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Paul Desmond BrownPaul Brown Original Pencil Drawing For The 1946 Scribner's Book "Fur Or Feather"1946
1946
$1,200
£892.70
€1,046.62
CA$1,678.35
A$1,873.93
CHF 983.23
MX$23,127.60
NOK 12,359.34
SEK 11,564.35
DKK 7,807.99
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... And The Bunny Did A Flip Right In Front Of Teddy
Original pencil drawing for the 1946 Charles Scribner's Sons book "Fur Or Feather Days With Dog And Gun"
Art Sz: 10 5/8"H x 8"W
Frame Sz: 18 7/8"H x 13 5/8"W
Paul Desmond Brown~
Born in: Mapleton, Minnesota, USA. Died in: Garden City, New York, USA
1893-1959
Paul Desmond Brown was an illustrator and horse artist. He was born in Mapleton, Minnesota and as a child he began drawing horses.
Although he never owned a horse, he was a fan of horse sports and frequently went to hunt race meetings, polo matches, racetracks and horse shows. He studied everything about horses and became an expert at portraying them.
He is especially known for his gift to accurately depict horses in motion. During his career, he wrote and illustrated 32 books and illustrated another 100 by various authors. In addition to books, his works appeared in numerous magazines including Collier’s, Cosmopolitan, Liberty, Elks, The American Legion, Country Life, Spur, Polo, The Sportsman and many others.
As a commercial artist, he is recognized for the hundreds of drawings used by Brooks Brothers of New York in their advertising and promotional materials. He died in 1959 in Garden City, New York.
Paul Brown was an American illustrator of equestrian subjects although he was never formally trained as an artist. He is primarily known for his paintings, drawings and sketches of horses and equestrian sports. He is also well-known for his over three decades of illustrations for Brooks Brothers catalogs including more than one-thousand drawings. These illustrations made him a major influence on the image of urban males in twentieth-century America. With Paul Brown's art, color is only an occasional adjunct playing a very secondary role to the use of the hard-edged line. His style has a calculated simplicity, a casual appearance, but is very carefully contrived and executed with much authority. Illustrations by Paul Brown drew heavily upon copious notes and studies, often aided by photography as well as photographic memory. Brown preferred to draw with a pencil and, although not fond of painting, successfully employed a technique of using tinted paper with white highlights. During the heyday of polo in the 1930's, Paul Brown immortalized the sport for many in his illustrations for Peter Vischer's POLO magazine, of which Brown was a member of the editorial board. "Today those historical moments are often taken for granted, as is much of the past, but we still have Paul Brown's unique legacy to breathe life into those special times." Illustrating and writing books became Brown's main occupation, and he worked with the major publishers of the day including The Derrydale Press, Charles Scribner's Sons, Dodd, Mead & Company.
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