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Charles Despiau
Nu (Standing Female Nude)

c. 1925

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Nu (Standing Female Nude)
By Charles Despiau
Located in Fairlawn, OH
Nu (Standing Female Nude) Red chalk on wove paper, c. 1925 Signed lower right: C Despaiu (see photo) Sheet size (folded format): 12 1/8 x 8 5/16 inches Condition: Very good Sheet fol...
Category

1920s Post-Impressionist Nude Drawings and Watercolors

Materials

Chalk

Reclining Female Nude Leaning on One Arm
By Paul Cadmus
Located in Fairlawn, OH
Reclining Female Nude Leaning on One Arm Colored chalks on grey Strathmore paper. c. 1975 Signed in pencil upper left: Cadmus (see photo) Provenance: Estate of the Artist ...
Category

1970s American Realist Nude Drawings and Watercolors

Materials

Chalk

Reclining Female Nude
By Henry George Keller
Located in Fairlawn, OH
Reclining Female Nude Charcoal and colored chalks with white highlights on tan laid paper, c. 1948 Signed and monogrammed by the artist lower right (see photo) A masterpiece dr...
Category

1940s American Modern Nude Drawings and Watercolors

Materials

Chalk

Untitled (Woman Removing Her Stockings)
By Everett Shinn
Located in Fairlawn, OH
Untitled (Woman Removing Her Stockings) Conte crayon on paper. c. 1905 Signed lower right: E Shinn Provenance: James Graham & Sons, New York (labels) Ronald C. Sloter, Columbus Colum...
Category

Early 1900s Ashcan School Nude Drawings and Watercolors

Materials

Conté

Woman Pulling on a Slip
By Everett Shinn
Located in Fairlawn, OH
Woman Pulling on a Slip Conte on paper, c. 1910 Signed lower right: "E. Shinn" (see photo of legs, signature on right) Provenance: Estate of the Artist (see label) Graham Gallery, N...
Category

1910s Ashcan School Nude Drawings and Watercolors

Materials

Conté

Study of a Seated Woman and Two Smaller Studies of the Same
By Henirich Schwemminger
Located in Fairlawn, OH
Study of a Seated Woman and Two Smaller Studies of the Same Unsigned Annotated: "Roma" (Rome) Black chalk heightened with white chalk on buff wove paper Sheet size: 11 x 8 1/2 inche...
Category

19th Century Academic Nude Drawings and Watercolors

Materials

Chalk

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Kneeling Nude, Study for The Maidens
Located in Maidenhead, GB
Bernard Fleetwood-Walker RA RWS (1893-1965) Kneeling Nude, Study for The Maidens, c. 1932 Graphite, chalk and wash on paper 46.1 x 18.6 cm.; (within frame) 57.2 x 33.2 cm. Provena...
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Henry Ottmann (1877-1927) Nude in the studio, drawing signed
By Henri Ottmann
Located in Paris, FR
Henry Ottmann (1877-1927) Nude in the studio signed lower right Charcoal on paper 37.5 x 31.5 cm In good condition In a modern frame : 53 x 46.5 cm Published under n°414 of the artist's catalogue raisonné (p 167 reproduced) published by Bernard Toublanc-Michel, Paris 2020 This drawing is a particularly interesting and touching example of Henry Ottmann's art. It shows his special technique, which gives priority to a kind of blur, and in this case it serves very well this scene of intimacy as if captured by stealth. Henry Ottmann was born on 10 April 1877 in Ancenis. He made his debut at the Salon La Libre Esthétique in Brussels in 1904 and took part in the Salon des Indépendants in Paris from 1905, the Salon d'Automne, the Salon de la Société Nationale des Beaux-Arts and the Salon des Tuileries. In 1911 and 1912, Ottmann exhibited at the Artistes de la Société Moderne at the Gallery Paul Durand...
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Berthomme Saint-André, The Nap, Watercolor, 1925
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Watercolor by Louis Berthommé Saint-André, France, circa 1925 This exquisite watercolor by Louis Berthommé Saint-André, dating from around 1925, exemplifies the artist's mastery in ...
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"Reclining Nude"
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Here is a pastel on paper work of art by the American artist, Gabriel Humberto Mayorga. Signed and dated lower left 1971. Wrinkling to paper and mild fading due to age. The piece ha...
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Study for “L’Acropole”
By Paul Delvaux
Located in New Orleans, LA
Paul Delvaux 1897-1994 Belgian Study for “L’Acropole” Signed and dated "P.Delvaux 1965" (lower right) Watercolor, pen and ink on paper This preliminary drawing for Paul Delvaux’s greatest masterpiece L’Acropole, which resides today in the Centre Pompidou in Paris, features the artist’s most beloved subject — mystical scenes of nude women. A centrally-placed, stoic woman draped in a long green gown stands with her arms outstretched by her sides. She gazes at another idealized woman in the foreground, lying nude on a chaise lounge, while behind her, multitudes of other women in white dresses undertake a long procession towards a distant door. The captivating scene exudes the unique Surrealist style for which the artist has become known. With this skillful rendering of the surreal setting, Delvaux has mastered depicting nude women in a sensual yet non-erotic manner. The artist drew inspiration from a variety of sources, including the futuristic writings of Jules Verne and the mythos of Homer, and blended them with his subconscious themes, which frequently included the nude female form. In combination with the loose concepts of form and perspective found in the 16th-century Mannerist paintings that Delvaux studied in Italy before World War II, his distinctive style served to create memorable dreamscapes without veering into lewdness. Like the very best Surrealist images, the work is both innovative and engaging. Paul Delvaux's earliest and most lasting influences in his art were the futuristic writings of Jules Verne and the mythos of Homer. After completing his initial artistic training at the Académie Royale des Beaux-Arts in Brussels, Delvaux exhibited with Surrealists Dalí...
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