Illustration Board Nude Drawings and Watercolors
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Medium: Illustration Board
'Nymph with a Centaur', French School, Academic, Greek Mythological Grisaille
Located in Santa Cruz, CA
An exceptionally fine, brush and wash, mythological figural study showing a centaur interrupting the playing of his pan pipes to cast a speculative eye towards a dancing nymph. Datin...
Category
Early 1900s Academic Illustration Board Nude Drawings and Watercolors
Materials
Paper, Watercolor, Illustration Board
Ecstasy-02
By Yuroz
Located in Los Angeles, CA
Yuroz Exclusive Studios (YES) is introducing an exciting new collection called "Icono" on 1stDibs, The collection consists of original drawing studies that will later serve as the ba...
Category
21st Century and Contemporary Contemporary Illustration Board Nude Drawings and Watercolors
Materials
Gold Leaf
Reclining Nude-01
By Yuroz
Located in Los Angeles, CA
Yuroz Exclusive Studios (YES) is introducing an exciting new collection called "Icono" on 1stDibs, The collection consists of original drawing studies that will later serve as the ba...
Category
21st Century and Contemporary Contemporary Illustration Board Nude Drawings and Watercolors
Materials
Gold Leaf
Ecstasy-01
By Yuroz
Located in Los Angeles, CA
Yuroz Exclusive Studios (YES) is introducing an exciting new collection called "Icono" on 1stDibs, The collection consists of original drawing studies that will later serve as the ba...
Category
21st Century and Contemporary Contemporary Illustration Board Nude Drawings and Watercolors
Materials
Gold Leaf
Reclining Nude -03
By Yuroz
Located in Los Angeles, CA
Yuroz Exclusive Studios (YES) is introducing an exciting new collection called "Icono" on 1stDibs, The collection consists of original drawing studies that will later serve as the ba...
Category
21st Century and Contemporary Contemporary Illustration Board Nude Drawings and Watercolors
Materials
Gold Leaf
Reclining Nude-02
By Yuroz
Located in Los Angeles, CA
Yuroz Exclusive Studios (YES) is introducing an exciting new collection called "Icono" on 1stDibs, The collection consists of original drawing studies that will later serve as the ba...
Category
21st Century and Contemporary Contemporary Illustration Board Nude Drawings and Watercolors
Materials
Gold Leaf
Exploding Nude Orgasm, Original Illustration for Oui Magazine by Dennis Magdich
Located in Long Island City, NY
Dennis Magdich is one of America's leading illustrators and artists. His work has been published around the world in PLAYBOY and OUI magazines since 1975....
Category
1970s Pop Art Illustration Board Nude Drawings and Watercolors
Materials
Gouache, Illustration Board
Athletic Nude Model in Repose
Located in New York, NY
Athletic Nude Model in Repose
1962
Initialed and dated, l.r.
Black ink on British Scraper Board
12 x 19.5 inches (30.5 x 49.5 cm)
This work is offered by ClampArt in New York City.
Category
20th Century Contemporary Illustration Board Nude Drawings and Watercolors
Materials
Illustration Board, Ink
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H 19.3 in W 12.6 in D 0.08 in
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'Erika in Gesture I, ' by James Cobb, Drawing
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Dusk from the Tomb of Lorenzo di Piero de'Medici - Original Ink Drawing
Located in Chicago, IL
This particular drawing is a study of the sculpture at the Medici Chapel in Florence, Italy. The artist creates a true to life representation of the sculpture in question by incorporating techniques of classical academic drawing such as cross hatching and gesture based mark making in order to create volumes and give the study an overall three-dimensionality.
Christopher Ganz
Dusk from the Tomb of Lorenzo di Piero de'Medici, by Michaelangelo, in Florence
Ballpoint pen
24h x 13w in
61h x 33.29w cm
CG0064
-ARTIST STATEMENT-
I depict my person in multiplicity with different selves representing dramatis
personae. My likeness is both implicit and symbolic in the portrayal of my
narrative; the drama involved in creating art and the artist’s role in society. I
use realism to invite the viewer into mysterious inner worlds that are layered
reflections of the outer. Dehumanizing environments are imbued with art
historical references as a critique of power structures. The artist is an
Everyman who is at odds with society and his self.
