descriptions I have heard or read of my work, most of which either delight or offend me, are: allegorical, apocalyptic, provocative, prophetic, dream-like, surreal, fantastic, weird, frightening, disturbing, demanding, despairing, disgusting, irrelevant, inspiring, old, new-old, fascinating, morbid, medieval, bizarre, cathartic, mystery-plays (I like that), and well drawn." - David Becker David Becker Day of the Painter graphite on paper 22h x 34w in 55.88h x 86.36w cm DB0017 David Becker Exhibitions 2017 Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2012 Eye Teeth Group Show, Paint Creek Center for the Arts, Rochester, MI 2011 Art Chicago 2011, Merchandise Mart, Chicago, IL 2010 Art Chicago 2010, Merchandise Mart, Chicago, IL 2009 David Becker Retrospective, Ann Nathan Gallery, Chicago, IL Art Chicago 2009, Merchandise Mart, Chicago, IL The 184th Annual Exhibition of Contemporary American Art, National Academy Museum, NYC Selections, Ann Nathan Gallery, Chicago, IL 2008 Art Chicago 2008, Represented by Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Unruly Muse, Ann Nathan Gallery, Chicago, IL SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2006 Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2005 SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago in the Park, Butler Field, Ann Nathan Gallery, Chicago, IL Ann Nathan Gallery, Chicago, IL Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2004 Contemporary Prints: National Academy Museum Collection, National Academy of Design, NYC Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange, Manning, Riddoch, & Ballart Gallery, Australia Return of the Men, Peltz Gallery, Milwaukee, WI 2003 Art Chicago 2003, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange Regional Gallery, New South Wales, Australia National Academy of Design 178th Annual Exhibition, NY, NY 2002 Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Art of the 20th Century, Ann Nathan Gallery, Park Ave. Armory, NY, NY Outsider Art Fair, The Puck Building @ Houston & Lafayette Sts., NYC Self and Other Portraits, Wisconsin Artists, Charles Allis Art Museum, Milwaukee, WI Return of the Men, Peltz Gallery, Milwaukee, WI 2001  Beyond the 50's, May 4 - July 1, Exhibit A, A Gallery of Art & Design, Birmingham, Michigan Outsider Art Fair, January 26-28, The Puck Building @ Houston & Lafayette Sts., NYC "FANTASTIC ART", April/May, Orange Regional Gallery, Orange NSW, Australia. David Becker: Etchings and Engravings, Ann Nathan Gallery, Chicago, solo exhibition of prints, February. 2000  Four person exhibition, Columbus State University, Columbus, Georgia, Oct. 31 - Nov. 27, 2000. 1999 National Academy 174th Annual Exhibition, NY University of Wisconsin-Madison Faculty, Elvehjem Museum of Art, Madison, WI Treasures Revealed: 19th and 20th Century American Works on Paper, National Academy, NY 1995 Bharat Bhavan International Biennial of Prints, Bhopal, India Contemporary Prints, Selections from John Szoke Gallery, NYC, Drew University, Madison, NJ Collection Update, 1994, National Academy of Design Museum, NY 1994 David Becker and Robert Sholties, Peconic Gallery, Suffolk Community College, Riverhead, NY In Black and White: Works by Four Printmakers, Atrium Gallery, University of Connecticut, Storrs Aesthetics of Athletics: Sports, Games, and Exercise, Charles A. Wustum Musem, Racine, WI GMI IX Award Winners, Art Center Gallery, Central Missouri State University, Warrensburg 1993 Take Home a Nude benefit auction, NY Academy of Art Graduate School Of Figurative Art, NY 1993 American Prints: Last Half 20th Century, Jane Haslem Gallery, Washingtion, DC Outstanding American Prints, Anderson Arts Center, Kenosha,WI National Academy of Design 168th Annual Exhibition, NY David Becker: Etchings, Davidson Galleries, Seattle, WA Portraits, Davidson Galleries, Seattle, WA 1992 The Print Fair, 7th Regiment Armory, NY 1991 166th Annual Exhibition, National Academy of Design, NY Alma College Collection, Detroit Institute of Arts, Detroit, Michigan Modes of Expression, Potsdam College, SUNY, Potsdam, NY 1990 With Nothing On, Prints and Drawings of the Nude, New Orleans Museum of Art, LA Prints by Printmakers, Staller Art Center, SUNY-Stonybrook, NY Publications/Reviews 2007 November 60 Years of North American Prints: 1947-2007, Boston U. Art Gallery, Boston, MA 2003 July 11 Isthmus, Madison, “Welcome to My Nightmare,” by Robert Cozzolino. 2001 March 14 The Wall Street Journal, "Time Off: A Week of Diversions." Review of Progressive Printmakers (LVM) exhibition. 2001 February Isthmus, Madison, "America's Printland," by Jennifer Smith. 2001 February Capital Times, "The Crowned Prints," by Kevin Lynch. 1999 July Progressive Printmakers: Wisconsin Artists & the Print Renaissance. 1995 – 1999 Who’s Who in America. 1993 Summer The Journal of the Print World, review. March 14 The New York Times, review. March 12 The Daily Oklahoman, review. 1990 Dec. 13 The Capital Times, review. April 28 The Washingtion Post, review. March 25 The New York Times, review. Summer The Journal of the Print World, review. Selected Collections - additional collections available on request Arkansas Arts Center Foundation, Little Rock, AR Art Institute of Chicago, Chicago, IL Brooklyn Museum, NYC Butler Institute of American Art, Youngstown, OH Detroit Institute of Art, Detroit, MI Elvehjem Museum of Art, U of Wisconsin-Madison Honolulu Academy of Arts, Honolulu, HI Library of Congress, Washington, DC Metropolitan Museum, Miami, FL Museo de Arte Moderno, Cali, Columbia National Academy, NY, NY National Museum of American Art, Washington, DC New York Public Library, NY Portland Art Museum, Portland, Oregon Rose Art Museum, Brandeis University, MA United States Information Agency, Prague, Czech. Alberta College of Art, Alberta, Canada Albion College, Albion, MI Alma College, Alma, MI Art Center, South Bend, IN AT&T Corporate HQ, Plainfield, NJ Boston Printmakers, Boston, MA Bradley University, Peoria, IL Columbia Green Community College, Hudson, NY Columbus State University, Columbus, GA Davidson College, Davidson, NC Dickinson College, Carlisle, PA Georgia State University – Atlanta Hope College, Holland, MI Hunterdon Art Center, Clinton, NJ Kansas State University, Manhattan, KS Madison Art Center, Madison, WI Marui Imai Inc., Sapporo, Japan Milwaukee Art Center, Milwaukee, WI Minot Art Association, Minot, ND North Carolina Print/Drawing Society, Charlotte, NC North Texas State University – Denton Ohio University – Athens Oklahoma Art Center, Oklahoma City, OK Oklahoma State University, OK Quad Graphics, Milwaukee, WI Silvermine Guild of Arts, New Canaan, CT Springfield College, Springfield, MA St. Lawrence University, Canton, NY State University of New York – Fredonia State University of New York – Potsdam Trenton State College, Trenton, NJ University of Arizona Museum of Art, Tucson, AZ University of Colorado-Boulder University of Dallas, TX University of Louisville, Louisville, KN University of Manitoba, Winnipeg, Canada University of North Dakota – Grand Forks University of South Dakota – Vermillion University of Tennessee – Knoxville West Chester State College, West Chester, PA Western Kentucky University – Bowling Green Private Collections Carla Leighton, New York, NY Marc Hauser, Chicago, IL Michael John Hofer, Chicago, IL Drs. Mark & Helene Connolly, River Forest, IL Jamie Kalikow, New York, NY Dianne & Jim Blanco, Chicago, IL Denise Roberge, Palm Desert, CA Tish & Philip Messinger, Creskill, NJ Brian Wesphal & Michael McVicker, Chicago, IL Ralph Privoznik, Lafayette, IN Candice Groot, Evanston, IL Shoemaker/Ruud Collection, Chicago, IL Braden Berkey and Robert Bartlett, Chicago, IL Bill and Karyn Silverstein, Highland Park, IL Steve Weitz, Lovettsville, VA Mary Allice Wimmer, Madison, WI Ann & Robert Avery...

