Portrait Drawings and Watercolors

Figure of Man is an Original pencil and Charcoal Drawing realized by Léon François Comerre (1850-1916). The artwork is in good condition include...

Clyde Steadman's "Untitled 19" is an original, handmade watercolor painting that depicts an impasto painting of a nude female model in an interior setting.

Clyde Steadman's "Untitled 7" is an original, handmade watercolor painting that depicts an impasto portrait of a feminine face with a blue background.

Regiment Prov. Croate is an original drawing in ink and watercolor realized by Herbert Knotel in 1930/40s. Good condition except for being aged. The artwork is depicted through str...

Chaim Gross (American, 1904-1991) Watercolor with pencil painting Rabbi Klezmer music concert, flute player. Hand signed framed: 15 X 28.5, paper: 9.5 X 23 Chaim Gross (March 17, 1904 – May 5, 1991) was an American modernist sculptor and educator. Gross was born to a Jewish family in Austrian Galicia, in the village of Wolowa (now known as Mezhgorye, Ukraine), in the Carpathian Mountains. In 1911, his family moved to Kolomyia (which was annexed into the Ukrainian USSR in 1939 and became part of newly independent Ukraine in 1991). When World War I ended, Gross and brother Avrom-Leib went to Budapest to join their older siblings Sarah and Pinkas. Gross applied to and was accepted by the art academy in Budapest and studied under the painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna, Austria shortly before immigrating to the United States in 1921. Gross's studies continued in the United States at the Beaux-Arts Institute of Design, where he studied with Elie Nadelman and others, and at the Art Students League of New York, with Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky, at the same time as Moses Soyer and Peter Blume. In 1926 Gross began teaching at The Educational Alliance, and continued teaching there for the next 50 years. Louise Nevelson was among his students at the Alliance (in 1934), during the time she was transitioning from painting to sculpture. In the late 1920s and early 1930s he exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club. In 1929, Gross experimented with printmaking, and created an important group of 15 linocuts and lithographs of landscapes, New York City streets and parks, women in interiors, the circus, and vaudeville. The entire suite is now in the collection of the Philadelphia Museum of Art. Gross returned to the medium of printmaking in the 1960s, and produced approximately 200 works in the medium over the next two decades. For more than sixty years Chaim Gross's art has expressed optimistic, affirming themes, Judaica, balancing acrobats, cyclists, trapeze artists and mothers and children convey joyfulness, modernism, exuberance, love, and intimacy. This aspect of his work remained consistent with his Jewish Hasidic heritage, which teaches that only in his childlike happiness is man nearest to God. In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, Israeli President, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. He also did some important Hebrew medals. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work.In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, President of Israel, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work. Gross was a professor of printmaking and sculpture at both the Educational Alliance and the New School for Social Research in New York City, as well as at the Brooklyn Museum Art School, the MoMA art school, the Art Student's League and the New Art School (which Gross ran briefly with Alexander Dobkin...

Portrait is an original pencil drawing realized by Tibor Gertler in 1960. Good conditions, mounted on a white cardboard passpartout (60x40 cm). Hand-signed by the artist on the low...

Profile is an Original Drawing in pencil carbon on creamy-colored paper realized by Mino Maccari in the mid-20th century. Hand-signed by the artist on the lower. Good conditions....

Portrait is an Original Drawing in pen on creamy-colored paper realized by Mino Maccari in the mid-20th century. Hand-signed by the artist on the lower. Good conditions. Mino Ma...

Figures of Women is an Original China Ink Drawing and Watercolour realized by Charles Dufresne (1876-1938). Good Condition on a yellowed paper, included a white cardboard passpartou...

Sentiment is an original drawing in china ink on paper by an Anonymous Artist of the XX century. Sheet dimension: 21 x 26 cm The state of preservation is good except for some stai...

Gentleman is an Original Drawing in pencil realized by Eugène Giraud in the Late 19th Century. Applied on a Cardboard, included a blue Passepartout: 41 x 33 cm Good conditions. Sta...

Gentleman is an Original Drawing in pencil realized by Eugène Giraud in the Late 19th Century. Applied on a Cardboard, included a blue Passepartout: 41 x 33 cm. Stamped on the lowe...

Work on paper without frame

Dance Party is an original Drawing on paper realized by painter Pierre Georges Jeanniot (1848-1934). Drawing in Pencil. Hand-signed on the lower. Good conditions. Pierre-Georges ...