Visually my work is a celebration of society’s dark undercurrents and its
overlooked absurdities. I use charcoal and printmaking media as their
tenebrous values add a fitting metaphor. The nuances of light and shadow
seduce viewers into a world their better judgment would have them avoid.
This provokes a sense of disquietude that causes viewers to assess our world
through the austerity of a colorless, yet not humorless, light.
-BIO-
Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation.
-CV-
EDUCATION
MFA 2001 Printmaking Indiana University-Bloomington
BFA 1995 Drawing and Printmaking University of Missouri-Columbia
TEACHING/PROFESSIONAL EXPERIENCE
2002-13 Associate Professor, Printmaking and Drawing
Indiana University–Purdue University Fort Wayne (IPFW), Fort Wayne, IN
2002 Adjunct Professor: Lithography (instructor of record)
Indiana University-Bloomington
1998-00 Associate Instructor: Beginning Drawing (instructor of record)
Indiana University-Bloomington
1998 Artist’s Assistant, Assisted Distinguished Professor Emeritus Rudy Pozzatti in
the production of an intaglio edition, Bloomington, IN
SOLO OR SMALL GROUP EXHIBITIONS
2013 Multiplicities: Drawings and Prints by Christopher Ganz, Franklin College, Franklin, IN
Feb. 5 – Feb. 21
2012 Dramatis Personae: Drawings and Prints by Christopher Ganz,
University of South Carolina-Columbia, Jan 16. – Feb. 16, 2012
2011 Christopher Ganz; Prints and Drawing
Hendrix College, Hendrix, Arkansas, March 5 - 18
2009 Fall Season Exhibition, six drawings displayed
Ann Nathan Gallery, Chicago. Oct 16 – Nov. 24
South Bend Museum of Art Biennial 25 - regional juried exhibition for artists in all media,
six large drawings displayed; 14 artists selected from over 200 submissions; May 30-Aug. 23
Juror: William Lieberman, Director of Zolla/Lieberman Gallery, Chicago
2007 Christopher Ganz: Drawings, The Carnegie Visual and Performing Arts Center
Covington, KY, March 9 - April 6
Alter Egos: Drawings and Prints by Christopher Ganz
Trisolini Gallery, Ohio University, Athens, OH, Jan. 9 - Feb.17
2005 The Two-Way Mirror: Self - Portraits by Christopher Ganz
Fort Wayne Museum of Art, Fort Wayne, IN, Aug.20 - Oct. 23
2004 Works on Paper: Christopher Ganz and Paul Schumann
Robert E. Wilson Gallery, Huntington College, Huntington, IN, Sept. 2 - 25
2002 Images by Christopher Ganz - Visual Arts Gallery
Indiana University-Purdue University Fort Wayne, Fort Wayne, IN, Sept. 3 – Oct. 11
2001 M.F.A. Thesis Exhibition - School of Fine Arts Gallery
Indiana University, Bloomington, IN, March 27 - April 7
SELECTED ADJUDICATED OR INVITATIONAL GROUP EXHIBITIONS
2012
International Expositions of Sculpture Objects and Functional Art (SOFA) Chicago, Drawing,
“The Initiation” on display in Ann Nathan Gallery space, Nov. 2-4
Reverse Watching, Invitational Print Portfolio
Monoprint, “The Mind’s Eye" displayed at Mid America Print Council’s National
Conference, Southeast Missouri State, Cape Girardeau, MO, Nov. 1 – 3
Contemporary American Realism: Fort Wayne Museum of Art 2012 National
Biennial, Fort Wayne, IN, Aug.11-Oct. 28
32nd Annual National Print Exhibition at Artlink - National Juried Exhibition
Artlink Gallery, Fort Wayne, IN, April 13 – May 23
Juror: Ladislav Hanka, internationally exhibiting printmaker
International Expositions of Sculpture Objects and Functional Art (SOFA) New York, Park
Avenue Armory, Drawing, “The Enigma” on display in Ann Nathan Gallery space, April
20-23
Spring Group Show, drawings, “Checking Out” and “The Enigma” displayed, April – May 2
