Paul Cadmus

Reclining Nude

Signed lower right: "Kainen".

Hugo Gellert (Hungarian-American, 1892-1985), Study for "The New Masses". Mary Ryan Gallery 4. Signed in ink lower left: "Hugo / Gellert"; inscribed in crayo...

Initialed lower right: "M.L.". Estate stamp verso, lower left: Lucille Deming Lewis Collection. Inscribed verso, lower left: "LDL-803". In fine condition.

Signed lower right: 'A.Brook '59'. Painted in Sag Harbor, Long Island in 1959. Adeline (Adaline) Glasheen was a writer. She was a friend of the artist and worked in literary circle...

Gammell Trust #W126. Signed and dated in pencil lower right: "R.H. Ives Gammell, Paris, 1917". This is a very early work and despite the fact that it is squared off for enlargement,...

Signed on base: "Hazel Brill Jackson". Also with artist's monogram. In fine condition. Hazel Brill Jackson (Born December 15, 1894, in Philadelphia) spent most of her early childhood in Italy. Attending the Scuola Rosatti in Florence, Jackson enjoyed afternoons at the zoo, pursuing her favorite pastime: drawing animals. World War I forced the return of the Jackson family to the United States where they settled in Boston. Hazel spent the next four years at the Boston Museum School, where she studied with Bela Pratt and Charles Grafly. Jackson returned to Rome after the war, where she worked with Angelo Zanelli and later had her own studio. With such works as Roman Work Horse and Ned (Mussolini's favorite jumper), she began to exhibit both in Rome and Florence, and eventually became a member of the Circolo Artistico di Roma. The sculptress returned to the United States in 1935 and opened a studio in Newburgh, New York. She continued to sculpt animals, concentrating on horse and dog portraits. Jackson had one-woman shows at the Guild of Boston Artists in 1938 and in 1968. In 1945, she was awarded the Ellin P. Speyer Prize by the National Academy of Design in New York City for Play-Day and Romance (a mare and foal group) and in 1949, she won the same prize for Indian Antelope. Hazel Jackson is represented in the Brookgreen Gardens collection by The Listeners, a sculpture group of raccoons, which was placed there in 1964. Don Quixote, now at Wellesley College won Jackson the Mahonri Young...

Figure study drawing with two nudes by Michael William Eggleston (American, 20th Century). Signed with the initials "MWE" in the lower right co...

"They Say Every Little Gesture Has a Meaning", Playboy cartoon illustration, August 1968 Pen and watercolor on board 12.5 x 9.5 in. (image) Signed...

Nude in a Mirror Ink and wash on paper, n.d. Signed in red ink lower right (see photo) Illustrated: Elliott & Wooden, page 153, a monograph on the artist's drawings Note: a cop...

Nude on a Stool Ink on paper, c. 1970-80 Signed in red ink lower right Illustrated: Elliott & Wooden, page 232 A copy of this hardbound books accompanies purchase Condition: Excell...

Nude Reclining on a Mat Ink on paper, n.d. Signed in red ink lower right Same model used in Elliott & Wooden pages 198 and 199 Condition: Excellent Provenance: Estate of the Artist Warren Shaull, Dodge City, KS (collector's stamp verso) Aaron Bohrod (21 November 1907 – 3 April 1992) was an American artist best known for his trompe-l'œil still-life paintings. Education Bohrod was born in Chicago in 1907, the son of an emigree Bessarabian-Jewish grocer. Bohrod studied at the School of the Art Institute of Chicago and the Art Students League of New York between 1926 and 1930. While at the Art Students League, Bohrod was influenced by John Sloan and chose themes that involved his own surroundings. Career He returned to Chicago in 1930 where he painted views of the city and its working class. He eventually earned Guggenheim Fellowships which permitted him to travel throughout the country, painting and recording the American scene. His early work won him widespread praise as an important social realist and regional painter and printmaker and his work was marketed through Associated American Artists in New York. Bohrod completed three commissioned murals for the Treasury Departments Section of Fine Arts in Illinois; Vandalia in 1935, Galesburg in 1938 and Clinton in 1939. During World War II, Bohrod worked as an artist; first in the Pacific for the United States Army Corps of Engineers' Army War Art Unit...

Standing Female Nude Ink on paper Signed by the artist with his initials lower left "AB" Related to numerous drawings of the same model illustrate...