Kongl. Lifgardet till Hast is an original drawing in ink and watercolor realized by Herbert Knotel in the 1930/40s. Good condition except for being aged. The artwork is depicted th...

Garde Imperiale is an original drawing in ink and watercolor realized by Herbert Knotel in 1930/40s. Good condition except for being aged. The artwor...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller". Fougasse (Cyril Kenneth Bird, 1887 - 1965) 'I'm very glad Jones offered me a li...

Kurt Scooby AKA @Channel2Scooby is a charcoal drawing on paper. Kurt Scooby is a professional boxer who started training out of Churchill Boxing Club in Los Angeles. This drawing was taken by prominent boxing photographer Mayumi Cabrera...

Portrait is an Original Drawing in pencil carbon on creamy-colored paper realized by Mino Maccari in the mid-20th century. Hand-signed by the artist on the lower. With another port...

Soldiers is an original drawing in ink and watercolor realized by by Herbert Knotel in 1930/40s. Good condition except for being aged. The artwork is ...

Portrait is an original Drawing on paper realized by painter Pierre Georges Jeanniot (1848-1934). Drawing in Pencil. Hand-signed. Good conditions. Pierre-Georges Jeanniot (1848–1...

Cleaning Of the House is an original Drawing on paper realized by the painter Pierre Georges Jeanniot (1848-1934). Drawing in pencil and watercolor. Hand-signed on the lower. Good...

Portrait is an Original Drawing in pen on creamy-colored paper realized by Mino Maccari in the mid-20th century. Hand-signed by the artist on the lower. Good conditions. Mino Ma...

Figures is an Original Drawing in red Pencil realized by an anonymous artist in the Early 20th Century. Mint Conditions. The artwork is depicted throu...

7e Hussards is an original drawing in ink and watercolor realized by Herbert Knotel in 1930/40s. Good condition except for being aged. Hand-signed. T...

Le 3e régiment d'infanterie légère is an original drawing in ink and watercolor realized by Herbert Knotel in 1930/40s. Good condition except for being aged. Hand-signed. The artwork is depicted through strong lines in well-balanced conditions. Herbert Knotel was a german artist, son and pupil of the famous uniformologist and military historian Richard Knotel...

Clyde Steadman's "Untitled 14" is an original, handmade watercolor painting that depicts an impasto scene of individuals grouped together.

Clyde Steadman's "Untitled 9" is an original, handmade watercolor painting that depicts an impasto portrait of a feminine face.

Regiment Provisoire Croate is an original drawing in ink and watercolor realized by by Herbert Knotel in 1930/40s. Good condition except for being aged. The artwork is depicted thr...

Clyde Steadman's "Untitled 20" is an original, handmade watercolor painting that depicts an impasto painting of a nude female model in an interior setti...

Richard III is an original ink and watercolor drawing realized by Charles Amelot (1759-1830). Good condition, included a white cardboard passpartout (37.5x55 cm). The artwork repre...

Clyde Steadman's "Untitled 13" is an original, handmade watercolor painting that depicts an impasto scene of individuals grouped together.

Kurhessisches Corps is an original drawing in ink and watercolor realized by Herbert Knotel in 1930/40s. Good condition except for being aged. Hand-si...

7e Hussards is an original drawing in ink and watercolor realized by Herbert Knotel in 1930/40s. Good condition except for being aged. Hand-signed. The artwork is depicted through strong lines in well-balanced conditions. Herbert Knotel was a german artist, son and pupil of the famous uniformologist and military historian Richard Knotel...

Clyde Steadman's "Untitled 6" is an original, handmade watercolor painting that depicts an impasto portrait of a feminine face with a blue background.

The Figures Sketches is an original Drawing on paper realized by French painter Norbert Meyre in the mid-20 century. Drawing in pencil and pen and pa...

Work on paper without frame slightly damaged on the sides, to be framed

Regiment Provisoire Croate Officier is an original drawing in ink and watercolor realized by by Herbert Knotel in 1930/40s. Good condition except for being aged. The artwork is dep...

Portrait is an original charcoal drawing on paper, realized by an anonymous artist in the Mid-20th Century. Good conditions. The artwork represented through deft strokes by mastery.

The Torture is an original Pastel drawing on paper realized by Gabriel Ferrier (1847-1914) in the 19th Century. Stamped on the lower on the rear.. Go...