Ann Nathan Gallery, Chicago
2011
Prints U.S.A. 2011 – National Juried Exhibition
Springfield Art Museum, Missouri, Nov. 18 – Jan. 8
Juror: Elizabeth Wyckoff, Curator of Prints, Drawings & Photographs, St. Louis Art Museum
International expositions of Sculpture Objects and Functional Art (SOFA) New York,
Park Avenue Armory, Drawing, Checking Out on display in Ann Nathan Gallery
space, April 14-17
2010
Contemporary American Realism: Fort Wayne Museum of Art 2010 National
Biennial, Fort Wayne, IN, Sept. 3 – Nov. 7; two pieces accepted
Cultural Baggage, Invitational Print Portfolio
Intaglio print, Super-Heroes go to Hell, after Dore’ displayed at Mid America Print
Council’s National Conference, University of Minnesota Minneapolis, MN, Chicago, Oct.
13-16
Art Chicago: International Fair of Contemporary and Modern Art
Drawing, The Cyclops on display in Ann Nathan Gallery space, April 29 - May 2
30th Annual National Print Exhibition at Artlink - National Juried Exhibition
Artlink Gallery, Fort Wayne, IN, April 16 – May 26
Juror: Claudia Berlinski, Senior Lecturer of Printmaking at Akron University, Akron, OH
2009
Are you looking at me? Invitational Print Portfolio
Color lithograph, Open and Shut, displayed at IMPACT 6: International Print Conference
Centre for Fine Print Research, University of the West of England, Bristol, Sept. 16 – 19
Art Chicago: International Fair of Contemporary and Modern Art
Drawing, Self-Checkout on display in Ann Nathan Gallery space, May 1 – 4
Identification Please, Invitational Print Portfolio
Intaglio print, Good Cop/Bad Cop displayed at Southern Graphics Council National
Conference, Columbia College, Chicago, March 25 – 29
Boston Printmakers 2009 North American Print Biennial – National juried
printmaking exhibition
Juror: Rebecca Waddell, Curator of Prints at the New York Public Library
Boston University’s 808 Gallery, Boston, MA, Feb. 15 – March 30
22nd Parkside National Small Print Exhibition - National Juried Exhibition
University of Wisconsin-Parkside, Kenosha, WI, Jan.18 - Feb. 19
Juror: Professor of printmaking at the University of Wisconsin - Parkside
Portraits and Beyond, Ann Nathan Galley, Chicago, IL, Jan. 9 - Feb 19 2008 Contemporary American Realism: Fort Wayne Museum of Art 2008 National
Biennial, Fort Wayne, IN, Sept13 – Nov. 2; two pieces accepted
28th Annual National Print Exhibition at Artlink - National Juried Exhibition
2008
Artlink Gallery, Fort Wayne, IN, April 11 – May 21
Juror: Mark Pascale, Printmaking Faculty, School of the Art Institute of Chicago and
Curator of Prints and Drawing, Art Institute of Chicago
“No Danger” - Invitational Portfolio
Folded paper airplane lithograph, “The Dream of Flight” displayed at Richmond
International Airport as part of the Southern Graphics Council National Conference
Virginia Commonwealth University, Richmond, VA, March 26 – April 26
21st Parkside National Small Print Exhibition - National Juried Exhibition
University of Wisconsin-Parkside, Kenosha, WI, Jan.20 - Feb. 21
Juror: Karla Hackenmiller, Printmaking Chair and Associate Professor, School of Fine
Arts, Ohio University
2007
Singularities – Invitational group exhibit
Joan Resnikoff Gallery, Roxbury Community College, Boston, MA
Nov. 2 – Dec. 17
Hong Kong Graphics Art Festival 2007: Crossing Boundaries - Invitational
international printmaking exchange exhibition
School of Design Gallery, Hong Kong Polytechnic University, Kowloon, Hong Kong,
China, Nov. 1 – Nov. 16
27th Annual National Print Exhibition at Artlink - National Juried Exhibition
