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Paula CraioveanuNude at the Window - original art by Paula Craioveanu inspired Matisse
$600
£455.71
€526.50
CA$840.92
A$941.15
CHF 491.21
MX$11,477.17
NOK 6,286.79
SEK 5,951.25
DKK 3,929.21
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About the Item
"Nude at the Window" Tempera on paper, Part of my Nude in Interior series. Inspired by Matisse.
Shipped rolled in a tube. Free shipping with 1stDibs code Freeship for items over $500.
This work, "Nude at the Window", is a striking and minimalist composition that blends simplicity with vibrancy. The artist’s use of ultramarine blue on red paper is a bold choice, creating a dramatic chromatic tension that immediately captures the viewer's attention.
The interplay of ultramarine and red creates an intense and dynamic contrast. These two colors, being opposites on the color wheel, evoke a sense of vibrancy and energy. The red paper adds warmth and passion, while the blue tempera brings coolness and tranquility, balancing the emotional tone of the piece. The flat red background serves as a canvas for the ultramarine lines, emphasizing the figure without distraction.
The artist employs loose, gestural strokes to outline the nude figure. This fluidity gives the composition a sense of movement and immediacy, almost as if the figure is captured in a fleeting moment of introspection by the window. While the figure is recognizable, the artist avoids rigid anatomical precision. The abstraction invites the viewer to focus on the emotional resonance and mood rather than on details. The overlapping of strokes, especially around the legs and torso, creates a sense of translucency and layering, adding depth to an otherwise flat medium.
The title, Nude at the Window, along with the seated pose and downward glance of the figure, suggests introspection or vulnerability. The window could symbolize both physical and metaphorical openness—a connection between the inner and outer world. The style reflects a modernist sensibility, reminiscent of Matisse’s use of bold color fields and simplified forms. There’s also an echo of Fauvism, with its emphasis on pure color and emotional expression.
This piece seems to align with mid-20th-century explorations of minimalism and color field painting, while drawing on classical themes of the nude. The use of tempera on colored paper also recalls earlier, pre-Renaissance traditions of working with vibrant pigments, although here it’s adapted in a modernist context.
Overall, Nude at the Window is a beautiful example of simplicity and power in art, leveraging color and line to create an evocative and memorable piece. It invites quiet contemplation while resonating with modernist aesthetics.
Artist Statement
"I started by painting interiors, being interested in space and perspective through my studies. These scenes evolved, when I added the human figure. I focused more on the human figure and its relation to the background. The human figure is more present than ever in my paintings now.
As a woman artist I’ve been preoccupied with the female form and its imagery. One of my goals was to capture the solitary moments and the nude’s relation to the surrounding space.
My interest turned from depicting the space to rendering the atmosphere and the scene as a whole, the feeling a woman adds to the environment: warmth, desire, joy, a feeling of power and control, or the opposite – sadness, despair.
Here is a collection of figurative paintings, exploring the nudes in interior spaces, seeing the nudes from my perspective, as a woman artist, considering the physical and spiritual realities of a woman’s body, in a new level of intimacy. My paintings are the opposite of objectifying a woman’s or a man’s anatomy. Painted works, featuring female nudes and a also men nudes, in a reversal of the male-artist/female-muse pattern, validate the feminine experience, defining myself through it.
I was interested in how one experiences the body in a sensual form, and later focused on my own body, as I experience it myself, looking into the mirror and reconnecting.
My work challenges the tradition of the nude by capturing my point of view, the gaze of a female painter, by using photography, drawings, sketches, and painting on canvas, for, both physical and psychological exploration.
My art tries to create a visual language for emotion, beauty, feelings of intimacy and in the same time autonomy, captured with paint and vivid colors. My intense interest in colour and the gestures of the brush strokes are the means I see and convey the subjects in space, as living, passionate beings."
Paula Craioveanu
Biography:
Paula Craioveanu is a Romanian artist, born in 1976. She grew up surrounded by art and inspiration, in a family of artists. Trained in Bucharest and New York as an architect and painter. Holds a degree in Architecture and a PhD in Visual Arts. Presently working as a full-time artist.
At the age of 16, Paula Craioveanu moved to New York, where she came in contact with New York’s vibrant art scene, she graduated from high school and then studied at Parsons School of Design. Then she moved back to Romania where she studied for the next 6 years at the Architecture University in Bucharest and graduated with a degree in Architecture in 2000. In 2013 she earned a Ph.D in Visual Arts at the University of Arts in Bucharest with the theme “Geometry of Space in 17th century Dutch painting”. After this, she dedicated her full time to art, and showed her talent to the art world.
