16th Century Nude Drawings and Watercolors
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Period: 16th Century
Bartolomeo Passarotti (1529-1592) - Study Of Two Legs
Located in PARIS, FR
BARTOLOMEO PASSAROTTI
(Bologna 1529 - 1592)
Study of two legs
Pen and brown ink, over black chalk
34,5 x 21,5 cm
Bears lower left the collector mark of Maurice Marignane (L. 1872) ...
Category
Renaissance 16th Century Nude Drawings and Watercolors
Materials
Ink
Study after Michelangelo’s “The Last Judgment”
By Michelangelo Buonarroti
Located in New York, NY
Italian School, 16th Century
Provenance:
Private Collection, New York
This intriguing drawing is a study by an anonymous 16th-century Italian artist after a vignette in Michelangelo’s fresco of The Last Judgement in the Sistine Chapel. The altar wall of the Sistine Chapel was already richly decorated when Pope Clement VII commissioned Michelangelo to paint his Last Judgment...
Category
Old Masters 16th Century Nude Drawings and Watercolors
Materials
Gouache, Paper
Sleeping Boy - Drawing by Giovanni Fontana - 16th Century
Located in Roma, IT
Sleeping Boy is an original modern artwork realized in the 16th century by Giovanni Fontana.
Ivory colored sheet attached on an ivory colored cardboard (...
Category
Old Masters 16th Century Nude Drawings and Watercolors
Materials
Paper, Pencil
A Musical Party
Located in New York, NY
Provenance:
Dr. George Hamilton, Massachusetts; and by descent.
Private Collection, Ohio, until 2021.
Exhibited:
(Possibly) Clark Art Institute, Massachusetts (according to a handwritten inscription on the reverse).
This drawing by an anonymous, 16th-century German hand presents a delightful scene of nymphs—mostly nude but some draped with cloth—making music in an outdoor setting. The composition is executed within a roundel and centers on the harpsichord played by the figure seen from behind. She is accompanied by a host of other instruments, including horns, a harp, and a lira da gamba played by figures gathered nearby, several of which are positioned along the curved edges of the visual field. Two satyrs observe the merrymaking—one leans on the harpsichord while the other holds aloft a cup, presumably of wine, adding a bacchic element to the revelry.
The drawing was previously owned by Dr. George Hamilton, scholar of modern art and Director of the Sterling and Francine Clark Art Institute in Williamstown (1966–1977). Hamilton played...
Category
Old Masters 16th Century Nude Drawings and Watercolors
Materials
Ink, Paper, Pen
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French School, Academic Study (Male Nude)
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French School, Academic Study (Male Nude)
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Located in PARIS, FR
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Apollo and the Muses, a Renaissance drawing attributed to Girolamo da Carpi
Located in PARIS, FR
This subtle drawing from the Roman Renaissance presents Apollo accompanied by three Muses. It is based on a sarcophagus depicting the nine Muses framed by Minerva and Apollo, which is now in the Kunsthistorisches Museum in Vienna. Girolamo de Carpi repeatedly drew figures from this sarcophagus during his stay in Rome between 1549 and 1553. Despite this common source of inspiration, the more delicate execution of our drawing and the similarities with a painting by the artist depicting Apollo or Poetry made around 1532-1534 (9th photo in the Gallery) suggest the same period of production for our drawing.
1. Girolamo de Carpi, a life between Ferrara and Rome at the service of the Este family
Our knowledge of Girolamo de Carpi's life is largely based upon the second edition of the Lives of the Artists published in 1568 by Giorgio Vasari (1511 - 1574), became a close friend of his around 1550.
Girolamo de Carpi was born in 1501 in Ferrara where his father was also a painter. After an apprenticeship shared between his father's workshop and that of Garofalo, Girolamo began his career in Bologna, where he settled in 1525, working on the frescoes in the sacristy of San Michele in Bosco alongside Biagio Pupini. He was then influenced by Parmigianino, whom he had met in Bologna or during a brief stay in Rome before moving to Bologna.
From 1530 onwards, Girolamo de Carpi settled in Ferrara, probably making a further stay in Rome in 1531. He also began to work for the d'Este family, first in Belriguardo, where he took part in the decoration of the Sala della Vigna, then in the Palazetto della Montagna di San Giorgio (of which he may have been the architect), which he also decorated with frescoes, and finally in Copparo. A true Renaissance court artist, Girolamo also executed easel paintings, ephemeral decorations and tapestry cartoons for his clients.
Cardinal Hippolyte d'Este, who, since the early 1540s, had been one of his main clients within this powerful family, called him to Rome to design the layout of his Quirinal garden. Girolamo remained in Rome for four years, also working as an architect at the Belvedere for Pope Julius III, before returning to Ferrara in 1553. His last work as an architect was the reconstruction of the ducal palace in Ferrara, which was partly destroyed by fire in 1554.
2. Description of the artwork and some related artworks
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