Artlink Gallery, Fort Wayne, IN, May 26 - July 5; two pieces accepted
Award Selector: Brett Colley, Assistant Professor of Art and Design, Grand Valley
State University
Boston Printmakers 2007 North American Print Biennial – National juried
printmaking exhibition
Boston University’s 808 Gallery, Boston, MA, Feb. 18 - April 1
Juror: Judith B. Hecker, Assistant Curator, Department of Prints and Illustrated Books,
The Museum of Modern Art, New York
2006
The Printed Image: The First Biennial Midwestern Graphics Juried Exhibition
National Juried Printmaking Exhibition
Alice C. Sabatini Gallery, Topeka & Shawnee County Public Library, Topeka, KS
Aug. 11 - Sept 15
Juror: Karen Kunc, Professor of Printmaking/Book Arts, University of Nebraska- Lincoln
2006 National Contemporary American Realism: Fort Wayne Museum of Art's 2006
Biennial, Fort Wayne, IN, June 10 - Aug. 20; two pieces accepted
26th Annual National Print Exhibition at Artlink - National Juried Exhibition
Artlink Gallery, Fort Wayne, IN, May 26 - July 5; two pieces accepted
Award Selector: Carolyn Autry, artist and Associate Professor of Art and Art History
at the University of Toledo
19th University of Dallas Print Invitational - Traveling national invitational exhibition
Haggerty Gallery, University of Dallas, Irving TX, Jan. 28 – March 6 three pieces accepted
Texas A&M University – Corpus Christi, TX, Feb. 1 – March 9, 2007
Juror: Juergen Strunck...
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21st Century and Contemporary Academic Illustration Board Nude Drawings and Watercolors
Materials
Pen, Paper
H 24 in W 13.5 in D 1 in
Resting Man (Man relaxes draped only in a small towel)
Located in New Orleans, LA
A rare pencil drawing by John Lear created in 1937, signed and dated in pencil.
John Brock Lear, Jr.
Born: 1910 - Chestnut Hill, Pennsylvania
Died: ...
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1930s Academic Illustration Board Nude Drawings and Watercolors
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Pencil, Graphite
La femme préhistorique (Prehistoric Woman)
Located in New Orleans, LA
James Tissot was among the most successful and critically acclaimed artists of the Victorian era. Although the artist is celebrated for his elegant scenes of fashionable life in Paris and London, this work is a fascinating rarity within his oeuvre. In this monumental pastel, Tissot depicts a prehistoric woman draped in a tiger skin, presented with a striking pose and heroic air. His delicate portraiture, combined with his fascination with conveying texture, demonstrates why he was one of the most revered artists of his generation, and La femme préhistorique illustrates the remarkable technique for which he was renowned.
This work was completed in preparation for a series of works exploring the Old Testament undertaken by Tissot from 1899-1902 that remained unfinished at the time of his death. A portion of this series focused on illustrations of Adam and Eve, and among these sketches were images of a nude Eve partially draped in animal furs. Towards the end of his life, following his conversion to Catholicism, biblical subjects became important to the artist. A few years before this work was completed, Tissot embarked upon a highly ambitious group of nearly 300 watercolors illustrating the New Testament, presenting the illustrated epic in its entirety at the Paris Salon of 1894. Both of these series were a critical artistic departure for the artist, stemming from a desire to create works separated from his typical images of modern society.
