Rice Paper Nude Drawings and Watercolors

The loose style of this drawing comes together quickly to convey the relaxed state of this nude female. The pastel accents bring a beautiful warmth to this drawing. Christopher Ganz Woman at Rest, 2013 pastel and charcoal on green paper 23h x 18w in 58.42h x 45.72w cm CG0062 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...

A black and white figure study of a nude male, from 1951, by artist Harold Haydon. Matted to 24" x 20". Provenance: Estate of the Artist. Estate stamped on reverse. Harold Emers...

A black and white figure study of a nude male, from 1951, by artist Harold Haydon. Matted to 24" x 20". Provenance: Estate of the Artist. Estate stamped on reverse. Harold Emers...

Genre: German Expressionist Subject: Three Noble figures, Noblesse Medium: etching, watercolor paint (I have seen this described as an aquatint and have seen this without color, so i am assuming it is watercolor paint applied to it) Surface: Paper Circa 1920's This is hand signed lower right. the edition is 7/100 Mat measures 15 X 11. window opening about 7 x 7 Julius Mordecai Pincas (March 31, 1885 – June 5, 1930), known as Pascin Jules Pascin, or the "Prince of Montparnasse", was a Bulgarian artist known for his paintings and drawings. He later became an American citizen. His most frequent subject was women, depicted in casual poses, usually nude or partly dressed. Pascin was educated in Vienna and Munich. He traveled for a time in the United States, spending most of his time in the South. He is best known as a Parisian painter, who associated with the artistic circles of Montparnasse, and was one of the emigres of the School of Paris. Having struggled with depression and alcoholism, he committed suicide at the age of 45. Julius Mordecai Pincas was born in Vidin, Bulgaria, the eighth of eleven children, to the Sephardic Jewish family of a grain merchant named Marcus Pincas. Originally from Ruse, the Pincas family was one of the wealthiest in Vidin; they bought and exported corn, rice, maize and sunflower. His mother, Sofie (Sophie) Pincas, belonged to a Sephardic family, Russo, which had moved from Trieste to Zemun, where she and her husband lived before moving to Vidin and where their older children were born. The family spoke Ladino Judaeo-Spanish at home. In 1892, he moved with his parents to Bucharest, where his father opened a grain company, "Marcus Pincas & Co". Pascin worked briefly for his father’s firm at the age of fifteen, but also frequented a local brothel where he made his earliest drawings. His first artistic training was in Vienna in 1902 at age seventeen. In 1903 he relocated to Munich, where he studied at Moritz Heymann's academy. He studied briefly in Berlin where he befriended the Dada artist George Grosz. In 1905 he began contributing drawings to Simplicissimus, a satirical magazine published in Munich. Some portraits recall Otto Dix and Balthus. Because his father objected to the family name being associated with these drawings, the 20-year-old artist adopted the pseudonym Pascin (an anagram of Pincas). He continued to contribute drawings to a Munich daily until 1929. In December 1905, Pascin moved to Paris becoming part of the great migration of Jewish and Eastern European artists to that city (Marc Chagall. Chaim Soutine and Modigliani amongst others) at the start of the 20th century. In 1907 he met Hermine Lionette Cartan David, also a painter, and they became lovers. In that same year he had his first solo exhibition at Paul Cassirer Gallery in Berlin. Despite his social life, Pascin created thousands of watercolors and sketches, plus drawings and caricatures that he sold to various newspapers and magazines. He exhibited his works in commercial galleries and in the Salon d’Automne, the Salon des Indépendants, and the exhibitions of the Berlin Secession and at the Sonderbund-Aussstellung in Cologne. Between 1905 and 1914 he exhibited drawings, watercolors, and prints, but rarely paintings. It was not until about 1907–1909 that he produced his first paintings, which were portraits and nudes in a style influenced by Fauvism and Cézanne. He wanted to become a serious painter, but in time he became deeply depressed over his inability to achieve critical success with his efforts. Dissatisfied with his slow progress in the new medium, he studied the art of drawing at the Académie Colarossi, and painted copies after the masters in the Louvre. He exhibited in the United States for the first time in 1913, when twelve of his works were shown at the Armory Show in New York. Pascin relocated to London at the outbreak of World War I to avoid service in the Bulgarian army and left for the United States on October 3, 1914. A few weeks later on October 31, Hermine David sailed for the United States to join him. Pascin and David lived in the United States from 1914 to 1920, sitting out World War I. They visited New York City, where David had an exhibit. Pascin frequented nightclubs, and met artists such as Yasuo Kuniyoshi and Guy Pene du Bois, but most of his time in America was spent traveling throughout the South. He also visited Cuba. He made many drawings of street life in Charleston, New Orleans, and other places he visited. Some of his works of 1915 and 1916 are in a Cubist style, which he soon abandoned. In 1918 Pascin married Hermine David at City Hall in New York City. Their witnesses were Max Weber and Maurice Sterne, friends and painters who both lived in New York. In September 1920, Pascin became a naturalized United States citizen, with support from Alfred Stieglitz and Maurice Sterne, but returned to Paris soon afterward. There he began a relationship with Lucy Vidil Krohg, who had been his lover ten years earlier but had married the Norwegian painter Per Krohg...