This is a unique artwork. This is an original Hyman Bloom drawing of fellow artist and his very good friend Martin Sumers.I believe this was drawn at the “variations of a theme” at Sumers gallery in NYC. The last two photos show a poster and a card from their shows. it is not included in this listing, it is just for provenance. Provenance: Acquired from the Sumers estate collection. Hyman Bloom (March 29, 1913 – August 26, 2009) was a Latvian-born American painter. His work was influenced by his Jewish heritage and Eastern religions as well as by artists including Altdorfer, Grünewald, Caravaggio, Rembrandt, Blake, Bresdin, James Ensor and Chaim Soutine. He first came to prominence when his work was included in the 1942 Museum of Modern Art exhibition "Americans 1942 -- 18 Artists from 9 States". MoMA purchased 2 paintings from the exhibition and Time magazine singled him out as a "striking discovery" in their exhibition review. His work was selected for both the 1948 and 1950 Venice Biennale exhibitions and his 1954 retrospective traveled from Boston's Institute of Contemporary Art to the Albright Gallery and the de Young Museum before closing out at The Whitney Museum of American Art in 1955. In a 1954 interview with Yale art professor Bernard Chaet, Willem de Kooning indicated that he and Jackson Pollock both considered Bloom to be “America’s first abstract expressionist”, a label that Bloom would disavow. Starting in the mid 1950s his work began to shift more towards works on paper and he exclusively focused on drawing throughout the 1960s, returning to painting in 1971. He continued both drawing and painting until his death in 2009 at the age of 9 Hyman Bloom (né Melamed) was born into an orthodox Jewish family in the tiny Jewish village of Brunavišķi in what is now Latvia, then part of the Russian Empire At a young age Bloom planned to become a rabbi, but his family could not find a suitable teacher. In the eighth grade he received a scholarship to a program for gifted high school students at the Museum of Fine Arts. He attended the Boston High School of Commerce, which was near the museum. He also took art classes at the West End Community Center, a settlement house. The classes were taught by Harold Zimmerman, a student at the School of the Museum of Fine Arts, who also taught the young Jack Levine at another settlement house in Roxbury. When Bloom was fifteen, he and Levine began studying with a well-known Harvard art professor, Denman Ross, who rented a studio for the purpose and paid the boys a weekly stipend to enable them to continue their studies rather than take jobs to support their families. He took Bloom and Levine on a field trip to the Museum of Modern Art in New York, where Bloom was impressed by the work of Rouault and Soutine and began experimenting with their expressive painting styles. In the 1930s Bloom worked sporadically for the Public Works of Art Project and the Federal Art Project (WPA), He shared a studio in the South End with Levine and another artist, Betty Chase. It was during this period that he developed a lifelong interest in Eastern philosophy and music, and in Theosophy. He first received national attention in 1942 when thirteen of his paintings were included in the Museum of Modern Art (MoMA) exhibition Americans 1942: 18 Artists from 9 States, curated by Dorothy Miller. MoMA purchased two of his paintings from that exhibition, and he was featured in Time magazine. The titles of his paintings in the exhibition reflect some of his recurring themes. Two were titled The Synagogue, another, Jew with the Torah; Bloom was actually criticized by one reviewer for including "stereotypical" Jewish images. He also had two paintings titled The Christmas Tree, and another titled The Chandelier, both subjects he returned to repeatedly. Another, Skeleton (c. 1936), was followed by a series of cadaver paintings in the forties, and The Fish (c. 1936) was one of many paintings and drawings of fish he created over the course of his career. Bloom was associated at first with the growing Abstract Expressionist movement. Willem de Kooning and Jackson Pollock, who first saw Bloom's work at the MoMA exhibition, considered Bloom "the first Abstract Expressionist artist in America." In 1950 he was chosen, along with the likes of de Kooning, Pollock, and Arshile Gorky, to represent the United States at the Venice Biennale. That same year Elaine de Kooning wrote about Bloom in ARTnews, noting that in paintings such as The Harpies, his work approached total abstraction: "the whole impact is carried in the boiling action of the pigment". In 1951 Thomas B. Hess reproduced Bloom's Archaeological Treasure in his first book, Abstract Painting: Background and American Phase, along with works by Picasso, Pollock, and others. Both de Kooning and Hess remarked on Bloom's expressive paint handling, a key characteristic of Abstract Expressionist painting. As abstract expressionism dominated the American art world, Bloom became disenchanted with it, calling it "emotional catharsis, with no intellectual basis." In addition, instead of moving to New York to pursue his career, he opted to stay in Boston. As a result he fell out of favor with critics and never achieved the kind of fame that Pollock and others did. He disliked self-promotion and never placed much value on critical acclaim. Many of Bloom's paintings feature rabbis, usually holding the Torah. According to Bloom, his intentions were more artistic than religious. He began questioning his Jewish faith early in life, and painted rabbis, he claimed, because that was what he knew. Over the course of his career he produced dozens of paintings of rabbis...