Paula Craioveanu works in acrylic and oil paints, but also pen and ink or tempera works on paper. She regularly participates in shows and exhibitions in galleries along the East and West Coast of the United States, like bG Gallery Santa Monica, Dacia Gallery and Perseus Gallery in New York.
Paula Craioveanu’s work is featured on the two most exclusive online art marketplaces, 1stDibs and Artsy.
Over the course of 20 years, Paula Craioveanu has created several painting series: “Abstract”, “Interiors”, “Nude in Interior”, “NeoMythology”. Paula Craioveanu’s work has been placed in private collection around the world, both in Europe and in the United States.
Today, Paula Craioveanu has set up studios and works in Bucharest and New York.
Find original Paula Craioveanu paintings, works on paper and other art on 1stDibs.
Next: Works on display - December 2024, Context Art Miami.
- Creator:Paula Craioveanu (1976, Romanian)
- Dimensions:Height: 27.56 in (70 cm)Width: 19.69 in (50 cm)Depth: 0.08 in (2 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Forest Hills, NY
- Reference Number:Seller: Romanian-American artist. PhD in Visual Arts.1stDibs: LU2240211835222
Paula Craioveanu
Trained in Bucharest and New York as architect and painter. Holds a degree in Architecture and a PhD in Visual Arts. Presently working as a full-time artist.
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By Paula Craioveanu
Located in Forest Hills, NY
Nude in the Afternoon Sun, pencil and tempera on paper, inspired by Matisse.
Part of Nude in Interior series. Shipped rolled in a tube. Free shipping for item over $ 500 with 1stDibs code FREESHIP.
In mat and framed as they were in the February exhibition, for display purposes.
"In the Afternoon Sun" is an evocative and skillful piece that captures the interplay between light, shadow, and the human form with remarkable sensitivity. The artist’s use of ultramarine tempera on ochre paper transforms a simple moment—sunlight filtering through a window—into an artwork filled with vitality, sensuality, and rhythm.
The subject's upward-reaching gesture, with one arm stretched behind her head, creates an elegant, sinuous line that imbues the piece with energy and a sense of motion. Her relaxed expression contrasts with the dynamism of her pose, creating a balance between activity and repose. The figure’s directness, combined with the slight tilt of her head and the open nature of the pose, draws the viewer in, making her seem both vulnerable and self-assured. The intimacy of the moment is heightened by the interplay of light and shadow.
The striped patterns of light and shadow play a leading role, emphasizing the contours and textures of the body. These light effects are not only realistic but also deeply expressive, almost creating an abstract overlay that adds rhythm to the composition. The stripes of sunlight create a sense of dimensionality, as if the viewer is peering into a real scene. The interplay of warm ochre and vibrant ultramarine enhances this layered effect, making the shadows feel alive.
The artist’s loose, fluid lines lend the piece a sense of immediacy and spontaneity, suggesting that this is a fleeting, captured moment. The gestural strokes used to delineate the figure and the shadows allow the piece to feel natural and unrestrained. The figure is the undeniable focal point, with the bold ultramarine providing sharp contrast against the warm ochre. The background elements, though faintly suggested, remain unobtrusive, allowing the shadows on the body to take center stage.
The work’s focus on sunlight playing across the nude figure evokes a sense of warmth, intimacy, and sensuality. There is a tactile quality to the shadows, as if the viewer can feel the heat of the afternoon sun. The relaxed pose, combined with the tranquil mood of the sunlight, suggests a private moment of reflection or contentment. The piece feels deeply personal yet universally relatable.
The emphasis on light and its interaction with the human form recalls the Impressionist movement, particularly the works of artists like Degas and Renoir. However, the gestural modernity of the brushwork gives this piece a contemporary flair. Throughout art history, the relationship between light and the human body has fascinated artists, from Caravaggio's dramatic chiaroscuro to Matisse’s lyrical nudes. This piece situates itself within that rich tradition while bringing a fresh and immediate perspective.
"In the Afternoon Sun" is a masterful exploration of the interaction between light, shadow, and the human form, capturing both the physical and emotional warmth of a sunlit afternoon. The artist's ability to balance naturalistic detail with expressive abstraction makes this piece both visually stunning and deeply resonant. It’s a celebration of the human figure in its purest, most natural state—bathed in sunlight and alive with the rhythms of nature.
Artist Statement
"I started by painting interiors, being interested in space and perspective through my studies. These scenes evolved, when I added the human figure. I focused more on the human figure and its relation to the background. The human figure is more present than ever in my paintings now.
As a woman artist I’ve been preoccupied with the female form and its imagery. One of my goals was to capture the solitary moments and the nude’s relation to the surrounding space.
My interest turned from depicting the space to rendering the atmosphere and the scene as a whole, the feeling a woman adds to the environment: warmth, desire, joy, a feeling of power and control, or the opposite – sadness, despair.
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