"Dogpatch 2011" is an original graphite on paper drawing by Kevin Cyr. The piece ships ready-to-hang in the pictured wood frame and measures 12”h x 18”w. "In a culture in which pe...

"Caught" is an original oil pastel, ballpoint pen, and graphite on arches paper work by Lauren Rinaldi. This piece ships float-mounted in the pictured white frame. The paper measur...

"Faded" is an original oil pastel, ballpoint pen, and graphite on arches paper work by Lauren Rinaldi. This piece ships float-mounted in the pictured white frame. The paper measure...

Giorgia Oldano is a young Italian artist specialized in wildlife. She masters drawing and monotype. In order to construct her paintings, the artist travels a lot around Italy and the...

The loose brushstrokes and minimal graphite outline of this unknown female convey a sense of calmness. She is painted in muted browns and matted in a heavy mat measuring 16h x 14w inches. This artwork is unframed. Contact gallery for framing request. Eduardo Alvarado Lady Watercolor and pencil on paper 11.50h x 10.75w in 29.21h x 27.30w cm EDA009 EDUARDO ALVARADO b. Spain, 1972 EDUCATION 1990-95 Licenciado en BB AA La Facultad de BB AA de la UPV, Bilbao La Facultad de BB AA de San Fernando, Madrid SOLO EXHIBITIONS 2018 Casa del Libro, Logroño 2016 Casa de Cultura. Miranda de Ebro 2015 Casa de Cultura. Miranda de Ebro Galería Espiral, Noja 2014 Galerie d´Art Anne Broitman. Biarritz, France 2013 Galería de Arte-Centro Cultural (junto a Vesna Pavlovic). Novi Sad, Serbia Centro Cultural La Vidriera, Maliaño The Gallery of Contemporary Fine Arts (junto a Vesna Pavlovic). Nis, Serbia 2012 Gallery Seasons (junto a Vesna Pavlovic). Sofia, Bulgaria Gallery SKC (junto a Vesna Palovic). Belgrado, Serbia Manos para qué os quiero. Logroño Galería Espiral. Feria Internacional de Arte Contemporáneo, Santander Sala Asociación Artistas de Guipuzcoa (junto a Juan Carlos Cardesín), San Sebastian 2011 Galería Espiral, San Miguel de Meruelo Galería Jovan Popovic (junto a Vesna Pavlovic). Opovo, Serbia Galería Veciti Trkac (junto a Vesna Pavlovic). Nis, Serbia Exit Art Gallery (Fundación Adolfo Dominguez...

Sammy Lee Sleeping II Graphite on sketchbook paper, 2007 Signed by the artist in pencil lower right: "Sedrick Huckaby" (see photo) Condition: Excellent Sheet size: 9 x 12 inches Fram...

This is a framed original drawing. Humberto Ramirez was born in Guadalajara, México, 1982. Lives and works in Guadalajara. His recent work explores human behavior from primitive perspective...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

The female figure in Oliver Benson's "Lady of the Temple" is drawn in exquisite detail. This fine drawing is floated on a mat board and framed in a silver frame measuring 11h x 8.25...

A drawing using flour, ash, graphite, and chalk.

A drawing using flour, ash, graphite, and chalk.