This pastel imagines Eve as the prototype of womanhood in the guise of a prehistoric woman. Tissot rarely painted the nude, and his skill as a draftsman highlights the figure's natural beauty, contrasting it with the stark landscape surrounding her. Although a study, this monumental work is incredibly well-finished and highly engaging, with the statuesque model commanding the majority of the canvas. Her pose is strong and theatrical, and she addresses the viewer with a direct, confident gaze.
The imagined historical subject of this drawing is grounded by Tissot’s exceptional attention to detail. A master of conjuring an array of textures, Tissot showcased this ability in this work by juxtaposing many types of fabrics and natural elements within one composition. The tiger skin with which the woman partially covers herself was a favorite studio prop of Tissot’s, appearing in many of his most influential works from the period, including several paintings of his partner and favorite model Kathleen Newton. It, in particular, showcases the artist’s understanding of texture, yet it also serves as an exotic element that elevates the sensuality of the scene when placed against the woman’s bare skin.
Born in 1836 in the port town of Nantes, Tissot traveled to Paris at the age of 20 in order to join the studios of Hippolyte Flandrin and Louis Lamothe. During this period, he became close with James Abbott McNeill Whistler, Edgar Degas and Edouard Manet, and the impact of these friendships is reflected in his portraits of modern life. Having enjoyed considerable success in Paris during the 1860s, Tissot fought in the Siege of Paris, and after the fall of the Commune in 1871, he went to London, where he stayed for the next ten years. He was met with incredible success there, and he also met the love of his life, Kathleen Newton, a divorcée, with whom he lived from about 1876 until her death in 1882. Today he is regarded among the great masters of Belle Époque painting, and his works can be found in important collections worldwide, including the Metropolitan Museum of Art, the Brooklyn Museum, the National Gallery of Art, the Musée d’Orsay, the Tate Gallery and many others.
This pastel remained in Tissot's private collection until his death in 1902 and is referenced in the posthumous 1902-3 valuation of Tissot's home at 64 avenue du Bois...
Category
Early 20th Century Academic Illustration Board Nude Drawings and Watercolors
Materials
Laid Paper, Canvas, Oil Pastel, Pastel
H 99.88 in W 42.13 in
1980 Fauno e Ninfa Faun and Nymph Pencil on Paper Figurative Drawing
Located in Brescia, IT
This delicate drawing of the dance between a Faun and the Nimph, looks following the Jean Cocteau clean line drawings.
We can see in this scene, the grace and simplicity of the Neoc...
Category
1980s Academic Illustration Board Nude Drawings and Watercolors
Materials
Paper
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H 9.45 in W 13 in D 0.79 in
Untitled IV, Nude drawing on paper
Located in Miami Beach, FL
Untitled IV, 1992 by Enrique Grau
Graphite on ight cardboard
Image size: 17 in H x 14 in W
Signed and dated in the top right corner. Great condition with flaws. Provenance: Private ...
Category
1980s Modern Illustration Board Nude Drawings and Watercolors
Materials
Cardboard, Graphite
Untitled: Women in Bath
Located in New York, NY
Unknown/Unidentified Artist, "Untitled: Women In Bath", Signed Figurative/ Nude Watercolor, Charcoal (Mixed Media) Painting on Paper, 14 x 17, Late 20th Century, 1967
Colors: Black,...
Category
Late 20th Century Academic Illustration Board Nude Drawings and Watercolors
Materials
Charcoal, Paper, Mixed Media, Watercolor
Illustration Board nude drawings and watercolors for sale on 1stDibs.
Find a wide variety of authentic Illustration Board nude drawings and watercolors available on 1stDibs. There are many well-known artists whose body of work includes ceramic sculptures. Frequently made by artists working in the Contemporary, Pop Art, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Illustration Board nude drawings and watercolors, so small editions measuring 4.5 inches across are also available Prices for nude drawings and watercolors made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $350 and tops out at $18,118, while the average work can sell for $2,950.
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