Janet Lippincott

"NUDE" INK DRAWING SANTA FE NUDE

CIRCA 1960

Helen Slimp (1890 - 1995) San Antonio Artist Image Size: 24 x 17 Frame Size: 30 x 24 Medium: Pencil Drawing Date: 1932 "Seated" Nude Biography Helen Slimp (1890 - 1995) A Virginia native, Helen Ferne Slimp was a lifelong artist, who worked in oils, lithography, stained glass and china painting. She was a friend of Mount Rushmore sculptor Gutzam Borglum and art patron Marion Koogler McNay, painted alongside the Onderdonks and was a teacher to Porfirio Salinas. “She liked that modern stuff,” Slimp said of McNay in the Express-News in 1990, on her 100th birthday. “I never cared for it myself. I thought an apple should look like an apple.”Chester Slimp died in 1965, but Helen Slimp lived to be 105, dying Oct. 29, 2005. Helen Ferne Slimp's instructors were a "Who's Who" of American artists including Randall Davey, Ernest Lawson, Fremont Ellis, Gerald Cassidy, Harry Anthony De Young, and Jose Arpa. Please view my store front for other Great Vintage Texas Paintings...

Helen Slimp (1890 - 1995) San Antonio Artist Image Size: 24 x 17 Frame Size: 30 x 24 Medium: Pencil Drawing 1931 "Bather" Nude Biography Helen Slimp (1890 - 1995) A Virginia native, Helen Ferne Slimp was a lifelong artist, who worked in oils, lithography, stained glass and china painting. She was a friend of Mount Rushmore sculptor Gutzam Borglum and art patron Marion Koogler McNay, painted alongside the Onderdonks and was a teacher to Porfirio Salinas. “She liked that modern stuff,” Slimp said of McNay in the Express-News in 1990, on her 100th birthday. “I never cared for it myself. I thought an apple should look like an apple.”Chester Slimp died in 1965, but Helen Slimp lived to be 105, dying Oct. 29, 2005. Helen Ferne Slimp's instructors were a "Who's Who" of American artists including Randall Davey, Ernest Lawson, Fremont Ellis, Gerald Cassidy, Harry Anthony De Young, and Jose Arpa. Please view my store front for other Great Vintage Texas Paintings...

Margaret Flowers San Antonio Artist Image Size: 9.75 x 13 Frame Size: 14 x 17.5 Medium: Watercolor and Ink "Coastline" Margaret Flowers Study Art Pottery under Harding Black. Painte...

Margaret Putnam (1913-1989) San Antonio Artist Image Size: 11.5 x 11.5 Frame Size: 14 x 14 Medium: Batik "Hymn to the Red Moon" Margaret Putnam (1913-1989) Margaret Putnam left an ar...

A very eye catching and fun abstract of two nude figures by the Modern British artist Roger Hilton. Roger Hilton CBE (1911–1975) was a pioneer of abstract art in post-Second World War Britain. Often associated with the 'middle generation' of St Ives painters – Terry Frost, Patrick Heron, Peter Lanyon & Bryan Wynter...

A very eye catching and fun abstract of two nude figures by the Modern British artist Roger Hilton. Roger Hilton CBE (1911–1975) was a pioneer of abstract art in post-Second World War Britain. Often associated with the 'middle generation' of St Ives painters – Terry Frost, Patrick Heron, Peter Lanyon & Bryan Wynter...

Born in Barranquilla, Colombia in 1923, Knox Martin moved with his family to New York City in 1927. He attended The Art Students League of New York from 1946 to 1950 under the GI Bil...

Ink on paper, signed and dated '34 lower left Image size: 9 3/4 x 15 inches (24.75 x 24.5 cm) Mounted and framed A unique drawing, this work is typical of Brodzky's early nudes with its economy in the use of the line and the seemingly relaxed, informal pose of the model. The spontaneous feel of many of Brodsky's drawings does in a way indicate that the works, such as the present drawing, are purely sketches and studies. In fact, Brodsky was known for making perhaps twenty or thirty drawings at a sitting and of those he preserved perhaps only a handful, only those that 'pass his rigorous censorship sum up qualities resulting from the perfect collaboration of hand and eye and sensibility' (Forty Drawings by Horace Brodsky, by James Laver, 1935, p.15). Laver continued to write that 'Brodsky preferred a pose that showed the body from an unexpected angle, daringly foreshortened or with the weight of the various parts freed from the monotony of the standing pose. He liked to see his models from above, the limbs relaxed, and.... he made many of his drawings from a step-ladder drawn up close to the platform on which the model is lying'. Horace Brodsky Horace Ascher Brodzky (30 January 1885 – 11 February 1969) was an Australian-born artist and writer most of whose work was created in London and New York. His work included paintings, drawings and linocuts, of which he was an early pioneer. An associate in his early career of many leading artists working in Britain of his period, including Henri Gaudier-Brzeska, Mark Gertler, and members of the Vorticism movement, he ended his life relatively neglected. Brodzky was born in Kew, Melbourne in 1885 to the Australian journalist Maurice Brodzky (a Jewish immigrant to Australia from Poland), and his wife Flora, née Leon. In his youth he assisted his father in the production of the magazine Table Talk. Brodzky studied initially at the National Gallery School in Melbourne. In 1904 his father was bankrupted after exposing corruption, and Horace moved with his family to San Francisco. In 1908, Brodzky went to London where he studied during 1911 at the City and Guilds South London Technical Art School. He became an acquaintance and follower of Walter Sickert. Amongst his friends was Henri Gaudier-Brzeska who created in 1913 a portrait bust of Brodzky (now in the Tate Gallery, London), and whose biography he wrote in 1933. Brodzky is said to have been so engrossed in talk when he visited Gaudier-Brzeska's studio in the King's Road, that he missed the last bus to Herne Hill where he lived. Brodzky travelled to Italy with the poet John Gould Fletcher and this led to his first London exhibition, "Paintings and Sketches of Italian and Sicilian Scenes" (c. 1911), of which one painting was selected for the 1912 Venice Biennale. He was in fact the first Australian to be exhibited at the Biennale. In 1914 his work was exhibited along with that of other Jewish artists, including Mark Gertler and David Bomberg, in the Whitechapel Gallery. Brodzky became a member of The London Group. During this period he was a pioneer of the technique of linocut, in which medium he has been said to have "excelled". His early oils reveal the influence of both Gertler and Bomberg. Among his works of this period are portraits of Jacob Epstein and Jacob Kramer. In 1915 Brodzky moved to New York, with an introduction to the art patron John Quinn. There he worked as a poster artist and an arts journalist, and in 1917 helped Quinn organize a New York exhibition of Vorticist artists. In 1919 he married Bertha Greenfield; they were to have three sons. In 1920 Egmont Arens...