Men of Church is an original drawing in pencil on paper realized by Edouard Dufeu in 1886. Hand-signed on the lower. Dated. Included a white Passeparto...

Sheperd is an original modern artowrk realized in 1958 by Claudio Cintoli. China ink drawing. Hand signed and dated on the lower margin. Includes frame.

Worker is an original Drawing on paper realized by the painter Pierre Georges Jeanniot (1848-1934). Drawing in carbon Pencil. Hand-signed on the lower. Good conditions except for ...

Profile is an Original Charcoal and Watercolor Drawing realized by Edouard Dufeu (1836-1900). Good condition. Hand-signed by the artist on the lower. Edouard Dufeu coming from a family originally from Egypt, Dufeu moved to Paris in 1860 and frequented the studio of Charles Gleyre...

Figure is an original drawing realized by Alfred Grévin in the Late-19 Century. With the stamp of atelier "Grevin" on the lower right. In good conditions. Alfred Grévin (1827- 18...

Inspired by the theatre world, Devie had retained her own unique drawing strokes. Her works reflect an approachable other-worldliness. She paints a story to be told and answered. Th...

Pilgrim is an original drawing in pencil on paper realized by Edouard Dufeu in 1880s. Hand-signed on the lower. Included a white Passepartout: 37 x30 cm Good conditions and aged. ...

Jacques Thevenet (1891-1989) Portrait of a man in the studio Gouache on paper Signed lower right 64 x 49 cm Framed 77 x 62 cm, some damages to the frame as visible on the photographs Jacques Thévenet was born in Montquinon 17 October 1891, in the family’s ancestral home, built by his great grand-father, Auguste Hugues Claude Thévenet, lawyer from Château-Chinon. He had 3 sisters and lost his mother in 1895 when he was only four. His father Louis moved the family to Paris where he run a law practice. Young Jacques studied at the Lycée Carnot and later attended the École de droit of the Sorbonne University. Simultaneously, he attended the Académie Julian, with several painters such as Amédée de la Patellière, Jean Crotti...

Portrait of Young Boy is an original drawing in pen on paper realized by Edouard Dufeu in the 1880s. Hand-signed on the lower. Good conditions and aged. The artwork is represente...

Elegant Lady is an original Drawing on paper realized by painter Pierre Georges Jeanniot (1848-1934) in the 1890s. Drawing in Pencil. Hand-signed on the lower. Good conditions. P...

The Compassion is an original Drawing on paper realized by painter Pierre Georges Jeanniot (1848-1934) in the 1890s. Drawing in Charcoal. Hand-signed on the lower. Good conditions...

The Sorcerer is an original Drawing on paper realized by painter Pierre Georges Jeanniot (1848-1934) in the 1890s. Drawing in Pencil. Hand-signed on the lower. Good conditions. P...

Tambour is an original drawing in ink and watercolor realized by Herbert Knotel in 1930/40s. Good condition except for being aged. The artwork is depicted through strong lines in well-balanced conditions. Herbert Knotel was a german artist, son and pupil of the famous uniformologist and military historian Richard Knotel...

Portrait of a Man is an original artwork realized in the second half of the 19th century by Édouard Detaille. China ink on paper. Passpartout cm 65...

Very stylish, unique and original 1940's fashion design by French illustrator Geneviève Thomas. The painting, executed in gouache and pencil. The s...

7e Hussards is an original drawing in ink and watercolor realized by Herbert Knotel in 1930/40s. Good condition except for being aged. Hand-signed. T...

The Young Girl is an original Drawing on paper realized by painter Pierre Georges Jeanniot (1848-1934). Drawing in Charcoal. Hand-signed on the lower. Good conditions with some fo...