Pencil, coloured pencil and chalk on paper, titled (lower left), signed (lower right), 31cm x 46cm, (51cm x 68cm framed). John Koch was an American painter and teacher, and an impo...

Judith Brenner Sophie Dancing 2 Original Nude Drawing Mixed Media on Paper Sheet Size: H 84.1cm x W 59.4cm x D 0.1cm Sold Unframed (Please note that in situ images are purely an indi...

"Woman Figure" is an original erotic ink and watercolor drawing on ivory-colored paper, glued on white paper, realized by Anonymous Artist of the XX Century. In excellent condition...

Watercolour, signed and dated (lower right), 76cm x 56cm, (93cm x 69cm framed). Daniel Barkley is known for his nude figurative work alluding to myths, legends and art history, whi...

Provenance: Hinckley & Brohel Gallery Jonathan Shahn, Born 1938 has been making sculpture, drawings and prints of the human figure since the early 1960s. He teaches at the Art Studen...

Joseph Delaney Nude with Hand on Hip Leaning Against Chair, circa 1935 Signed lower right Watercolor on paper Sight 12 x 8 inches Provenance: Sacks Fine Art, New York Private Collection, New York African-American artist Joseph Delaney was a folk-expressionist painter who loved New York City, both as a subject for painting and the spectacle and experience of ever-changing life and vitality. Of the city, he said: "The curtain goes up on the stage of life every time we walk into the street. In spite of New York's being the most congested city I have been in, and know about, by and large, it's just people on the move. I have enjoyed more than I can say seeing people and hearing them speak about things they love and enjoy." Delaney, the son of a Methodist minister, was born in Knoxville, Tennessee, in 1904, the ninth of ten children. It was in church that Delaney and his older brother, Beauford, began to express their art talent by drawing on Sunday School cards. He attended school there, leaving the Knoxville Colored High School at the end of the ninth grade. The next few years were spent doing odd jobs around town (caddy at the Cherokee Country Club, bell hop at the Farragut Hotel) until leaving for Chicago around 1924, where he served three years with the National Guard. He returned to Knoxville in 1929, selling insurance and helping found the city's first black Boy Scout unit. In 1930, Delaney went to New York City, studying at the Art Students League with Thomas Hart Benton, George Bridgman and Alexander Brooke. Other students there at the time included Jackson Pollock, Henry Stair, and Bruce Mitchell. In 1932, he exhibited in the first Washington Square Outdoor Art Show. He would continue to do so for the next forty years, working as a sketch artist there, drawing such celebrities as Eartha Kitt, Arlene Francis, Eleanor Roosevelt, and Tallulah Bankhead. Delaney would spend fifty-six years living and painting in the area of lower Manhattan, SoHo and Union Square. From 1934-1940, Delaney worked for the WPA (Works' Progress Administration) on projects in New York City including the Index of Design for the Metropolitan Museum of Art, the Pier 72 mural, and the Story of the Recorded Word mural at the Public Library. He also taught at Harlem and Brooklyn settlement houses and the Art Students League while exhibiting his paintings in his studio, art galleries and other exhibitions. In 1942, Delaney received a Julius Rosenwald grant of $1200.00 to travel, sketch and later paint the Eastern seaboard. In 1964, he was a sketch artist for the New Orleans exhibit and later the Ghana exhibit at the New York City World's Fair. From 1978-1980, he worked for CETA, the Comprehensive Employment and Training Act, as an artist in residence at the Henry Street Settlement. In 1979, Delaney's brother, Beauford, died in Paris at St. Anne's Hospital, an insane asylum. Delaney paid over $6,000 to the French government for taxes, storage, and shipping, to have Beauford's art and personal effects shipped to the U.S. The University of Tennessee would figure strongly in Delaney's life. In 1970, the artist had an exhibition there, and his painting, "V-J Day, Times Square", was added to their collection. In 1986, the Ewing Gallery exhibited, "Joseph Delaney: A Retrospective," as part of the Homecoming '86 Festival. In that year, author Alex Haley...

"Woman Figure" is an original erotic ink and colored pastels drawing on ivory-colored paper, glued on white paper, realized by Anonymous Artist of the XX Century. In excellent cond...

Hand signed and titled. Matting included. Good conditions.